{"id":17486,"date":"2021-04-30T12:54:21","date_gmt":"2021-04-30T10:54:21","guid":{"rendered":"https:\/\/www.radioartemobile.it\/?page_id=17486"},"modified":"2022-12-02T12:48:18","modified_gmt":"2022-12-02T11:48:18","slug":"weekly","status":"publish","type":"page","link":"https:\/\/www.radioartemobile.it\/en\/weekly\/","title":{"rendered":"WEEKLY"},"content":{"rendered":"<h1 align=\"LEFT\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18871 size-full\" src=\"https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/04\/weeklyCPs.png\" alt=\"\" width=\"1226\" height=\"1134\" srcset=\"https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/04\/weeklyCPs.png 1226w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/04\/weeklyCPs-300x277.png 300w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/04\/weeklyCPs-1024x947.png 1024w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/04\/weeklyCPs-768x710.png 768w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/04\/weeklyCPs-624x577.png 624w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/04\/weeklyCPs-600x555.png 600w\" sizes=\"auto, (max-width: 1226px) 100vw, 1226px\" \/><\/h1>\n<h1 align=\"LEFT\"><span style=\"font-size: 14pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 14pt;\">We<\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 14pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 14pt;\">ekly<\/span> <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: 14pt;\">sound selections <\/span><\/span><span style=\"font-size: 14pt;\"><strong style=\"color: #000000;\">by\u00a0<\/strong><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: 14pt;\">artists, musicologists, composers, <\/span><span style=\"font-size: 14pt;\">researchers and art critics, <\/span><strong>curated<\/strong><\/span><\/span><strong><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\">\u00a0by<br \/>\n<span style=\"color: #ff6600;\">Luca Vitiel<\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600;\">lo<\/span> and <span style=\"color: #ff6600;\">Lara Limongelli<\/span><\/span><\/span><\/strong><\/span><\/h1>\n<hr \/>\n<h1><\/h1>\n<h1><\/h1>\n<h1 style=\"text-align: center;\"><strong><u><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-14252\" src=\"https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2019\/04\/RAM_LOGO300dpi-1024x495.png\" alt=\"\" width=\"153\" height=\"74\" srcset=\"https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2019\/04\/RAM_LOGO300dpi-1024x495.png 1024w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2019\/04\/RAM_LOGO300dpi-300x145.png 300w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2019\/04\/RAM_LOGO300dpi-768x371.png 768w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2019\/04\/RAM_LOGO300dpi-600x290.png 600w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2019\/04\/RAM_LOGO300dpi-624x301.png 624w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2019\/04\/RAM_LOGO300dpi.png 1824w\" sizes=\"auto, (max-width: 153px) 100vw, 153px\" \/><br \/>\n<\/u><\/strong><span style=\"font-family: arial black, sans-serif; font-size: 36pt; color: #ff6600;\"><strong>WEEKLY<\/strong><\/span><span style=\"font-family: 'arial black', sans-serif; color: #ff6600;\"><strong><span style=\"font-size: xx-large;\"><span style=\"font-size: 36pt;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif; color: #ff6600;\"><br \/>\nLATEST PODCASTS<\/span><\/span><\/span><\/strong><\/span><\/h1>\n<h1 style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY <\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000; font-family: terminal, monaco, monospace; font-size: 10pt;\"><span style=\"color: #ff6600;\">#23<\/span>\u00a0<\/span><span style=\"color: #000000;\"><span style=\"color: #ff6600; font-family: arial black, sans-serif;\"><span style=\"font-size: 12pt;\">ANTONIA GOZZI<\/span> <span style=\"font-size: 12pt;\">OPPENHEIM<\/span> \/ <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 10pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">\u00a0WEEKLY <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600;\">#22<\/span> <span style=\"font-size: 10pt; font-family: arial black, sans-serif;\"><span style=\"color: #ff6600; font-size: 12pt;\">00185fm\u00a0 <\/span><\/span><span style=\"color: #ff6600;\">\/\u00a0<\/span><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\">#21 <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">FRANCESCA BONO<\/span>\u00a0 \/\u00a0 <\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY <\/span>#20 <\/span><\/span><\/span><\/span><\/span><span style=\"color: #ff6600; font-family: arial black, sans-serif;\"><span style=\"font-size: 12pt;\">TOMMASO BATTISTELLI<\/span> \/\u00a0 <\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY <\/span>#19 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt;\">\u00d8KAPI\u00a0<\/span> \/ <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span> #18 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">FRANCESCO<\/span> <span style=\"font-size: 12pt;\">FONASSI<\/span>\u00a0 \/\u00a0 <\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span> #17 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">ANDY MOOR<\/span>\u00a0 \/\u00a0 <\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span> #16 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">MARCO CAIZZI<\/span> \/\u00a0 <\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600;\">#15\u00a0 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">ACCHIAPPASHPIRT<\/span> \/ <\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span><span style=\"color: #000000;\"> <span style=\"color: #ff6600;\">#14 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">CLAUDIO LIBERO PISANO<\/span>\u00a0 \/\u00a0\u00a0 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span><span style=\"color: #000000;\"> <span style=\"color: #ff6600;\">#13 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">PIERO MOTTOLA<\/span>\u00a0 \/\u00a0 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span><span style=\"color: #000000;\"> <span style=\"color: #ff6600;\">#12 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">MIKE COOPER<\/span>\u00a0\u00a0 \/\u00a0\u00a0 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span><span style=\"color: #000000;\"> <span style=\"color: #ff6600;\">#11\u00a0 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">CANECAPOVOLTO<\/span>\u00a0 \/\u00a0\u00a0 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span><span style=\"color: #000000;\"> <span style=\"color: #ff6600;\">#10 <\/span><\/span><\/span><\/span><\/span><span style=\"color: #ff6600; font-family: arial black, sans-serif;\"><span style=\"font-size: 12pt;\">STEVE PICCOLO\u00a0<\/span> \/\u00a0 <\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span><span style=\"color: #000000;\"> <span style=\"color: #ff6600;\">#9\u00a0 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt;\">H.H. LIM<\/span> \/\u00a0 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY <span style=\"color: #ff6600;\">#8 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif; color: #ff6600;\"><span style=\"font-size: 12pt;\">DONATELLA LANDI<\/span>\u00a0 \/\u00a0\u00a0 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span><span style=\"color: #000000;\"> <span style=\"color: #ff6600;\">#7 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif; color: #ff6600;\"><span style=\"font-size: 12pt;\">JONATHAN FRIGERI\u00a0<\/span> \/\u00a0\u00a0 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY<\/span><span style=\"color: #000000;\"> <span style=\"color: #ff6600;\">#6 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif; color: #ff6600;\"><span style=\"font-size: 12pt;\">PAOLO COTENI<\/span>\u00a0 \/\u00a0 <\/span><\/span><\/span><\/span><\/span><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\">WEEKLY <\/span><span style=\"color: #ff6600;\">#5 <\/span><\/span><\/span><span style=\"color: #000000; font-size: 8pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt;\">ACHIM WOLLSCHEID<\/span>\u00a0 <\/span>\/\u00a0 <\/span><span style=\"color: #000000;\"><span style=\"font-family: 'courier new', courier, monospace;\"><span style=\"font-family: terminal, monaco, monospace;\">WEEKLY <\/span><\/span><\/span><span style=\"color: #ff6600;\"><span style=\"color: #1c1c1c;\"><span style=\"color: #ff6600; font-family: 'courier new', courier, monospace;\"><span style=\"color: #000000; font-family: terminal, monaco, monospace;\"><span style=\"color: #ff6600;\">#4 <\/span><\/span><\/span><\/span><span style=\"color: #1c1c1c;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt;\">RICCARDO<\/span> <span style=\"font-size: 12pt;\">GIAGNI<\/span><\/span>\u00a0<span style=\"color: #ff6600;\"> \/ <\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: terminal, monaco, monospace;\">WEEKLY <\/span><\/span><span style=\"color: #ff6600;\"><span style=\"color: #1c1c1c;\"><span style=\"color: #ff6600; font-family: terminal, monaco, monospace;\">#3<\/span>\u00a0<span style=\"color: #ff6600; font-family: 'arial black', sans-serif; font-size: 12pt;\"> ANGELO M. FARRO<\/span>\u00a0<span style=\"color: #ff6600;\"> \/\u00a0 <\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: terminal, monaco, monospace;\">WEEKLY <\/span><\/span><span style=\"color: #ff6600;\"><span style=\"color: #1c1c1c;\"><span style=\"color: #ff6600; font-family: terminal, monaco, monospace;\">#2 <\/span><span style=\"color: #ff6600; font-family: 'arial black', sans-serif; font-size: 12pt;\">LUCA VITIELLO<\/span><span style=\"color: #ff6600;\">\u00a0 \/\u00a0 <\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: terminal, monaco, monospace;\">WEEKLY <\/span><\/span><\/span><span style=\"color: #ff6600;\"><span style=\"color: #1c1c1c;\"><span style=\"color: #ff6600; font-family: terminal, monaco, monospace; font-size: 10pt;\">#1 <\/span><\/span><\/span><span style=\"color: #ff6600;\"><span style=\"color: #1c1c1c;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"font-size: 12pt;\">PAOLO AITA<\/span>\u00a0 \/<\/span><\/span><\/span><\/span><\/span><\/h1>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-17876 alignright\" src=\"https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/cuffie-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/cuffie-150x150.jpg 150w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/cuffie-300x300.jpg 300w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/cuffie-1024x1024.jpg 1024w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/cuffie-768x768.jpg 768w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/cuffie-1536x1536.jpg 1536w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/cuffie-624x624.jpg 624w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/cuffie-600x600.jpg 600w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/cuffie-100x100.jpg 100w, https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/cuffie.jpg 1600w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1><span style=\"font-family: arial black, sans-serif;\"><strong><span style=\"font-family: terminal, monaco, monospace; font-size: 14pt;\">WEEKLY <\/span><span style=\"font-family: terminal, monaco, monospace; font-size: 18pt; color: #ff6600;\">#23<br \/>\n<\/span><\/strong><span style=\"font-size: 18pt;\"><strong><span style=\"color: #ff6600;\">ANTONIA GOZZI OPPENHEIM<\/span><\/strong><\/span><\/span><br \/>\n<span style=\"font-family: arial black, sans-serif;\"><strong><span style=\"font-size: 12pt; color: #000000;\">Tuesday <span style=\"color: #ff6600;\">Dec 7<\/span> 2021 sound selection curated by<br \/>\n<span style=\"color: #ff6600; font-size: 14pt;\">Antonia Gozzi Oppenheim <\/span><span style=\"color: #ff6600;\">&#8211; <em>I Fantasmi all&#8217;Opera<\/em><\/span> <span style=\"font-size: 10pt;\">&#8211; Podcast<\/span><\/span><\/strong><\/span><\/h1>\n<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"603\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/12\/1_POSTCARD_ARCADE.mp3'>1_POSTCARD_ARCADE<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/12\/2_ILLBE-YOUR-MIRROR.mp3'>2_I'LLBE YOUR MIRROR<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/12\/3_ABC-PROLOGO.mp3'>3_ABC PROLOGO<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/12\/4_STOCKHAUSEN.mp3'>4_STOCKHAUSEN<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/12\/5_HEIMLICH.mp3'>5_HEIMLICH<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/12\/6_METAMORFOSI_1.mp3'>6_METAMORFOSI_1<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/12\/7_TOKYO-UNTITLED.mp3'>7_TOKYO UNTITLED<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/12\/8_SANS.mp3'>8_SANS<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/12\/9_METAMORFOSI_2.mp3'>9_METAMORFOSI_2<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" 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style=\"text-align: justify;\"><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><strong><span style=\"font-size: 12pt;\"><span style=\"color: #ff6600;\">Antonia Gozzi Oppenheim &#8211; <em>I Fantasmi all&#8217;Opera<\/em><\/span> <span style=\"font-size: 10pt;\">&#8211; Podcast<\/span><\/span><br \/>\n<\/strong><\/span><span style=\"color: #ff6600;\"><em><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\">Questo podcast \u00e8 composto da registrazioni di varia natura: dal vivo, in studio, a casa, in viaggio, che appartengono a diverse situazioni: concerti d\u2019improvvisazione, spettacoli teatrali, <\/span><\/em><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><em><span style=\"color: #ff6600;\">performance di danza, installazioni video, composizioni solitarie.<\/span> Sono presenti, oltre alle voci degli strumenti, molte voci parlanti\/cantanti di varia natura: voci di cantanti e\/o attori che hanno partecipato ai progetti, voci da archivi, voci registrate nel corso del tempo. La voce di Karlheinz Stockhausen tratta da un documentario. Queste voci come i suoni degli strumenti e i suoni concreti sono tracce mnesiche, (la loro potenza si esprime nel timbro, nel modo in cui l\u2019hai detto quello che hai detto,) <span style=\"color: #ff6600;\">sono i fantasmi che abitano segretamente la nostra vita e sopraggiungono con balzi, irruzioni e sorprese.<\/span><\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\"><span style=\"color: #000000;\"><strong>PLAYLIST:<\/strong><\/span><br \/>\n<span style=\"color: #ff6600;\">TRACK 1)<\/span> &#8211; <span style=\"color: #ff6600;\"><em>POSTCARD ARCADE<\/em><\/span> di Antonia Gozzi &#8211; voce di Arcade Assogba &#8211; <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\"><span style=\"color: #ff6600;\">TRACK 2)<\/span> &#8211; <em><span style=\"color: #ff6600;\">I\u2019LL BE YOUR MIRROR<span style=\"color: #000000;\"> &#8211;<\/span><\/span><\/em> di Antonia Gozzi &#8211; voce di Jean Baudrillard, Alessandro Bandini, <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\">Giovanna Giovannini. &#8211; <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\"><span style=\"color: #ff6600;\">TRACK 3)<\/span> &#8211; <em><span style=\"color: #ff6600;\">ABC PROLOGO<\/span><\/em> &#8211; Prima parte: di Antonia Gozzi (violoncello Luca Tilli, pianoforte\/elettroacustica <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\">Antonia Gozzi). Composizione per lo spettacolo \u201cLe vertige des animaux avant l\u2019abattage\u201d regia di <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\">Caterina Gozzi\u00a0 Seconda parte: Maurice Ravel<em> Adagio del Concerto per pianoforte e orchestra in Sol maggiore<\/em> &#8211; <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\"><span style=\"color: #ff6600;\">TRACK 4)<\/span> &#8211; <em><span style=\"color: #ff6600;\">KARLHEINZ STOCKHAUSEN &#8211;<\/span><\/em> estratto dal documentario \u201cLes Grandes R\u00e9p\u00e9titions\u201d- voce <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\">di Karlheinz Stockhausen &#8211; <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\"><span style=\"color: #ff6600;\">TRACK 5)<\/span> &#8211; <em><span style=\"color: #ff6600;\">HEIMLICH <\/span><\/em>&#8211;\u00a0 estratto da un progetto di musica e testi di Antonia Gozzi in collaborazione <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\">con Monica Demuru (voce) e Luca Tilli (violoncello) &#8211; <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\"><span style=\"color: #ff6600;\">TRACK 6)<\/span><span style=\"color: #000000;\"> &#8211;<\/span> <em><span style=\"color: #ff6600;\">METAMORFOSI #1 <span style=\"color: #000000;\">&#8211;<\/span><\/span><\/em> estratto da registrazione concerto live con Roberto Bellatalla <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\">(contrabbasso) e Antonia Gozzi (elettroacustica) &#8211; voci di Hannah Arendt, Gilles Deleuze &#8211; <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\"><span style=\"color: #ff6600;\">TRACK 7)<\/span> &#8211; <em><span style=\"color: #ff6600;\">TOKYO UNTITLED &#8211;<\/span><\/em> di Antonia Gozzi \u2013 voci varie registrate in Giappone. Musica composta <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\">per un video di Laura Liverani e Michele Corleone. &#8211; <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\"><span style=\"color: #ff6600;\">TRACK 8)<\/span> &#8211; <span style=\"color: #ff6600;\"><em>SANS <span style=\"color: #000000;\">&#8211;<\/span><\/em><\/span> progetto di performance per musica e danza di Roberto Bellatalla \u2013 estratto da <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\">registrazione live performance con Roberto Bellatalla (contrabbasso), Alessandra Cristiani (danza), <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\">Antonia Gozzi (elettroacustica), Natalie Lithwick (voce), estratto da registrazione live &#8211; <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\"><span style=\"color: #ff6600;\">TRACK 9)<\/span> &#8211; <span style=\"color: #ff6600;\"><em>METAMORFOSI #2 <span style=\"color: #000000;\">&#8211;<\/span><\/em><\/span> estratto da registrazione concerto live con Roberto Bellatalla <\/span><span style=\"font-size: 8pt; font-family: arial black, sans-serif;\">(contrabbasso) e Antonia Gozzi &#8211; voce di Jacques Lacan.<br \/>\n<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"font-family: arial black, sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600;\">ANTONIA GOZZI OPPENHEIM<\/span> \u00e8 musicista di musica elettroacustica, compositrice, pianista, <\/span><span style=\"font-family: arial black, sans-serif; font-size: 8pt;\">improvvisatrice. Collabora con il teatro, la danza, l\u2019arte visiva. In teatro ha lavorato spesso come <\/span><span style=\"font-family: arial black, sans-serif; font-size: 8pt;\">assistente alla drammaturgia e alla regia. Insieme a Michele Corleone dirige la galleria INTERZONE a Roma.<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><span style=\"font-size: 14pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt; color: #ff6600;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span><\/span> <span style=\"font-size: 18pt;\">#22<\/span><br \/>\n<\/strong><\/span><\/span><\/span><\/span><\/span><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600; font-size: 1.5rem;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-size: 18pt;\">00185fm<\/span><br \/>\nTuesday <\/span><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600;\">Nov 30<\/span>\u00a02021 sound selection curated by<br \/>\n<\/span><\/span><\/span><\/strong><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600; font-size: 1.5rem;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 12pt;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 14pt;\">00185fm<\/span> &#8211; <em>Cadavre Exquis. Esperimento Cadavere Squisito <\/em><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif; color: #000000; font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\">&#8211; <span style=\"font-size: 10pt;\">Podcast<br \/>\n<\/span><\/span><\/span><\/strong><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/00185fm_weekly.mp3?_=1\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/00185fm_weekly.mp3\">https:\/\/www.dacmeetings.com\/weekly\/00185fm_weekly.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial black, sans-serif; font-size: 14pt;\"><strong><span style=\"font-size: 12pt;\"><span style=\"color: #ff6600;\">00185fm<\/span> <span style=\"color: #ff6600;\"><span style=\"color: #333333;\">&#8211;<\/span> <em>Cadavre Exquis. Esperimento Cadavere Squisito <\/em><\/span><span style=\"font-size: 10pt;\">&#8211; <\/span><\/span><span style=\"font-size: 10pt;\">Podcast<br \/>\n<\/span><\/strong><\/span><span style=\"font-family: arial black, sans-serif;\"><em><span style=\"font-size: 10pt; color: #ff6600;\"><strong><span style=\"text-decoration: underline;\">Gioco non competitivo di gruppo, in cui ogni partecipante riceve un flusso sonoro a partire dal quale crearne uno nuovo. Ma ad alcune condizioni:<\/span><\/strong><\/span><span style=\"font-size: 10pt;\"><br \/>\n<\/span><span style=\"font-size: 10pt; color: #ff6600;\">*** <\/span><span style=\"font-size: 12pt; color: #ff6600;\"><span style=\"font-size: 10pt;\">Regole<\/span><\/span><span style=\"font-size: 10pt; color: #ff6600;\">: <\/span><span style=\"font-size: 10pt;\"><strong><span style=\"font-size: 8pt;\">Il primo partecipante crea un flusso sonoro spontaneo. Mentre lo compone, scegliendo brani e sonorit\u00e0 a lui pi\u00f9 congeniali, deve immaginare uno scenario o una storia associati. Annota il titolo del suo mix, ma non pu\u00f2 comunicarlo agli altri partecipanti. Invia il suo flusso al giocatore successivo, che riceve e ascolta senza conoscere intenzioni n\u00e9 ispirazioni del giocatore precedente. Ascoltando il flusso ricevuto, il secondo giocatore deve immaginare quali parole chiave abbiano ispirato il primo e, sulla base di queste, comporre il suo lasciandosi guidare da associazioni libere. Allo stesso modo, dovr\u00e0 infine annotare il titolo del proprio mix tenendolo segreto, poi inviare il suo flusso al terzo giocatore. Quest\u2019ultimo continuer\u00e0 allo stesso modo e cos\u00ec via, per tutti i partecipanti. <\/span><\/strong><\/span><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\">*** S<\/span><\/span><strong><span style=\"font-size: 10pt;\"><span style=\"font-size: 12pt;\"><span style=\"color: #ff6600; font-size: 10pt;\">enso del gioco<\/span><\/span><\/span><\/strong><strong><span style=\"font-size: 10pt;\"><span style=\"font-size: 12pt;\"><span style=\"color: #ff6600; font-size: 10pt;\"><em>:<\/em> <\/span><\/span><span style=\"font-size: 8pt;\">Il senso che abbiamo cercato giocando sta nel prestare attenzione agli immaginari propri e degli altri, nell\u2019esplorare le risonanze tra interno ed esterno, nell\u2019osservare differenze e continuit\u00e0 che affiorano nelle percezioni reciproche. <\/span><\/span><\/strong><strong><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\">*** <\/span><\/span><\/strong><\/em><strong><span style=\"color: #ff6600;\"><span style=\"font-size: 10pt;\"><em>A gioco concluso:<\/em> <\/span><\/span><\/strong><em><strong><span style=\"color: #ff6600;\"><span style=\"font-size: 10pt;\"><span style=\"font-size: 8pt; color: #ff6600;\"><span style=\"color: #333333;\">abbiamo raccolto i diversi contributi come atti di una storia. Per ogni contributo abbiamo indicato il titolo pensato dal giocatore seguito dal titolo percepito dal giocatore successivo.<br \/>\n<\/span><\/span><\/span><\/span><\/strong><\/em><span style=\"font-size: 10pt; color: #ff6600;\"><strong><span style=\"font-size: 8pt;\"><em><span style=\"color: #000000;\">Ecco il risultato:<\/span><\/em><\/span><\/strong><\/span><\/span><\/p>\n<div>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><strong><span style=\"color: #ff6600;\"><span style=\"font-size: 10pt;\"><strong>ANTEFATTO <\/strong><\/span>&#8211; <\/span><\/strong><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">a cura di <\/span><span style=\"color: #ff6600;\"><strong><span style=\"font-size: 10pt;\">Melodie Husquin<\/span><span style=\"color: #3c3c52; font-size: 8pt;\"> (<\/span><\/strong><\/span><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt; color: #808080;\"><span style=\"font-size: 8pt; color: #3c3c52;\">min. 00:00:00 &#8211; 0014:00) <\/span><br \/>\n<\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">Titolo: <em><span style=\"color: #000000;\"><strong><span style=\"font-size: 10pt;\">Carezze nella Rivolta del Mare<\/span><\/strong><br \/>\n<\/span><\/em><span style=\"color: #000000;\">Ti<\/span><\/span><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">tolo percepito da <strong><span style=\"color: #ff6600;\">Adriano Cava<\/span><\/strong>: <span style=\"font-size: 10pt;\"><strong><em><span style=\"color: #000000;\">\u2026Uno Sciabordio, un Rumore, una Bruma, una Danza di Pulviscoli Impalpabili.<\/span><\/em><\/strong><\/span><\/span><\/span><\/p>\n<h6><span style=\"font-size: 8pt;\"><span style=\"font-family: arial black, sans-serif; color: #ff6600;\"><span style=\"font-size: 10pt;\">ATTO I <\/span>&#8211; <\/span><span style=\"font-family: arial black, sans-serif;\">a cura di <span style=\"color: #ff6600;\"><strong><span style=\"font-size: 10pt;\">Adriano Cava<\/span><\/strong><span style=\"color: #3c3c52;\"> (<\/span><\/span><\/span><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt; color: #808080;\"><span style=\"font-size: 8pt; color: #3c3c52;\">min. 00:14:00 &#8211; 00:44:00)<\/span><br \/>\n<\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">Titolo: <\/span><span style=\"color: #ff6600;\"><em><strong><span style=\"color: #000000; font-size: 10pt;\">Delirio nel Feudo. Bande, Briganti e Razzie nei Boschi del Principato Occitano<\/span><\/strong><br \/>\n<\/em><\/span><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10pt;\"><span style=\"font-size: 8pt;\">Titolo percepito da<strong><span style=\"color: #ff6600;\"> Vanessa Dyversa<\/span><\/strong>:<\/span><\/span><\/span> <span style=\"color: #000000;\"><em><strong>Frainteso nelle Onde Corte<\/strong><\/em><\/span><\/span><\/h6>\n<h6><span style=\"font-family: arial black, sans-serif; font-size: 12pt; color: #ff6600;\"><span style=\"font-size: 10pt;\">ATTO II<\/span> <span style=\"font-size: 8pt;\">&#8211; <\/span><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">A cura di <\/span><span style=\"color: #ff6600;\">Vanessa Dyversa<span style=\"color: #3c3c52; font-size: 8pt;\"> (<\/span><\/span><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"color: #000000; font-size: 8pt;\"><span style=\"color: #3c3c52;\">min. 00:44:00 &#8211; 01:10:40)<\/span><br \/>\n<\/span><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">Titolo:<\/span> <strong><em>Passi Lenti sul Mare di Sale<\/em><\/strong><\/span><br \/>\n<span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">Titolo percepito da <span style=\"color: #ff6600;\"><strong>Anna Giovanna<\/strong><\/span><\/span><span style=\"color: #000000;\">: <span style=\"font-size: 10pt;\"><strong><em>Fiumi, Foreste e Giardini Notturni<\/em><\/strong><\/span><\/span><\/span><\/h6>\n<h6><span style=\"font-family: arial black, sans-serif; font-size: 10pt; color: #ff6600;\">ATTO III &#8211; <\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">A cura di <\/span><span style=\"color: #ff6600;\">Anna Giovanna<\/span> <span style=\"color: #ff6600;\">(JLF)<span style=\"font-size: 8pt; color: #3c3c52;\"> (<\/span><\/span><\/span><span style=\"font-family: arial black, sans-serif; font-size: 8pt; color: #000000;\"><span style=\"color: #3c3c52;\">min. 01:10:40 &#8211; 01:53:30)<\/span><br \/>\n<\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">Titolo:<\/span> <span style=\"color: #000000;\"><em>Dal Popolo del Fiume al Popolo del Cielo. Un\u2019avventura dal Cuore della Foresta<\/em> <em>Pluviale Alla Luna e Ritorno<br \/>\n<\/em><\/span><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">Titolo percepito da <strong><span style=\"color: #ff6600;\">Kinked<\/span><\/strong><\/span>: <span style=\"color: #000000;\"><em>Giardino Impreciso<\/em><\/span><\/span><\/h6>\n<h6><span style=\"font-family: arial black, sans-serif; font-size: 10pt; color: #ff6600;\">ATTO IV <span style=\"font-size: 8pt;\">&#8211; <\/span><\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">A cura di <\/span><strong><span style=\"color: #ff6600;\">Kinked<span style=\"color: #3c3c52; font-size: 8pt;\"> (<\/span><\/span><\/strong><\/span><span style=\"font-family: arial black, sans-serif; font-size: 8pt; color: #808080;\"><span style=\"color: #3c3c52;\">min. 01:53:30 &#8211; 02:27:12)<\/span><br \/>\n<\/span><span style=\"font-family: arial black, sans-serif; font-size: 10pt;\"><span style=\"font-size: 8pt;\">Titolo:<\/span> <em>Appena Prima del Giardino<\/em><\/span><\/h6>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt;\"><span style=\"font-family: arial black, sans-serif;\"><strong><span style=\"color: #ff6600; font-size: 8pt;\">New Weird Italia<\/span><\/strong>: heterogeneous artistic expression born in<strong><span style=\"color: #ff6600; font-size: 8pt;\"> Misto Mame<\/span><\/strong> apartment.<\/span><\/span><br \/>\n<span style=\"font-size: 8pt;\"><span style=\"font-family: arial black, sans-serif;\">Running happenings, releasing records, spreading podcasts 00185fm and Zines.<br \/>\n<\/span><\/span><span style=\"font-size: 8pt;\"><span style=\"font-family: arial black, sans-serif;\">Expanded nonlinear collective. DIY attitude. Runaway movement.<\/span><\/span><br \/>\n<span style=\"font-size: 8pt;\"><span style=\"font-family: arial black, sans-serif;\"><strong><span style=\"color: #ff6600; font-size: 8pt;\">00185fm<\/span><\/strong>: frequenze intermittenti, trasmissioni mensili e aperiodiche.<\/span><\/span><\/p>\n<\/div>\n<p><span style=\"font-size: 8pt;\"><span style=\"font-family: arial black, sans-serif;\">link:<\/span><a href=\"http:\/\/www.newweirditalia.eu\/00185fm\/\"><span style=\"font-family: arial black, sans-serif;\"><br \/>\nwww.newweirditalia.eu\/00185fm\/<\/span><\/a><\/span><br \/>\n<span style=\"font-size: 8pt;\"><a href=\"http:\/\/www.newweirditalia.eu\"><span style=\"font-family: arial black, sans-serif;\">www.newweirditalia.eu<\/span><\/a><\/span><br \/>\n<span style=\"font-size: 8pt;\"><a href=\"https:\/\/www.instagram.com\/00185fm\/\"><span style=\"font-family: arial black, sans-serif;\">https:\/\/www.instagram.com\/00185fm\/<\/span><\/a><\/span><br \/>\n<span style=\"font-size: 8pt;\"><a href=\"https:\/\/www.instagram.com\/misto_mame_collective\/\"><span style=\"font-family: arial black, sans-serif;\">https:\/\/www.instagram.com\/misto_mame_collective\/<\/span><\/a><\/span><br \/>\n<span style=\"font-size: 8pt;\"><a href=\"http:\/\/riforma.bandcamp.com\/\"><span style=\"font-family: arial black, sans-serif;\">riforma.bandcamp.com\/<\/span><\/a><br \/>\n<a href=\"https:\/\/www.mixcloud.com\/GIOVANNAANNA\/\"><span style=\"font-family: arial black, sans-serif;\">https:\/\/www.mixcloud.com\/GIOVANNAANNA\/<\/span><\/a><\/span><br \/>\n<a href=\"http:\/\/mistomame.bandcamp.com\/\"><span style=\"font-family: arial black, sans-serif;\"><span style=\"font-size: 8pt;\">mistomame.bandcamp.com\/<\/span><\/span><\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><span style=\"font-size: 14pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt; color: #ff6600;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span><\/span> <span style=\"font-size: 18pt;\">#21<\/span><br \/>\n<\/strong><\/span><\/span><\/span><\/span><\/span><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600; font-size: 1.5rem;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-size: 18pt;\">FRANCESCA BONO<br \/>\n<\/span><\/span><\/span><\/span><\/strong><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600; font-size: 1.5rem;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\">Tuesday\u00a0<\/span><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600;\">Nov 23<\/span>\u00a02021 sound selection curated by<br \/>\n<\/span><\/span><\/span><\/strong><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600; font-size: 1.5rem;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 12pt;\"><span style=\"color: #ff6600;\"><em>Francesca Bono &#8211; I SWIM IN THE MOODS I WAS GIVEN <\/em><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif; color: #000000; font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\">&#8211; <span style=\"font-size: 10pt;\">Podcast<\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-size: 18pt;\"><br \/>\n<\/span><\/span><\/span><\/span><\/strong><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly_ram_bono.mp3?_=2\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly_ram_bono.mp3\">https:\/\/www.dacmeetings.com\/weekly_ram_bono.mp3<\/a><\/audio>\n<p><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\"><em><span style=\"font-family: 'arial black', sans-serif;\">I SWIM IN THE MOODS I WAS GIVEN<\/span><\/em> <span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\">&#8211; <span style=\"font-size: 10pt;\">Podcast<\/span><\/span><\/span><\/span><em><span style=\"font-family: 'arial black', sans-serif;\"><br \/>\n<\/span><\/em><\/span><em><span style=\"font-family: 'arial black', sans-serif;\">Questo podcast \u00e8 un omaggio assolutamente incompleto alla scena bolognese. Rappresenta una fotografia fugace del mio attuale stato d\u2019animo che poggia sulle note di brani ascoltati o riascoltati nelle ultime settimane. Ad alcune tracce di artist* che stimo, parte dei quali posso chiamare amic*, si alternano tracce in cui ho collaborato con altr* artist*(non sempre di base a Bologna), e un paio di idee grezze sepolte nel mio hard-disc, una sorta di scrigno senza fondo da cui ho recuperato i primi tentativi in sala prove con Vittoria Burattini, grande amica con la quale sto suonando recentemente in un inedito duo Juno-60\/batteria, e un brano mai uscito degli Ofeliadormein versione live-demo. In qualche modo credo sia tutto collegato, l\u2019ambiente bolognese \u00e8 l\u2019humus dove germoglia la mia poetica come artista, e dove sono maturata come tale, ma \u00e8 anche pontetra le precedenti ere della mia vita e quel che sar\u00e0.<\/span><\/em><\/span><\/p>\n<p><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">Alcune delle tracce sono state registrate con iphone.<br \/>\n<\/span><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600;\">Tracklist:<\/span><br \/>\n<\/span><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">1-Silvia Tarozzi, \u201cLa Sostanza dell\u2019Affetto\u201d<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">2-Alessandro Baris feat Lee Ranaldo, \u201cLast Letter To Jayne\u201d<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">3-Massimo Carozzi, \u201cEchelon\u201d<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">4-Oliver Mann &amp; Stefano Pilia, \u201cPrecious Stone\u201d<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">5-Alice Tambourine Lover, \u201cForse Non Sei Tu\u201d<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">6-Francesca Bono, \u201cUntitled (air)\u201d<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">7-Caterina Barbieri, \u201cArrows Of Time\u201d<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">8-Francesca Bono e Vittoria Burattini, VF#2<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">9-Suspectra, \u201cARENARIA\u201d<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">10-33ore, \u201cPrimo Polline\u201d<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">11-His Clancyness, \u201cHead Hang Low\u201d (Julian Cope cover)<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">12-Ofeliadorme, \u201cNotturno\u201d live-demo<\/span><\/p>\n<p><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600;\">FRANCESCA BONO<\/span> \u00e8 una musicista e cantautrice, fondatrice e leader delle band LetHerDive e Ofeliadorme. L&#8217;ultimo disco degli Ofeliadorme, co-prodotto e registrato in Galles da Howie B per la sua label, \u00e8 stato apprezzato anche da Peter Gabriel.\u00a0Ha fatto Tour in Europa, Cina e USA e ha suonato a festival storici come il SXSW negli Stati Uniti e il WOMAD in UK.Tra le collaborazioni, quelle con Massimo Volume, Gianni Maroccolo, Howie B, DJ Rocca, l\u2019artista Giuseppe De Mattia (insieme a Stefano Pilia ed Emilio Clementi) per la performance \u201cAllo stesso tempo\u201d sulla strage di Ustica.Francesca\u00a0\u00e8 parte del collettivo di artiste DonnaCirco, che ha reinterpretato il primo disco femminista italiano (1974), uscito per La Tempesta nel 2021.\u00a0<\/span><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">Con Vittoria Burattini porta in giro da fine 2021 un inedito duo batteria\/Juno-60 ispirato all\u2019opera di Maya Deren, che presto diventer\u00e0 un disco. <\/span><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">Ha collaborato alle illustrazioni per un libro scritto da una collega su una band seminale del rock mondiale, in uscita nel 2022, e sta collaborando a nuove produzioni discografiche della scena italiana e internazionale. Disegna sotto lo pseudonimo Wasted Walls e ha un bambino, Dante, insieme al compagno Marcello.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><span style=\"font-size: 14pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt; color: #ff6600;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span><\/span> <span style=\"font-size: 14pt;\">#20<\/span><\/strong><\/span><\/span><\/span><\/span><\/span><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600; font-size: 1.5rem;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\"><br \/>\n<\/span><\/span><\/span><\/strong><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"color: #000000;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"font-size: 18pt; color: #ff6600; font-family: 'arial black', sans-serif;\">TOMMASO BATTISTELLI<br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600; font-size: 1.5rem;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\">Tuesday\u00a0<\/span><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600;\">Nov 16<\/span> 2021 sound selection curated by<br \/>\n<\/span><\/span><\/span><\/strong><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600; text-align: start;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif; font-size: 12pt;\"><b><span style=\"color: #ff6600; font-size: 14pt;\">T<\/span><span style=\"color: #ff6600; font-size: 14pt;\">ommaso Battistelli &#8211; <\/span><\/b><\/span><\/span><\/span><\/span><\/strong><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600; font-size: 1.5rem;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif; font-size: 12pt;\"><b><span style=\"color: #ff6600;\"><em><span style=\"font-size: 14pt;\">MIMESI (Parte 1)<\/span>\u00a0<span style=\"color: #000000; font-size: 8pt;\">&#8211;<\/span><\/em><\/span><span style=\"color: #000000; font-size: 10pt;\"> Podcast<\/span><\/b><\/span><\/span><\/span><\/span><\/strong><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.radioartemobile.it\/ginga_weekly.mp3?_=3\" \/><a href=\"http:\/\/www.radioartemobile.it\/ginga_weekly.mp3\">http:\/\/www.radioartemobile.it\/ginga_weekly.mp3<\/a><\/audio>\n<div style=\"text-align: justify;\">\n<h5 style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><em><span style=\"font-family: 'arial black', sans-serif; color: #000000;\"><strong>In questo podcast ho selezionato quattro metodi diversi di integrazione con l&#8217;ambiente sonoro, i quali condividono lo stesso risultato, <span style=\"color: #ff6600;\">una mimesi al cui interno l&#8217;individuo si fonde e ritorna parte della &#8220;sinfonia universale&#8221;.<\/span><\/strong><\/span><\/em><\/span><\/h5>\n<h5 style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><strong>TOMMASO BATTISTELLI <\/strong><\/span><\/span><\/span><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\">&#8211; <\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\"><em>MIMESI (Parte 1)<\/em><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\"><span style=\"color: #000000; font-size: 10pt;\"><br \/>\n<\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #ff6600; font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\"><span style=\"font-size: 13.3333px;\">tracklist:<\/span><\/span><br \/>\n<\/span><\/span><\/span><\/span><span style=\"font-size: 12pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; color: #000000;\">1) <\/span><strong>THE OVAL LANGUAGE<br \/>\n<\/strong><span style=\"color: #808080;\"><em><span style=\"font-size: 10pt;\"><span style=\"color: #000000; font-size: 12pt;\"><strong>Waldkonzert 1.<\/strong><\/span><br \/>\n<\/span><\/em><\/span><span style=\"color: #000000; font-size: 10pt;\">(<\/span><span style=\"font-size: 10pt;\"><span style=\"color: #000000;\">Waldkonzerte<\/span> &#8211; <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"color: #808080;\"><span style=\"font-size: 12pt;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\">year: <\/span><\/span><\/span><\/span><span style=\"font-size: 12pt;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #000000;\">2019<\/span> \/ <\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 12pt; color: #000000;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #999999;\"><span style=\"color: #808080;\">31 min 00 sec)<br \/>\n<\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 12pt; color: #000000;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #999999;\"><span style=\"color: #000000; font-size: 12pt;\">2) <\/span><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\"><strong>AKIO SUZUKI<\/strong><\/span><br \/>\n<\/span><\/span><\/span><\/span><\/span><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-family: 'arial black', sans-serif;\"><em>Aufnahme im NewTaiza Tunnel,Tango,Kyoto.am 13.Oktober 1999<\/em><\/span><\/span><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #999999;\"><span style=\"color: #ff6600;\"><span style=\"color: #000000;\"><em><br \/>\n<\/em>(<\/span><span style=\"color: #000000;\">Tubridge 99-00<\/span><em><span style=\"color: #000000;\"> &#8211; <\/span><\/em><span style=\"color: #808080;\">year:<span style=\"color: #000000;\"> 2000<\/span> \/ <\/span><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"color: #808080;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\">44 min 30 sec)<br \/>\n<\/span><\/span><\/span><span style=\"font-size: 12pt; color: #000000;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #999999;\"><span style=\"color: #000000; font-size: 12pt;\">3)<\/span><span style=\"font-size: 12pt; color: #ff6600;\"> PHILIP CORNER<br \/>\n<span style=\"color: #000000; font-size: 10pt;\"><em><span style=\"font-size: 12pt;\">Somewhere in the Alps<\/span><br \/>\n<\/em>(Deutsche Bundesbahn<em> &#8211; <\/em><\/span><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 12pt; color: #000000;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #999999;\"><span style=\"color: #ff6600;\"><span style=\"color: #808080;\">year: <span style=\"color: #000000;\">1994<\/span> \/ <\/span><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"color: #808080;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\">26 min 30 sec)<br \/>\n<\/span><\/span><\/span><span style=\"font-size: 12pt; color: #000000;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #999999;\"><span style=\"font-size: 12pt; color: #ff6600;\"><span style=\"color: #000000;\">4)<\/span> ROLF JULIUS<br \/>\n<span style=\"font-size: 10pt; color: #000000;\"><em><span style=\"font-size: 12pt;\">Wind from China<\/span><br \/>\n<\/em>(Small Music<span style=\"color: #808080;\"> &#8211; year: <span style=\"color: #000000;\">1995 <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"color: #808080;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\">44 min 11 sec )<\/span><\/span><\/span><\/h5>\n<p>&nbsp;<\/p>\n<hr \/>\n<\/div>\n<h1><span style=\"font-size: 14pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt; color: #ff6600;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span> #19<\/span><\/strong><\/span><\/span><\/span><br \/>\n<\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"color: #000000;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"font-size: 18pt; color: #ff6600; font-family: 'arial black', sans-serif;\">\u00d8KAPI<br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><strong><span style=\"color: #000000;\"><span style=\"font-size: 12pt; color: #000000;\">Tuesday <\/span><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600;\">Nov 9<\/span>\u00a02021 sound selection curated by<br \/>\n<\/span><\/span><\/strong><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"color: #000000;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif; font-size: 12pt;\"><b><span style=\"color: #ff6600; font-size: 14pt;\">\u00d8kapi <\/span><em>\u2013 I WAS THERE\u00a0<span style=\"color: #000000; font-size: 8pt;\">&#8211;<\/span><\/em><span style=\"color: #000000; font-size: 8pt;\"> Podcast<\/span><\/b><\/span><br \/>\n<\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_okapi.mp3?_=4\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_okapi.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_okapi.mp3<\/a><\/audio>\n<div style=\"text-align: justify;\">\n<h1><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\"><b>\u00d8kapi <em>\u2013 I WAS THERE <\/em><\/b><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"color: #000000;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif; font-size: 12pt;\"><b><span style=\"font-size: 12pt;\"><em>&#8211;<\/em><\/span><span style=\"color: #000000; font-size: 8pt;\"> Podcast<\/span><\/b><\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<p><span style=\"font-size: 10pt;\"><em><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">Questo mio Podcast \u00e8 dedicato a tutte le musiche acustiche\/elettriche (non digitali) della mia adolescenza che hanno decisamente influenzato la musica elettronica che ho prodotto fino ad oggi.<\/span> Nessuna operazione nostalgica in questo guardarmi indietro, ma piuttosto una presa di coscienza degli umori sonori che hanno felicemente plasmato i miei desideri compositivi negli anni.<\/span><\/em><\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">\n<p><span style=\"font-size: 10pt;\"><em><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">This Podcast is dedicated to all the acoustic \/ electric (non-digital) music of my adolescence that has definitely influenced the electronic music I have produced until today.<\/span> No nostalgic operation in this looking back, but rather an awareness of the sonorous moods that have happily shaped my compositional desires over the years.<br \/>\n<\/span><\/em><\/span><span style=\"font-family: 'arial black', sans-serif; color: #ff6600;\">PLAYLIST<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">01 &#8211; Spike Jones\/Raymond Scott &#8211; Power House (1961)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">02 &#8211; U Totem &#8211; Dance of the Awkward (1990)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">03 &#8211; Andr\u00e9 Popp &#8211; La Polka Du Colonel (1957)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">04 &#8211; Joseph_Racaille &#8211; l&#8217;\u00e9t\u00e9 (1997)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">05 &#8211; After Dinner &#8211; Kitchen Life I (1989)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">06 &#8211; Fred Frith &#8211; Spring Any Day Now (1980)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">07 &#8211;\u00a0Debile Menthol &#8211; Stamo\u00ef De Cousu (1981)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">08 &#8211; Tiny Tim &#8211; Tip-Toe Thru&#8217; The Tulips With Me (1968)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">09 &#8211; Die Kn\u00f6del &#8211; Triet Bull (1993)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">10 &#8211; Aksak Maboul &#8211; Ciobane (1977)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">11 &#8211; Don Byron\/Mickey Kats &#8211; Trombonik Tanz (1993)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">12 &#8211; Juan Garcia Esquivel &#8211; The Peanut Vendor (El Manisero) (1960)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">13 &#8211; The Melody Four &#8211; Riding the Range (1987)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">14 &#8211; Guy Klucevsek &#8211; Dining in the Rough in the Buff (1987)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">15 &#8211; L\u2019Ensemble Ray\u00e8 &#8211; Opus 231 (1996)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">16 &#8211; Carla Bley &#8211; Funnybird Song (1974)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">17 &#8211; ZNR &#8211; le grande compositeur vu de dos (1976)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">18 &#8211; Wha Ha Ha &#8211; On The Floor (1981)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">19 &#8211; Lars Hollmer &#8211; Inte Quanta (1983)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">20 &#8211; Andr\u00e9 Duchesne &#8211; Le Passeur (1984)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">21 &#8211; Honeymoon Killers &#8211; Route National 7 (1981)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">22 &#8211; Willem Breuker Kollektief &#8211; El Tren Blindado (1985)<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">23 &#8211; Steve Beresford &#8211; I Was There (1985)<\/span><\/div>\n<div style=\"text-align: justify;\">\n<p><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\">24 &#8211; Les Granules &#8211; Avez-vous travaill\u00e9? (1989)<\/span><\/p>\n<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600;\">\u00d8kapi<\/span> \u00e8 un compositore elettronico franco-italiano, noto collagista e cut-up artist, esponente della plunderfonia. Ha all\u2019attivo numerosi dischi in solo, partecipazioni e formazioni. Spericolato attraversatore di codici e di generi, ascoltatore onnivoro, noto nel mondo della ricerca musicale come, per altri progetti, in quello undeground e dance.<\/span><\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600;\">\u00d8kapi<\/span> is a French-Italian composer of electronic music, well-known collagist and exponent of plunderphonic music. He released several solo records and took part to numerous collaborations and line-ups. A reckless crossplayer of codes and genres, an omnivorous listener, he&#8217;s appreciated in the musical research field and, because of other projects, in the underground and dance world as well.<\/span><\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div>\n<div style=\"text-align: justify;\"><strong><span style=\"font-size: 8pt;\">Link:<\/span><\/strong><\/div>\n<div style=\"text-align: justify;\"><strong><span style=\"font-size: 8pt;\"><a href=\"http:\/\/www.okapi.it\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.okapi.it\/&amp;source=gmail&amp;ust=1636556416594000&amp;usg=AFQjCNHr_TJ6vAeEbx2WwDce3eS1pG_fCg\">http:\/\/www.okapi.it\/<\/a><\/span><\/strong><\/div>\n<div style=\"text-align: justify;\"><strong><span style=\"font-size: 8pt;\"><a href=\"http:\/\/soundcloud.com\/okapi23\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/soundcloud.com\/okapi23&amp;source=gmail&amp;ust=1636556416594000&amp;usg=AFQjCNH14OhPDJws2yLXA698xvBANEXAeA\">http:\/\/soundcloud.com\/okapi23<\/a><\/span><\/strong><\/div>\n<div style=\"text-align: justify;\"><strong><span style=\"font-size: 8pt;\"><a href=\"http:\/\/soundcloud.com\/okapi\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/soundcloud.com\/okapi&amp;source=gmail&amp;ust=1636556416594000&amp;usg=AFQjCNG7uDd3wCgfbpD3BDGsfFupU6nAkg\">http:\/\/soundcloud.com\/okapi<\/a><\/span><\/strong><\/div>\n<div style=\"text-align: justify;\"><strong><span style=\"font-size: 8pt;\"><a href=\"http:\/\/slappress.bandcamp.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/slappress.bandcamp.com\/&amp;source=gmail&amp;ust=1636556416594000&amp;usg=AFQjCNGJACq5o3HIsQtoWUTpkkU54hIb8Q\">http:\/\/slappress.bandcamp.com\/<\/a><\/span><\/strong><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><span style=\"font-size: 14pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt; color: #ff6600;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span> #18<\/span><\/strong><\/span><\/span><\/span><br \/>\n<\/span><\/span><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600; font-size: 1.5rem;\"><span style=\"color: #000000;\"><span style=\"font-size: 18pt;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\">FRANCESCO FONASSI<br \/>\n<\/span><\/span><\/span><\/strong><b><\/b><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"color: #000000;\"><span style=\"font-size: 12pt; color: #000000; font-family: 'arial black', sans-serif;\">Tuesday <\/span><span style=\"font-size: 12pt; color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">Nov 2<\/span> 2021 sound selection curated by<\/span><br \/>\n<\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"color: #000000;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif; font-size: 12pt;\"><b>Francesco Fonassi \u2013 &#8220;<em>Western Ghats \/ Mapusa \/ Mumbai (1h Radio Edit) <\/em><br \/>\n<em>India, 2017&#8243;<\/em> &#8211; Podcast<\/b><\/span><br \/>\n<\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_fonassi.mp3?_=5\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_fonassi.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_fonassi.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\"><span style=\"color: #ff6600; font-family: arial black, sans-serif;\"><span style=\"font-size: 13.3333px;\"><b><span style=\"color: #000000;\"><span style=\"color: #ff6600;\">Francesco Fonassi<\/span> \u2013 <span style=\"color: #ff6600;\">&#8220;Western Ghats \/ Mapusa \/ Mumbai (1h Radio Edit) India, 2017&#8221;<\/span><\/span><br \/>\n<span style=\"color: #000000;\">\u2018<em>Radio edit da registrazioni di campo e configurazioni di diffusione ambientale effettuate in India nell\u2019aprile 2017: recitativo veda (Shalesh BR, Aldona); canti religiosi femminili (Ponda\/Bardez); reamping notturni da trombe acustiche nella foresta pluviale Western Ghats; spring festival, processione (Mapusa), radio tests e divertissements (Mumbai).<\/em><\/span><br \/>\n<\/b><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600;\">Francesco Fonassi<\/span> (b. 1986, Italy) is a sonic artist, researcher and musician working in the field of sound based performances, transmission\/transmedial art and experimental music. His work, developed through actions, recordings, environmental configurations, radio transmissions, listening sessions, sculptural prototypes and the creation of audiovisuals and sensory spaces, has been featured in institutions, museums, festivals and independent spaces in Europe, Asia and United States. He runs with colleagues an experimental venue\/studio\/radio-platform in Brescia, Italy &#8211; <span style=\"color: #ff6600;\">Spettro<\/span> &#8211; where he co-curates and organizes programs of concerts and sound performances. As musician (synthesist, improviser, composer) and in addition of his solo music production, he\u2019s currently part of several projects such as the avant-world duo <span style=\"color: #ff6600;\">Interlingua<\/span>, the electronic trio <span style=\"color: #ff6600;\">Chorus Abstracta<\/span>, a reel-to-reel tape machines duo with the producer <span style=\"color: #ff6600;\">Marta<\/span> <span style=\"color: #ff6600;\">Salogni<\/span>, and an experimental duo with artist\/musician <span style=\"color: #ff6600;\">Canedicoda<\/span>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><span style=\"font-size: 14pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt; color: #ff6600;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span><\/span> <span style=\"font-size: 14pt;\">#17<\/span><\/strong><\/span><\/span><\/span><br \/>\nANDY MOOR<\/span><\/span><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-size: 18pt; color: #ff6600;\"><br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><strong><span style=\"color: #000000;\"><span style=\"font-size: 12pt; color: #000000;\">Tuesday <span style=\"color: #ff6600;\">Oct 26<sup>th<\/sup><\/span> 2021 sound selection curated by<\/span><br \/>\n<\/span><\/strong><strong><span style=\"font-size: 12pt;\">Andy Moor <\/span><\/strong><strong><span style=\"font-size: 12pt;\">&#8211; <\/span><em><span style=\"font-size: 12pt;\">Avarice music <\/span><span style=\"font-size: 10.6667px; color: #000000;\">&#8211;<\/span><\/em><\/strong><span style=\"font-size: 10pt; font-family: terminal, monaco, monospace; color: #000000;\"><strong><span style=\"font-family: 'arial black', sans-serif;\">\u00a0Podcast<\/span><\/strong><\/span><\/span><span style=\"font-size: 10pt; font-family: terminal, monaco, monospace; color: #000000;\"><strong><br \/>\n<\/strong><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_moor.mp3?_=6\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_moor.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_moor.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; color: #ff6600;\"><strong><span style=\"font-size: 10pt;\">Andy Moor &#8211;<em> Avarice Music<\/em><\/span><em><span style=\"font-size: 10pt;\">\u00a0<\/span><span style=\"font-size: 10.6667px; color: #000000;\">&#8211;<\/span><\/em><\/strong><span style=\"font-size: 10pt; color: #000000;\"><strong>\u00a0Podcast<br \/>\n<\/strong><\/span><\/span><span style=\"color: #ff6600; font-family: 'arial black', sans-serif; font-size: 10pt;\"><span style=\"color: #000000;\"><em>&#8220;I made a selection of pieces of music that I am working on or have wokrked on in the last 2 years &#8230;mostly in collaboration with other musicians or poets. Its work in progress.. most of these pieces will change and develop over the next 2 years.&#8221;<\/em><\/span>\u00a0 Andy Moor<br \/>\n<\/span><span style=\"color: #ff6600;\"><span style=\"font-family: arial black, sans-serif;\"><span style=\"font-size: 13.3333px;\"><span style=\"font-size: 8pt; color: #000000;\"><br \/>\n<span style=\"font-size: 10pt; color: #ff6600;\"><em>Avarice music<\/em> <span style=\"color: #000000;\">by<\/span> Andy Moor<\/span> TRACKLIST:<\/span> <span style=\"color: #000000;\">&#8211; 1. <em>NEW GASBAH<\/em> &#8211; Andy Moor \/ 2. <em>MINGIEDE<\/em> \u2013 with Colin Maclean \/ 3. <em>BRAIN SLUMPING<\/em> with Yannis Kyriakides \/ 4. <em>CASSINI<\/em> with Marion Coutts \/ 5. <em>TARTAN<\/em> with Genevive Murphy &amp; Yannis Kyriakides \/ 6. <em>CAMERA<\/em> with Yannis Kyriakides \/ 7. <em>AVARICE<\/em> \u2013 Andy Moor feat Vijay Prashad \/ 8. <em>TRICKY CELLO<\/em> guitar \u2013 Andy Moor \/ 9. <em>SOMETHING<\/em> \u2013 with Anne-James Chaton \/ 10 . <em>LA MACHINE<\/em> \u2013 with Anne-James Chaton<\/span><\/span><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">ANDY MOOR<\/span>\u00a0 born in\u00a0 London in 1962, lives in Amsterdam \u2013 is a founding member of <em><span style=\"color: #ff6600;\">Dog Faced Hermans<\/span><\/em> 1986-1995 in Edinburgh Scotland, a founding member of <em><span style=\"color: #ff6600;\">Kletka Red<\/span><\/em> 1996-2004 and continues to be a full time member of <em><span style=\"color: #ff6600;\">The Ex<\/span><\/em> since 1990. Guitarist, photographer, composer of music for various projects and for film scores and involved in duo collaborations with sound poet <span style=\"color: #ff6600;\">Anne-James Chaton<\/span>, DJ and author <span style=\"color: #ff6600;\">DJ\/Rupture<\/span>, saxophonist <span style=\"color: #ff6600;\">John Butcher<\/span> and\u00a0 composer\u00a0 and electronic musician<span style=\"color: #ff6600;\"> Yannis Kyriakides<\/span>. He also has ongoing projects with improvisation groups<em><span style=\"color: #ff6600;\"> Lean Left<\/span><\/em> with <span style=\"color: #ff6600;\">Terrie Ex<\/span>, <span style=\"color: #ff6600;\">Ken vandermark<\/span> and <span style=\"color: #ff6600;\">Paal<\/span> <span style=\"color: #ff6600;\">Nilssen Love<\/span>,\u00a0<em><span style=\"color: #ff6600;\">Thermal<\/span> <\/em>with <span style=\"color: #ff6600;\">John Butcher<\/span> and <span style=\"color: #ff6600;\">Thomas Lehn<\/span> and a duo with <span style=\"color: #ff6600;\">Christine Abdelnour<\/span>. More recently he has begun working with his partner, dancer and choreographer <span style=\"color: #ff6600;\">Valentina Campora<\/span>, also with Scottish composre and performer <span style=\"color: #ff6600;\">Genevieve Murphy<\/span>,\u00a0 drummer<span style=\"color: #ff6600;\"> Frank Rosaly<\/span>\u00a0and commences a project in 2021 with<span style=\"color: #ff6600;\"> Anne-James Chaton<\/span>, <span style=\"color: #ff6600;\">Dj Rupture<\/span> and data artist <span style=\"color: #ff6600;\">Josh Begley<\/span> based on stories from the USA.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><span style=\"font-size: 14pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt; color: #ff6600;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span> #16<\/span><\/strong><\/span><\/span><\/span><br \/>\nMARCO CAIZZI<\/span><\/span><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-size: 18pt; color: #ff6600;\"><br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><strong><span style=\"color: #000000;\"><span style=\"font-size: 12pt; color: #000000;\">Tuesday <span style=\"color: #ff6600;\">Oct 19<sup>th<\/sup><\/span> 2021 sound selection curated by<\/span><br \/>\n<span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">Marco Caizzi <\/span><span style=\"font-size: 12pt;\">&#8211; <\/span><\/span><em><span style=\"font-size: 12pt; color: #ff6600;\">Trappola Per Granchi Vol.1 <\/span><span style=\"font-size: 10.6667px; color: #000000;\">&#8211;<\/span><\/em><\/span><\/strong><\/span><span style=\"font-size: 10pt; font-family: terminal, monaco, monospace; color: #000000;\"><strong><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\">\u00a0P<\/span>odcast<\/span><br \/>\n<\/strong><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_caizzitrapp.mp3?_=7\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_caizzitrapp.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_caizzitrapp.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; color: #ff6600;\"><strong><span style=\"font-size: 10pt;\">Marco Caizzi &#8211; <\/span><em><span style=\"font-size: 10pt;\">Trappola Per Granchi Vol.1 <\/span><span style=\"font-size: 10.6667px; color: #000000;\">&#8211;<\/span><\/em><\/strong><span style=\"font-size: 10pt; color: #000000;\"><strong>\u00a0Podcast<br \/>\n<\/strong><\/span><\/span><span style=\"font-size: 10pt;\"><em><span style=\"font-family: 'arial black', sans-serif;\">&#8220;che cos&#8217;\u00e8 una trappola per granchi? i granchi si muovono lateralmente per cui per intrappolarli bisogna usare dei ritmi regolari, ma laterali a volte pure noiosi. Questo \u00e8 un mix creato apposta cercando di tracciare diagonali ritmiche non troppo storte con eventuali spruzzate melodiche per attrarre e zigrinature di caos per disorientare. Ancora non sono riuscito a catturarli.&#8221; &#8211; <\/span><\/em><span style=\"color: #ff6600;\"><strong><span style=\"font-family: 'arial black', sans-serif;\">Marco Caizzi<\/span><\/strong><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 10pt;\">Marco Caizzi <\/span><span style=\"color: #000000; font-size: 8pt;\">\u00e8 un musicista, producer e DJ, sperimentatore di nuovi linguaggi che si muove con disinvoltura tra musica, informatica e comunicazione. Suona i synth a nome <span style=\"color: #ff6600;\">PikkioMania<\/span> nei<span style=\"color: #ff6600;\"> Rainbow Island<\/span>. Escogita nuovi modi di fare psichedelia interdimensionale ed esplorare altri mondi, \u00e8 ascoltatore bulimico di musica e appassionato di videogiochi, scrivendo occasionalmente di entrambi. Ama fare e ballare dj set di sviaggi e riddims. In passato autore del podcast <span style=\"color: #ff6600;\">RadioDio<\/span>, dal 2016 fa parte del collettivo <span style=\"color: #ff6600;\">Distant Future<\/span>. Attualmente produce la trasmissione radiofonica in podcast &#8220;<span style=\"color: #ff6600;\">Tempo Fuor di Sesto<\/span>&#8221; su <span style=\"color: #ff6600;\">RadioRaheem<\/span>. Da sempre ha il suo quartier generale a Roma.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><span style=\"font-size: 14pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt; color: #ff6600;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY <\/span><\/span><\/strong><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-size: 18pt; color: #ff6600;\">#15<br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-size: 14pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt; color: #ff6600;\">ACCHIAPPASHPIRT<\/span><\/span><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-size: 18pt; color: #ff6600;\"><br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"color: #000000;\"><span style=\"font-size: 12pt; color: #000000; font-family: 'arial black', sans-serif;\">Tuesday <span style=\"color: #ff6600;\">Oct 12<sup>th<\/sup><\/span> 2021 sound selection curated by<\/span><br \/>\n<span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt;\">Acchiappashpirt <\/span><span style=\"font-size: 12pt;\">&#8211; <\/span><em><span style=\"font-size: 12pt;\">miscelakaset\u00eb <\/span><span style=\"font-size: 10.6667px; color: #000000;\">&#8211;<\/span><\/em><\/span><\/span><\/strong><\/span><\/span><span style=\"font-size: 10pt; color: #000000;\"><strong>\u00a0Podcast\u00a0<\/strong><\/span><span style=\"font-size: 12pt; color: #ff6600;\"><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600; font-size: 18pt;\"><br \/>\n<\/span><\/span><\/span><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.dacmeetings.com\/weekly\/cooper\/weekly_acchiappas.mp3?_=8\" \/><a href=\"http:\/\/www.dacmeetings.com\/weekly\/cooper\/weekly_acchiappas.mp3\">http:\/\/www.dacmeetings.com\/weekly\/cooper\/weekly_acchiappas.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 14pt;\">Acchiappashpirt <\/span><span style=\"font-size: 10pt;\">&#8211; <em>miscelakaset\u00eb <span style=\"font-size: 8pt; color: #000000;\">&#8211;<\/span><\/em><span style=\"color: #000000;\"><span style=\"font-size: 8pt;\">&#8211; <\/span>Podcast<\/span><em><br \/>\n<\/em><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"><span style=\"color: #000000;\">&#8220;I<\/span><\/span><\/span><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"><span style=\"color: #000000;\">l mixtape<\/span><\/span><\/span><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"> in esclusiva per RAM<\/span> <span style=\"color: #ff6600;\">contiene una serie di tracce inedite<\/span> su album ufficiali: alcune tratte da <span style=\"color: #000000;\">performance dal vivo, da collaborazioni con artisti di diverse discipline. Altre edite solamente in compilation di artisti vari online, altre ancora anteprime di futuri lavori di cui non<\/span>\u00a0sappiamo ancora gli sviluppi.<span style=\"color: #ff6600;\"> In tutti i casi si tratta di esperimenti poetico sonori<\/span> che variano dal radio poema alla poesia binaurale, fino alla contaminazione con footwork e casiotune. <\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"><span style=\"color: #000000;\">I brani, accumulati in varie fasi della storia del duo, sono volutamenti privi di data nel tentativo di suggerire un ascolto atemporale e astorico<\/span><\/span><span style=\"color: #000000;\">,<\/span> in una narrazione ipnopompica attraverso la macchina del tempo della voce.&#8221; <span style=\"color: #ff6600;\">&#8211;<\/span> <span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><strong><span style=\"color: #ff6600;\">ACCHIAPPASHPIRT<\/span><\/strong><\/span><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 8pt;\">TRACKLIST<\/span> : <span style=\"color: #ff6600;\"><em>Theta<\/em><\/span> (unreleased radio poem) _\u00a0 <em>live in London at Secret Anarchy Garden Festival<\/em> \/ <\/span><span style=\"font-family: 'arial black', sans-serif;\"><em><span style=\"color: #ff6600;\">Organike<\/span> <\/em>(video sculpture poem)_ from <em>Metanoia<\/em>, video project by Cecilia Bullo \/ <em><span style=\"color: #ff6600;\">Te Rrota<\/span><\/em> (binaural poetry) _\u00a0 from <em>Klaustrophobie compilation<\/em> (headphones recommended) \/<em><span style=\"color: #ff6600;\"> Fake Poem<\/span> <\/em>(footwork poetry) _ from <em>Diapason compilation<\/em> \/ <em><span style=\"color: #ff6600;\">Terzo Tornante<\/span><\/em> (binaural poetry) _ from <em>Spettro compilation<\/em> (headphones recommended) \/ <em><span style=\"color: #ff6600;\">Occhi d\u2019Acqua<\/span><\/em> _ Unreleased &#8211; coming soon on<em> Riforma label videos<\/em> \/ <em><span style=\"color: #ff6600;\">Carezze<\/span><\/em> _ Unreleased lullabies project \/ <span style=\"color: #ff6600;\">Ci vediamo domani<\/span> _ Unreleased &#8211; coming soon on <em>Riforma label videos<\/em> \/<span style=\"color: #ff6600;\"><em> Il Castello<\/em><\/span> _ unreleased (excerpt)<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><strong><span style=\"color: #ff6600;\">ACCHIAPPASHPIRT<\/span> <\/strong>is a collaboration between the albanian poet <span style=\"font-size: 10pt;\"><strong><span style=\"color: #ff6600;\">Jonida<\/span> <span style=\"color: #ff6600;\">Prifti<\/span> <\/strong><\/span>and the italian sound artist <span style=\"color: #ff6600; font-size: 10pt;\"><strong>Stefano Di Trapani<\/strong><\/span> \u2013 <span style=\"color: #ff6600;\">a sound and video poetry\/poetronic project formed in 2008<\/span>.<br \/>\nInspired by the ouija board concept \u201cPoetry pilots the electronic sound through wirings and feedbacks and so turns it into poetry itself. Their concept is inspired by the ouija board, which is oral communication as a path to paranormal activities that passes through the linguistic Babel, used to free the sense\u201d.(Mapo magazine\/Albania). They played at several experimental and poetry festivals as \u201cI quattro elementi\u201d (Italian Culture Institute &#8211; Madrid, 2019), \u201cMediterranea 18 Young Artists Biennale&#8221; (Tirana\/ Durres Albania 2017), &#8220;Zuma Fest&#8221; (Milan 2017), &#8220;Summit of Braill\u00e9 Satellit\u00e9&#8221; (Lithuania, 2017), Poetitaly\u201d (Teatro Palladium 2015, Rome),\u201cScrittura degli echi\u201d (2015 Rome, Maxxi Museum), \u201cThalassa festival\u201d (Roma 2015), \u201cGenerazione y\u201d (Roma, Maxxi Museum 2014), <em>Secret anarchy garden<\/em> (2013 &#8211; UK),<em> Colour out of space<\/em> (2013 &#8211; Uk). Since 2010 hey manage the international sound poetry minfestival &#8220;Poesia Carnosa&#8221; in Rome.<br \/>\n<\/span><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600;\"><strong>INSTAGRAM: <\/strong><\/span><a href=\"https:\/\/www.instagram.com\/acchiappashpirt\/\">https:\/\/www.instagram.com\/acchiappashpirt\/<\/a><br \/>\n<span style=\"color: #ff6600;\">FACEBOOK:<\/span> <a href=\"https:\/\/m.facebook.com\/acchiappashpirt6\/\">https:\/\/m.facebook.com\/acchiappashpirt6\/<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1 style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span><\/span><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"> <span style=\"font-size: 18pt; color: #ff6600;\">#14<br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #000000; font-size: 12pt;\">Tuesday <span style=\"color: #ff6600;\">Oct 5<sup>th<\/sup><\/span> 2021 sound selection curated by<br \/>\n<\/span><span style=\"color: #ff6600; font-size: 18pt;\">CLAUDIO LIBERO PISANO<br \/>\n<span style=\"font-size: 12pt;\">Claudio Libero Pisano <span style=\"font-size: 10pt;\">&#8211; <em>Onze ans <\/em><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/span><\/span><span style=\"font-family: terminal, monaco, monospace; color: #000000; font-size: 10pt;\"><strong><span style=\"font-family: 'arial black', sans-serif;\">&#8211; Podcast\u00a0<\/span><\/strong><\/span><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 18pt;\"><br \/>\n<\/span><\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.dacmeetings.com\/weekly\/cooper\/weekly_claudioliberopisano.mp3?_=9\" \/><a href=\"http:\/\/www.dacmeetings.com\/weekly\/cooper\/weekly_claudioliberopisano.mp3\">http:\/\/www.dacmeetings.com\/weekly\/cooper\/weekly_claudioliberopisano.mp3<\/a><\/audio>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"font-size: 10pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><strong>Claudio Libero Pisano &#8211; <em>Onze Ans<\/em><\/strong> <\/span>: <em>Bande \u00e0 part<\/em>\u00a0 &#8211; Jean Luc Godard, 1964 ; <em>Vivre sa vie<\/em> \u2013 Jean Luc Godard, 1962 ; <em>Ascenseur pour l&#8217;\u00e9chafaud<\/em> \u2013 Louis Malle, 1958 ; <em>Bande \u00e0 part<\/em> \u2013 Jean Luc Godard, 1964 ; <em>Le m\u00e9pris<\/em> \u2013 Jean Luc Godard, 1963 ; <em>La Sir\u00e8ne du Mississipi<\/em> \u2013 Fran\u00e7ois Truffaut, 1969 ; <em>En cas de malheur<\/em> \u2013 Claude Autant-Lara, 1962 ; <em>Cl\u00e9o de 5 \u00e0 7<\/em> &#8211; Agn\u00e8s Varda, 1962 ;<em> Vivre sa vie<\/em> \u2013 Jean Luc Godard, 1962 ; <em>Hiroshima mon amour<\/em> \u2013 Alain Resnais, 1959 ; <em>Tirez Sur Le Pianiste<\/em> &#8211; Fran\u00e7ois Truffaut, 1960 ; <em>La v\u00e9rit\u00e9<\/em> \u2013 Henri Georges Clouzot, 1962 ; <em>Le Feu Follet<\/em> &#8211; Louis Malle, 1963 ; <em>Les demoiselles de Rochefort<\/em> \u2013 Jacques Demy, 1967.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">Claudio Libero Pisano<\/span> vive a Roma, insegna Museologia del Contemporaneo presso l\u2019Accademia di Belle Arti di Roma. Nel corso degli anni si \u00e8 occupato di restauro e musei. Ha diretto il CIAC \u2013 Centro Internazionale per l\u2019Arte Contemporanea di Genazzano (RM) \u2013 dal 2007 al 2017. Svolge attivit\u00e0 di curatore di mostre in ambito prevalentemente istituzionale.<br \/>\n<\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><strong>Claudio Libero Pisano<\/strong><\/span> lives in Rome, teaches Contemporary Museology at the Academy of Fine Arts in Rome. Over the years he has been involved in restoration and museums. He directed the CIAC &#8211; International Center for Contemporary Art of Genazzano (RM) &#8211; from 2007 to 2017. He is a curator of exhibitions in a mainly institutional context.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1 style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span><\/span><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"> <span style=\"font-size: 18pt; color: #ff6600;\">#13<br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #000000; font-size: 12pt;\">Tuesday <span style=\"color: #ff6600;\">Sep 28<sup>th<\/sup> <span style=\"color: #000000;\">2021<\/span><\/span> sound selection curated by<br \/>\n<\/span><span style=\"color: #ff6600; font-size: 18pt;\">PIERO MOTTOLA<br \/>\n<span style=\"font-size: 12pt;\">Piero Mottola <\/span><\/span><\/span><\/span><\/span><\/strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 12pt;\">&#8211; <\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 10pt;\"><strong><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><em>Autocorrelatore acustico: sistema automatico di passeggiate emozionali per voci internazionali a 10 emozioni &#8211; <\/em><\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/span><span style=\"font-size: 10pt;\"><strong style=\"font-family: terminal, monaco, monospace; color: #ff6600;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"color: #000000;\">Podcast<br \/>\n<\/span><\/span><\/span><\/span><\/strong><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/cooper\/mottola_weekly.mp3?_=10\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/cooper\/mottola_weekly.mp3\">https:\/\/www.dacmeetings.com\/weekly\/cooper\/mottola_weekly.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10pt;\"><em><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">L\u2019Autocorrelatore<\/span> \u00e8 un sistema automatico di generazioni di molteplici e complesse partiture musicali, vocali ed elettroniche, e che vive delle relazioni di Mappe a 5,10,15 parametri sperimentalmente ottenuti con la partecipazione di un ampio campione di persone. <\/span><span style=\"font-family: 'arial black', sans-serif;\">La composizione generata in modalit\u00e0 automatica organizza e combina 500 frammenti vocali ottenuti mediante un esperimento internazionale e itinerante, svolto nelle universit\u00e0 dalla Cina al Sud America, dal Centro America all\u2019Europa. <\/span><\/em><em><span style=\"font-family: 'arial black', sans-serif;\">Il risultato ottenuto \u00e8 un stimolo sonoro nuovo e imprevedibile di 20&#8242;, pensato per scatenare sia nell&#8217;autore che lo ha scatenato, come nel pubblico che lo ascolter\u00e0, fantastiche storie e profonde emozioni. &#8211; <\/span><\/em><\/span><span style=\"font-family: 'arial black', sans-serif; color: #ff6600;\"><span style=\"font-size: 10pt;\">Piero Mottola<\/span><br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #ff6600; font-size: 12pt;\">PIero Mottola<\/span> <a href=\"http:\/\/www.pieromottola.it\"><span style=\"color: #ff6600;\">www.pieromottola.it<\/span><\/a><\/strong> <span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">An artist and experimental musician who teaches Sound Design at the Accademia di Belle Arti Statale, Rome.<br \/>\n<\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">Since 1988 he has been studying the subjective response and free interpretation of the listener\/viewer to visual and sound structures, through experiments and measurements.<\/span> The results of this research have been published in the book <em>Passeggiate emozionali, dal rumore alla Musica Relazionale, <\/em>which has been presented in various Italian and foreign universities and in Italian radio and television cultural programmes on RAI Uno and RAI Radio Tre, as well as on Radio Cultura Argentina. This research has also been presented in various international museums and institutions: FIAC-Grand Palais, Paris (1992); Palazzo delle Esposizioni, Rome (1993); Artissima Lingotto Fiere, Turin (1994); Galleria Pino Casagrande, Rome (2003 and 2010); Fondazione Volume and RAM (Museo Radioartemobile), Casa dell\u2019Architettura, Rome (2010); Fondazione Spazio13, Warsaw (2010); Fondazione Signum, Venice (2010); Hochschule f\u00fcr Musik und Theater, Leipzig (2011 and 2014); 54th Venice Biennale (2011); 11th Havana Biennial (2012); Galleria OltreDimore, Art Basel, Basel (2012); 2nd China-Italy Biennial in Beijing (2013) and Turin (2015); MAMBA, Museo de Arte Moderno, Buenos Aires (2013); Galleria Nazionale d\u2019Arte Moderna, Rome (2013); 4th End of the World Biennial in Chile (2015); EAC (Escuela de Actores de Canarias), Tenerife (2015); Polytechnic University of Valencia (2015); MACRO, Museo d\u2019Arte Contemporanea, Rome (2015 and 2017); Museo Hermann Nitsch-Fondazione Morra, Naples (2009 and 2015); MAC, Museu de Arte Contemporanea, Santiago, Chile (2016); 4th China-Italy Biennial, Art District 798, Beijing (2016); Beijing Institute of Graphic Communication (2017); Contemporary Cluster Gallery, Rome (2018); Istituto di Cultura Italiano in Beijing (2017); Miami River Art Fair, Miami (2017); Contemporary Cluster Gallery, Rome (2018); Casa Morra, Fondazione Morra &#8211; Museo Hermann Nitsch, Naples (2018); Shanghai University (2018); Certosa di S. Martino, Castel S. Elmo, Naples (2018 and 2019); Kirchner Cultural Center, Buenos Aires (2019); Istituto Italiano di Cultura, Buenos Aires (2019); Fudan University, Shanghai (2019);Museo Nacional de Bellas Artes, L\u2019Avana (2019);ISA Universidad de las Artes, Havana (2019); MAD, Murate Art District, Florence (2019), MarTA, Museo Archeologico Nazionale, Taranto (2020).<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1 style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span><\/span><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"> <span style=\"font-size: 18pt; color: #ff6600;\">#12<br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #000000; font-size: 12pt;\">Tuesday <span style=\"color: #ff6600;\">Sep 21<sup>th<\/sup><\/span> 2021 sound selection curated by<br \/>\n<\/span><span style=\"color: #ff6600; font-size: 18pt;\">MIKE COOPER<br \/>\n<span style=\"font-size: 12pt;\">Mike Cooper &#8211;<em> Travels in Time of Plague <\/em><\/span><\/span><\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 12pt;\"><em><span style=\"font-size: 10pt; color: #000000;\">&#8211; <\/span><\/em><span style=\"color: #000000; font-size: 10pt;\">Podcast<\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/cooper\/cooper_weekly.mp3?_=11\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/cooper\/cooper_weekly.mp3\">https:\/\/www.dacmeetings.com\/weekly\/cooper\/cooper_weekly.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><strong><span style=\"font-size: 10pt;\"><em>This podcast is composed from field recordings made during many of our travels in many places over several years. Vietnam, Thailand, Australia, New Zealand, Cambodia, Crete and other places. Some of them recorded on my iphone and some with my Zoom recorder.<\/em>\u00a0 -mike<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">Mike Cooper<\/span> vive attualmente a Valencia in Spagna e negli ultimi 60 anni \u00e8 stato un viaggiatore internazionale ed esploratore musicale, spingendo i confini e le frontiere della sua musica e della sua arte. \u00c8 anche un creatore di film e video, un artista visivo e di installazioni e compone ed esegue musica dal vivo per film muti classici e contemporanei. Recentemente ha scritto e registrato la colonna sonora del film <em>Cane Fire<\/em> diretto da Anthony &#8211; Banau &#8211; Simon. Ad oggi ha pubblicato 70 dischi da solista, 37 collaborazioni primarie e appare in altre 26 uscite. &#8220;La musica di Cooper, in ogni sua forma, sembra ubriacarsi della mescolanza delle tradizioni popolari, cercando un punto tra tutte che renda familiare lo strano e viceversa. \u00c8 un musicista improvvisatore, uno che genera la sua musica in fogli, loop e strati, e sembra accumulare questi album di suoni trovati come un ragno tesse la seta, o una vite cresce le zucche. Appaiono semplicemente, ingrassati e maturi, i frutti dei suoi ricordi, viaggi e idiosincrasie&#8221;. &#8211; Pitchfork Review. <a href=\"http:\/\/www.cooparia.com\">www.cooparia.com<\/a> \/ <a href=\"http:\/\/mikecooper.bandcamp.com\">mikecooper.bandcamp.com<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><strong><span style=\"color: #ff6600;\">Mike Cooper<\/span> currently lives in Valencia in Spain and for the past 60 years he has been an international traveller and musical explorer pushing the boundaries and borders of his music and art. He is also a film and video maker, visual and installation artist and composes and performs live music for classic and contemporary silent films. He most recently wrote and recorded the score for the feature film <em>Cane Fire<\/em> directed by Anthony Banau &#8211; Simon. <\/strong><\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><strong>He has to date released 70 solo records, 37 primary collaborations and appears on 26 other releases. <\/strong><\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><strong>\u201cCooper\u2019s music, in any of its forms, seems drunk on the intermingling of folk traditions, searching for a spot between them all that renders the strange familiar and vice versa. He is an improvisatory musician, one who generates his music in sheets, loops, and layers, and he seems to accrete these found-sound albums like a spider spins silk, or a vine grows pumpkins. They just appear, fattened and ripe, the fruits of his memories, travels, and idiosyncrasies.\u201d &#8211; Pitchfork Review.<br \/>\n<a href=\"http:\/\/www.cooparia.com\">www.cooparia.com<\/a> \/ <a href=\"http:\/\/mikecooper.bandcamp.com\">mikecooper.bandcamp.com<\/a>.<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1 style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><br \/>\nWEEKLY<\/span><\/span><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"> <span style=\"font-size: 18pt; color: #ff6600;\">#11<br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #000000; font-size: 12pt;\">Tuesday <span style=\"color: #ff6600;\">Sep 14<sup>th<\/sup><\/span> 2021 sound selection curated by<br \/>\n<\/span><span style=\"color: #ff6600; font-size: 18pt;\">CANECAPOVOLTO<\/span><\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<h1 style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 12pt;\">canecapovolto &#8211;<em> Re-Soundscape <span style=\"font-size: 10pt; color: #000000;\">&#8211; <\/span><\/em><span style=\"color: #000000; font-size: 10pt;\">Podcast<br \/>\n<\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"603\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/01-podcast-tracce-singole-in-questordine-RAM_14-settembre-Il-topo-morto.mp3'>Il topo morto<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/00-podcast-tracce-singole-in-questordine-RAM_14-settembre-02-1987-III.mp3'>02 1987 III<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/03-podcast-tracce-singole-in-questordine-RAM_14-settembre-Ancora-Uomo-Massa-II.mp3'>Ancora Uomo Massa II<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/04-podcast-tracce-singole-in-questordine-RAM_14-settembre-Radu-criteria.mp3'>Radu criteria<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/05-podcast-tracce-singole-in-questordine-RAM_14-settembre-spot.mp3'>spot<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/06-podcast-tracce-singole-in-questordine-RAM_14-settembre-spot.mp3'>spot<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/07-podcast-tracce-singole-in-questordine-RAM_14-settembre-spot.mp3'>spot<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/08-podcast-tracce-singole-in-questordine-RAM_14-settembre-spot.mp3'>spot<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/09-podcast-tracce-singole-in-questordine-RAM_14-settembre-spot.mp3'>spot<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/10-podcast-tracce-singole-in-questordine-RAM_14-settembre-spot.mp3'>spot<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/11-podcast-tracce-singole-in-questordine-RAM_14-settembre-spot.mp3'>spot<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/12-podcast-tracce-singole-in-questordine-RAM_14-settembre-spot.mp3'>spot<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/13-podcast-tracce-singole-in-questordine-RAM_14-settembre-spot.mp3'>spot<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/14-podcast-tracce-singole-in-questordine-RAM_14-settembre-spot.mp3'>spot<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/15-podcast-tracce-singole-in-questordine-RAM_14-settembre-Data-loss.mp3'>Data loss<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/16-podcast-tracce-singole-in-questordine-RAM_14-settembre-A-fixed-dog.mp3'>A fixed dog<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/17-podcast-tracce-singole-in-questordine-RAM_14-settembre-Un-ruido-normal.mp3'>Un ruido normal<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/18-podcast-tracce-singole-in-questordine-RAM_14-settembre-Storm-Faith.mp3'>Storm Faith<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/19-podcast-tracce-singole-in-questordine-RAM_14-settembre-Pieter-W.mp3'>Pieter W<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"audio\",\"tracklist\":true,\"tracknumbers\":true,\"images\":true,\"artists\":false,\"tracks\":[{\"src\":\"https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/09\/01-podcast-tracce-singole-in-questordine-RAM_14-settembre-Il-topo-morto.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Il topo morto\",\"caption\":\"\",\"description\":\"\\\"Il topo morto\\\" di podcast ( tracce singole in quest'ordine) RAM_14 settembre. 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Traccia 19.\",\"meta\":{\"artist\":\"podcast ( tracce singole in quest'ordine) RAM_14 settembre\",\"length_formatted\":\"3:56\"},\"image\":{\"src\":\"https:\/\/www.radioartemobile.it\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/www.radioartemobile.it\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}}]}<\/script>\n<\/div>\n\t\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 8pt;\"><strong>Il podcast per RAM si sviluppa attraverso territori sonori tra loro pi\u00f9 o meno attigui, che abbiamo praticato nel giro di una ventina d\u2019anni. Tra Radiodramma\/film acustico e field recording c\u2019\u00e8 ancora tanto spazio: isuoni di strumenti a corda, o elettronici, ad esempio, ma anche tutti quegli elementi sonori che attendono di essere rubati, presi in prestito e riutilizzati. <\/strong><\/span><span style=\"font-size: 8pt;\"><strong>Parte delle composizioni realizzate con questo sistema misto sono confluite nei cd autoprodotti <span style=\"color: #ff6600;\">Normale (2018)<\/span> ed in In France <span style=\"color: #ff6600;\">(assieme a Torst, 2019)<\/span>. La Sound Art \u00e8 un universo prezioso ma ancora nascosto, \u00e8 un vero peccato lasciarla nelle mani dei sacerdoti del Paesaggio sonoro o degli accademici in genere. Qualche anno fa abbiamo fondato <span style=\"color: #ff6600;\">La scatola dei suoni<\/span>, l\u2019archivio sonoro di<span style=\"color: #ff6600;\"> Scuola FuoriNorma<\/span>, nel quale continuiamo a raccogliere suoni\/rumori <\/strong><\/span><span style=\"font-size: 8pt;\"><strong>registrati in tutti i contesti. La scatola dei suoni resta un punto di riferimento non solo per le <\/strong><\/span><span style=\"font-size: 8pt;\"><strong>composizioni di canecapovolto ma anche per le musiche altrui. Dalla sezione didattica di questo archivio nasce il progetto <span style=\"color: #ff6600;\">Re-soundscape<\/span>, (in collaborazione con Radio Ciroma) un\u2019opportunit\u00e0 per musiciste\/i per lasciare fertilizzare la propria immaginazione dai soundscapes realizzati da <\/strong><\/span><\/span><span style=\"font-size: 10pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"font-size: 8pt;\">allieve\/i delle Accademie di Catania e Palermo, composizioni che possono scegliere ed adottare come centro di nuove composizioni, senza per\u00f2 alterarle in alcun modo.<\/span><\/strong><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000; font-family: 'arial black', sans-serif;\"><strong><span style=\"font-size: 8pt;\"><span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"http:\/\/www.canecapovolto.it\/\">Canecapovolto<\/a> <\/span>nasce a Catania nel 1992. In una continua sperimentazione, supportata dall&#8217;uso di vari mezzi quali film acustici, video, installazioni, happening, collages, canecapovolto sviluppa un&#8217;indagine sulle possibilit\u00e0 espressive della visione e sulle dinamiche della percezione, adoperando tecniche originali di trattamento e manipolazione dell&#8217;immagine. Partendo dal cinema, dunque da esperimenti visivi e sonori inizialmente legati al cortometraggio in super-8, il gruppo ricorre a diverse pratiche di produzione audio-video, &#8220;sabotando&#8221; l&#8217;immagine mediatica di partenza con l&#8217;intento di attuare strategie di spiazzamento. Grande attenzione \u00e8 rivolta ad indagare la matrice scientifica della comunicazione e la sua risposta nello spettatore.\u00a0 \u00a0 \u00a0info: <a href=\"http:\/\/www.canecapovolto.it\"><span style=\"color: #ff6600;\">www.canecapovolto.it<\/span><\/a><\/span><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span><\/span><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"> <span style=\"font-size: 18pt; color: #ff6600;\">#10<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\">Tuesday <span style=\"color: #ff6600;\">Jul 19<sup>th<\/sup><\/span>\u00a02021 sound selection curated by<\/span><br \/>\n<span style=\"font-size: 18pt; font-family: 'arial black', sans-serif; color: #ff6600;\">STEVE PICCOLO<br \/>\n<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<h1 style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-size: 18pt; font-family: 'arial black', sans-serif; color: #ff6600;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\">STEVE PICCOLO <em>&#8211; Relational vocal sound compositions (often with the help of Gak Sato) <\/em><span style=\"font-size: 10pt; color: #000000;\">&#8211; <\/span><\/span><span style=\"font-size: 10pt; color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\">Podcast<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"603\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/1-Turchin-tapes-1.mp3'>1 mix<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/2-ABC-voice-mix-copy.mp3'>2 ABC voice mix copy<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/3-Turchin-tapes.mp3'>2 mix<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/4-bellinzona-mix.mp3'>4 bellinzona mix<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/5-Turchin-tapes.mp3'>3 mix<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/6-bordeaux-radio-mix.mp3'>6 bordeaux radio mix<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/7-Turchin-tapes.mp3'>4-A mix<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/8-genoa-cremona-mix.mp3'>8 genoa cremona mix<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/9-Turchin-tapes.mp3'>4-Bmix<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/10-Turchin-tapes.mp3'>5 mix<\/a><\/li><li><a href='https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/11-Turchin-tapes.mp3'>11-04 secret room mix<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"audio\",\"tracklist\":true,\"tracknumbers\":true,\"images\":false,\"artists\":false,\"tracks\":[{\"src\":\"https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/1-Turchin-tapes-1.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"1 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mix\\\".\",\"meta\":{\"length_formatted\":\"5:34\"},\"image\":{\"src\":\"https:\/\/www.radioartemobile.it\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/www.radioartemobile.it\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/07\/11-Turchin-tapes.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"11-04 secret room mix\",\"caption\":\"\",\"description\":\"\\\"11-04 secret room mix\\\".\",\"meta\":{\"length_formatted\":\"1:15\"},\"image\":{\"src\":\"https:\/\/www.radioartemobile.it\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/www.radioartemobile.it\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}}]}<\/script>\n<\/div>\n\t\n<h1 style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\">1)<\/span> Turchin Tapes <span style=\"color: #ff6600;\">2)<\/span> ABC voice mix <span style=\"color: #ff6600;\">3) <\/span>Turchin Tapes <span style=\"color: #ff6600;\">4)<\/span> Bellinzona mix <span style=\"color: #ff6600;\">5)<\/span> Turchin Tapes <span style=\"color: #ff6600;\">6)<\/span> Bordeaux radio mix <span style=\"color: #ff6600;\">7)<\/span> Turchin Tapes <span style=\"color: #ff6600;\">8)<\/span> Genoa-Cremona mix <span style=\"color: #ff6600;\">9)<\/span> Turchin tapes <span style=\"color: #ff6600;\">10)<\/span> Turchin tapes <span style=\"color: #ff6600;\">11)<\/span> Turchin tapes<\/span>\u00a0<\/span><\/h1>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"font-size: 8pt;\">The relational sound pieces are made by <span style=\"color: #ff6600;\">getting visitors and listeners involved in the creation of the composition. They usually involve a closed, private and possibly soundproofed space called a Panic Box, in which the participants can enter and record themselves, without anyone else seeing or hearing what they are doing (at the time)<\/span>. This anonymity is essential for the results. If an actual outfitted room cannot be found, I do the recording (as the sole witness), or it is done by volunteers, inside a private space but therefore not in total solitude. The idea of a \u201cpanic room\u201d first appeared in Copenhagen, in a crowded new shopping center at Christmas time. Since then it has evolved into many situations. I usually ask people to make vocal not verbal sounds. When the individual sounds they have contributed are edited into an almost musical narrative, the outcome is a kind of snapshot of the emotional temperature of a place \u2013 a town, a museum, a school, a community \u2013 at a given moment. It is surprising how much the results can vary from location to location. In museums, where people think they should be on their best behavior, often whispering and almost acting reverential, the chance to release emotions in a private setting can generate rather vulgar and certainly infantile sonic results. Sometimes we edit the vocal sounds into a track we can use as an \u201caural score.\u201d This means that other volunteers, wearing an earbud headphone in just one ear, can imitate the score, making their interpretation of the sounds into a choral performance. <span style=\"color: #ff6600;\">At the performance, the audience cannot hear the original sounds, but only the mediation of impromptu performers attempting to imitate what they hear in their earbuds. Once we even did this in two different cities at the same time, connected on the web. The volunteers in Genoa performed the sounds made by people in Cremona, and vice versa, not at the same time but with overlaps.<\/span> The results were very interesting, I thought. The procedure could become a sort of secret code for non-verbal audio communication between different communities, even distant from each other on the earth and not speaking the same language.\u00a0<span style=\"color: #ff6600;\"> The Turchin tapes were made using old cassette recorders, operated by the visitors to the museum themselves, in total privacy. They are by far the most \u201cuninhibited\u201d sounds. There were two cassette decks, and the tapes have been mixed in two tracks exactly as found at the end of each day of the week-long experiment. The Turchin Center for the Arts in Boone, North Carolina, hosted me and Gak Sato in a residency in 2006. The vocal ABC piece includes sounds made by volunteers instructed to improvise non-verbal ways of using the letters of the alphabet. At Accademia Carrara in Bergamo, early 2000s. The Bellinzona mix is a piece (including theremin by Gak Sato) based on a very loose verbal score as a guide for improvisation. The performers are mostly from an \u201camateur\u201d chorus, and they stood inside the arcades of a multilevel cloister. This was for the Babel translation festival in 2006. The Bordeaux mix was made in collaboration with elementary school students during the festival Evento Bordeaux curated by Michelangelo Pistoletto in 2011<\/span>.<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">Steve Piccolo<\/span> (USA, lives and works in Milan, Italy). After studying at Bard College and New York University, he began his career in the 1970s playing bass in jazz groups and doing sound\/performance in New York art spaces. In 1979 he started the Lounge Lizards with the Lurie brothers, a project which continued for about five years. Active since the mid-1970s in music, theater, performance art, sound installations, video and film soundtracks. His activities as a musician, composer, artist, curator and teacher have become too numerous, frequent and varied to list them all here. He has exhibited\/performed at the Kitchen, Franklin Furnace, Environ, Squat Theater, PASS, La Mama, Issue Project Room, The Stone (all in NYC, from 1979 to 2010), Zona Gallery Florence (1982), Galleria Peccolo Livorno (1982, 2006), Documenta 8 Kassel (1987), La Rada Locarno (1989, 2004), Japanese Institute of Culture Rome (2003), MAMCO Geneva (2003), Palazzo delle Papesse Siena (2003, 2005, 2007), Base Gallery Florence (2004), FRAC Bretagne (2004, 2014), Triennale Milan (2004-05-07-09), Villa Croce Genoa (2005, 2012), Berlin Jazz Festival (1981 and 2005), Technical Breakdown Copenhagen (2005-06), Swiss Cultural Center Milan (2005), Venice Art Biennale (with WPS1, 2005, and with performances in Belgian and Greek pavilions, 2015), Sant\u2019Arcangelo Festival (2005), Itinerario Festival Cesena (2005, 2007, 2014), Galleria Mazzoli Modena (2006), Turchin Center for the Arts Boone NC (2006, with residency), Trinity College Wales (2006), Venice Music Biennial (2006), ArtBasel Miami (2006), Kettle\u2019s Yard Cambridge (2006), Babel Festival Bellinzona (2006), Moscow Biennial (2007), MiArt (2007), Swiss Cultural Institute Rome (2007), Spazio Mudima Milan (2007), SoundRes Lecce (2007), Experimenta Arts Festival Alberobello (2007), Performa New York (2007), Istanbul Biennial (2007), Body Process Arts Festival Istanbul (2007), Art Shakes Politics Messina (2007), Spazio Oberdan Milan (2008), Venice Film Festival (2008), Plektrum Festival Tallinn (2008), Venice Architecture Biennial (2008), GAM (now MAGA) Museum Gallarate (2008), City of Bergamo public art project (2008), Casino Luxembourg (2009), Metropolitan Museum New York (2009), City of Piacenza public art project (2009), Neon Bologna (2009, 2010), Parco d\u2019Arte Vivente Turin (2010), Galleria Continua San Gimignano (2010), Loop Festival Barcelona (2010), Novara Jazz Festival (2010), (un)defined festival Merano (2010), Grrr Jamming Squeak Rotterdam (2011), TeatroStudio Scandicci (2011), group show I Miss My Enemies (collateral event Venice Art Biennial 2011), Festival of Imperial Gardens St. Petersburg Russia (2011) Isola Art Center Milan (exhibitions and local activism since 2002), Tirana Art Center (2011), Taller Seite Medellin (2011), Milano Film Festival (2011), Evento Bordeaux (2011), Auditorium Parco della Musica Rome (2012), Contemporary Locus Bergamo (2012), Festival della Filosofia, Modena (2012), MAAXI Rome (2014), Manifesta 10 St. Petersburg (2014), Vienna Secession (2014), Expo Milano (2015), Italian Cultural Institute Bratislava (2015), National Gallery of Arts Tirana, ONUFRI Prize (2016), Vienna Kunsthall (sounds for Nathalie Du Pasquier, 2016), Innsbruck International (with LF Nagler, 2016), Palazzo Reale Milan (VR project in exhibition by A. Pomodoro, with Oliver Pavicevic). Many of these projects were done in ongoing collaboration with Japanese musician\/sound artist Gak Sato. Piccolo was sound curator at ArtVerona in 2008 and for the exhibition \u201cClub 21\u201d during Frieze 2010 in London, and curator of the project Chinatown Temporary Art Museum for Undo.net\u2019s participation at InContemporanea Milan in 2008. His collaborations on art video\/performance\/installation soundtracks include works with Adrian Paci, Luca Pancrazzi (including sound art group DE-ABC with Gak Sato), A Constructed World, Giancarlo Norese, Alessandro Mendini, Nathalie Du Pasquier, Gabriele Di Matteo, Marc Vincent Kalinka, Marzia Migliora, VedovaMazzei and many others. He has published many records (see discography on his website). He has taught art courses at Accademia Carrara Bergamo (2002-2014), NABA Milan (2005-13), and Politecnico di Milano (Piacenza campus). His writings have been published in many international journals, magazines and books, including 4 years of a monthly column for the magazine InSound and curating of sound art pages at the Undo.Net website. Steve was one of the active members of Isola Art Center in Milan (2001-2013), and is currently part of the magazine-collective E IL TOPO (since 2009). Projects for 2017 include a workshop at Galleria Nazionale Rome and a performance at Museo Vincenzo Vela (Ticino). He has founded and curates, together with Sergio Armaroli, a space for sound art and poetry in Milan, ERRATUM, and he is a founding member of the cultural association Citt\u00e0 Sonora. For more info explore <a href=\"https:\/\/stevepiccolo.com\">https:\/\/stevepiccolo.com<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1 style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span><\/span><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"> <span style=\"font-size: 18pt; color: #ff6600;\">#9<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\">Tuesday <span style=\"color: #ff6600;\">Jul 6<sup>th<\/sup><\/span>\u00a02021 sound selection curated by<\/span><br \/>\n<span style=\"font-size: 18pt; font-family: 'arial black', sans-serif; color: #ff6600;\">H.H. LIM<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-12\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_lim.mp3?_=12\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_lim.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_lim.mp3<\/a><\/audio>\n<p><span style=\"font-size: 8pt;\"><span style=\"font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"color: #ff6600;\">H.H. LIM<\/span> <em>&#8211; <span style=\"color: #ff6600;\">Daily Music<\/span><\/em> <span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\">2010-2020<\/span> &#8211; <\/span><\/strong><\/span><span style=\"font-size: 10pt; color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\">Podcast<br \/>\nExcerpts from <em>Daily Music<\/em> series by H.H. Lim (2010-2020 &#8211;<span style=\"font-size: 8pt;\"> ongoing project<\/span>)<br \/>\n<span style=\"color: #ff6600;\">Ten Years Of Daily Music<\/span> : <\/span><\/span><\/span><\/span><strong><span style=\"font-size: 8pt;\">Daily Music (2010) \/\u00a0<\/span><span style=\"font-size: 8pt;\">Daily Music (2020)\u00a0<\/span><\/strong><\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt; font-family: arial, helvetica, sans-serif;\"><strong><span style=\"color: #000000;\"><em>Collage frammentato e casuale &#8211; telegiornali, pubblicit\u00e0, variety shows \u2013<span style=\"color: #ff6600;\"> Daily Music<\/span> \u00e8 lo zapping cacofonico dell\u2019abnorme flusso sonoro televisivo divenuto ormai musica di sottofondo del quotidiano <\/em>\u201d<\/span>. <span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\">dal testo di <\/span><span style=\"color: #ff6600;\">Anna Cestelli Guidi<\/span><span style=\"color: #ff6600;\"> , testo per CAMERE <\/span><span style=\"color: #ff6600;\">RAM radioartemobile 2010\u00a0<\/span><\/span><\/strong><\/span><\/span><\/p>\n<p><em><span style=\"font-family: arial, helvetica, sans-serif; font-size: 10pt;\"><strong><span style=\"color: #ff6600;\"><span style=\"color: #000000;\">A fragmented and random collage \u2013 clips from the news, adverts, variety shows &#8211; <span style=\"color: #ff6600;\">Daily Music<\/span> is the cacophonous zappingof the abnormal flux of sound from the television, now having almost become the background music of daily life\u201d. from the text by<span style=\"font-family: 'arial black', sans-serif;\">\u00a0<span style=\"font-size: 8pt; color: #ff6600;\">Anna Cestelli Guidi , testo per CAMERE <\/span><strong style=\"font-size: 8pt;\"><span style=\"color: #ff6600; font-family: 'arial black', sans-serif;\">RAM radioartemobile 2010<\/span><br \/>\n<\/strong><\/span><\/span><\/span><\/strong><\/span><\/em><\/p><\/blockquote>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><strong><span style=\"color: #ff6600;\">H.H LIM <\/span><span style=\"color: #000000;\">Nato in Malesia e laureato all\u2019Accademia delle Belle Arti di Roma, H.H. Lim vive e lavora a Roma dal\u00a0 1976. L&#8217;opera di Lim, si concentra particolarmente sui vari aspetti della comunicazione, una comunicazione fatta di immagini e suoni. Il lavoro di H.H Lim mette in stretta relazione culture completamente diverse, con i suoi segni e immagini evidenzia la connessione tra gli elementi della comunicazione globale ma soprattutto pone una riflessione sulla quotidianit\u00e0 e la convivenza di lingue e conoscenze differenti. Segni e parole, oggetti quotidiani e materiali malleabili, insistono ed evidenziano il rapporto stretto e continuo tra diverse culture e diversi paesi.<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"font-size: 8pt;\"><span style=\"color: #ff6600;\">H.H. LIM<\/span> Born in Malaysia and graduated from the Academy of Fine Arts in Rome, H. H. Lim has lived and worked in Rome since 1976. Lim&#8217;s work focuses particularly on the various aspects of communication, a communication made of images and sounds. The work of H. H. Lim creates a link between completely different cultures, with his signs and images highlighting the connection between the elements of global communication, it is a reflection on everyday life and the coexistence of different languages and knowledge. Signs and words, everyday objects and malleable materials, insist and highlight the close and continuous relationship between different cultures and different countries.<\/span><\/strong><\/span><span style=\"color: #888888;\"><br \/>\n<\/span><\/p>\n<hr \/>\n<h1><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY<\/span><\/span><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"> <span style=\"font-size: 18pt; color: #ff6600;\">#8<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\">Tuesday Jun <span style=\"color: #ff6600;\">21<sup>th<\/sup><\/span>\u00a02021 sound selection curated by<\/span><br \/>\n<span style=\"font-size: 18pt; font-family: 'arial black', sans-serif; color: #ff6600;\">DONATELLA LANDI<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-13\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/D_LANDI_AUTOBIOGRAFIA_SONORA_1969_1974.mp3?_=13\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/D_LANDI_AUTOBIOGRAFIA_SONORA_1969_1974.mp3\">https:\/\/www.dacmeetings.com\/weekly\/D_LANDI_AUTOBIOGRAFIA_SONORA_1969_1974.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt;\"><span style=\"color: #ff6600;\">Donatella Landi &#8211; <em>Autobiografia Sonora 1969 \u2013 1974<\/em><\/span> <span style=\"font-size: 10pt;\">(2021)<\/span> <span style=\"font-size: 10pt;\">Podcast<\/span><\/span><br \/>\n<\/span><em><span style=\"font-size: 10pt;\"><strong><span style=\"font-family: 'arial black', sans-serif;\">Questo lavoro \u00e8 parte di una ricerca che sto portando avanti dal 2019, tuttora <\/span><span style=\"font-family: 'arial black', sans-serif;\">in corso. Un processo di attivazione di memoria per riannodare eventi <\/span><span style=\"font-family: 'arial black', sans-serif;\">sedimentati e fondativi della mia vita personale connessi alla memoria e alla <\/span><\/strong><\/span><\/em><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><em><span style=\"font-size: 10pt;\"><strong>storia collettiva. <\/strong><\/span><\/em><br \/>\n<span style=\"font-size: 10pt; color: #333399;\"><a href=\"https:\/\/www.radioartemobile.it\/wp-content\/uploads\/2021\/06\/Legenda-_-1969_1974.pdf\"><span style=\"color: #ff6600;\">Donatella Landi &#8211;<\/span><em style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"> LEGENDA AUTOBIOGRAFIA SONORA <span style=\"font-size: 10pt;\">1969 \u2013 1974<br \/>\n<\/span><\/span><\/em><span style=\"color: #666699;\"><span style=\"font-size: 8pt;\">(cronologia, riferimenti bibliografici) &#8211; <span style=\"font-size: 10pt; color: #ff6600;\"><span style=\"font-size: 8pt;\">SCARICA\/APRI<\/span> IN FORMATO<\/span><\/span><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\">\u00a0PDF: <\/span><\/span><span style=\"font-size: 10pt; color: #ff6600;\">LINK<\/span><\/span><\/a><\/span><br \/>\n<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">Donatella Landi<\/span> Fin dagli inizi degli anni novanta si dedica alla sperimentazione sonora, al video ed alla fotografia. Dal 1993 inizia a lavorare con la registrazione olofonica per la video installazione sonora ZOO, Museo Pecci, Prato, 1994, recentemente esposta nella mostra &#8220;Arche Noha, \u00dcber Tier und Mensch&#8221;, Museum Ostwall, Dortmund, 2014. Tra il 2000 ed il 2002 \u00e8 a Parigi per la registrazione di Plan de Paris, (la mappa sonora della rete metropolitana di Parigi), esposta al MACRO nel 2001. Tra il 2005 e il 2007 espone Plan de Paris (de poche), una diversa veste installativa di Plan de Paris, al Sound Art Museum di Roma, all\u2019 Akademie der K\u00fcnste di Berlino in occasione di &#8220;Sonambiente06&#8221; e alla Koldo Mixelena Kulturunea, San Sebastian, in occasione di &#8220;Dimensi\u00f3n Sonora&#8221;, tutte esposizioni dedicate alla sperimentazione sonora contemporanea. Negli ultimi anni si \u00e8 dedicata a progetti site specific in cui si avvale della partecipazione di attori non professionisti. Nel 2009 gira nella campagna del Nord Reno Westfalia il film Le D\u00e9jeuner Sur l\u2019Herbe, con la partecipazione degli abitanti della zona &#8211; poi esposto al MuseumGoch nel settembre 2009 &#8211; e Casting Madonna, 2011, con la partecipazione di giovani madri e dei loro bambini di Citt\u00e0 della Pieve e Monteleone d\u2019Orvieto. Il suo ultimo film Mio Caro Mia Adorata\/ My dear My Beloved \u00e8 stato presentato nel 2013 alla Galerie de l&#8217;UQAM, Montreal, in versione inglese, in occasione della mostra Donatella Landi: Le r\u00e9sonance de l&#8217;Image, a cura di Louise D\u00e9ry; nel 2015 &#8211; sempre in versione inglese ma in veste cinematografica &#8211; al Goli Theater, Goch, Germania, a cura di Stephan Mann, e in versione italiana all\u2019Auditorium Arte, Parco della Musica, Roma. Attualmente vive a Roma dove insegna all\u2019Accademia di Belle Arti.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"color: #ff6600;\">Donatella Landi <\/span><\/strong>Since the beginning of the 90\u2019s she works with sound installations, videos and photos. She starts to use the Holophonic head device in the 1993: her first video and sound installation Zoo, recorded with this system in Rome, was exhibited in the 1994 at Pecci Museum, Prato, Italy, and recently shown in &#8220;Arche Noha, \u00dcber Tier und Mensch&#8221;, Museum Ostwall, Dortmund, 2014. She works In Benares, India, during 1998, developing two video projects We want to keep you safe and Viceversa, in Paris between 2001 and 2002 recording Plan de Paris &#8211; the total sound map of the Paris underground. The first exhibition of Plan de Paris took place at MACRO, Rome, 2001. Plan de Paris (de poche), the light version of the work, has been shown at Sound Art Museum, Rome, 2005, at the Akademie der K\u00fcnste, in &#8220;SONAMBIENTE06&#8221; Berlin, 2006, at Koldo Mixelena Kulturunea, San Sebastian, 2007, in &#8220;Dimensi\u00f3n Sonora&#8221;, all exhibitions dedicated to the sound art research. In the last years she mainly works with site- specific projects, in which she uses non-professional actors. On June of the 2009 she shot in Germany the film Le Dejeuner Sur l&#8217;Herbe, in the countryside of North Rhine Westphalia, realized with the participation of citizens of that area, then shown in her solo exhibition at Museum Goch, September 2009. In 2011 she shot in Monteleone d&#8217;Orvieto the film Casting Madonna with the participation of young mothers living in the countryside. Last film Mio Caro Mia Adorata\/ My Dear My Beloved, has been presented at the Galerie de L\u2019UQAM, Montreal, 2013, in the exhibition &#8220;Donatella Landi: Le r\u00e9sonance de L\u2019Image&#8221;, curated by Louise D\u00e9ry; in the 2015 &#8211; as a film screening &#8211; at the Cinema Goli Theater, Goch, curated by Stephan Mann and &#8211; in italian version &#8211; at Auditorium Arte, Parco della Musica, Rome. She currently teaches at the Academy of Fine Arts in Rome, where she lives and works.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: terminal, monaco, monospace;\"><strong><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY <\/span><\/span><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-size: 18pt; color: #ff6600;\">#7<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\">Tuesday <span style=\"color: #ff6600;\">Jun 15<sup>th<\/sup>\u00a0<\/span>2021 sound selection curated by<\/span><br \/>\n<span style=\"font-size: 18pt; font-family: 'arial black', sans-serif; color: #ff6600;\">JONATHAN FRIGERI\u00a0<span style=\"font-size: 12pt;\"><br \/>\n<\/span><\/span><\/span><\/span><\/strong><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"font-size: 12pt;\"><span style=\"font-size: 8pt;\">presents:<br \/>\n<\/span><span style=\"color: #ff6600;\">IIRM <\/span><\/span><em><span style=\"color: #ff6600;\">Institut International de Recherche sur la Radio et la Magie<\/span> \/<\/em><span style=\"font-size: 12pt;\"><a href=\"http:\/\/iirrm.ch\"> http:\/\/iirrm.ch<\/a> \/ <span style=\"font-size: 8pt;\">Podcasts<\/span><br \/>\n<\/span><em><br \/>\n<\/em><\/strong><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"><strong><span style=\"font-size: 12pt;\">TAROT<\/span> |Giuliana Altamura <\/strong><\/span><span style=\"color: #ff6600;\"><strong>&amp; Zeno Gabaglio<br \/>\n<span style=\"color: #000000;\">Podcast<span style=\"font-size: 12pt;\"> LISTEN:<\/span> <a href=\"http:\/\/iirrm.ch\/tarot\/\"><span style=\"color: #ff6600; font-size: 12pt;\">http:\/\/iirrm.ch\/tarot\/<\/span><\/a><br \/>\n<\/span><\/strong><\/span><\/span><strong><span style=\"font-size: 8pt;\">Un algoritmo randomico \u00e8 all\u2019origine dell\u2019opera radiofonica Tarot: le cinque carte scelte dalla casualit\u00e0 vengono lette e interpretate in una reale seduta di lettura di tarocchi. La tarologa non ha di fronte a s\u00e9 u<\/span><\/strong><strong><span style=\"font-size: 8pt;\">na persona in carne e ossa, ma si rivolge direttamente alla stessa imprevedibilit\u00e0 che ha selezionato le carte. La musica \u00e8 costruita seguendo passo passo la lettura delle carte, amplificando i sensi e le traiettorie dei significati svelati. Un percorso che non vuole prevedere il futuro, perch\u00e9 il futuro non \u00e8 prevedibile ma \u00e8 gi\u00e0 dentro di noi.<br \/>\nAuthors: <span style=\"color: #ff6600;\">Giuliana Altamura &amp; Zeno Gabaglio <\/span>Length: <span style=\"color: #ff6600;\">28min<\/span> Language: <span style=\"color: #ff6600;\">Italian<\/span> Recorded at: <span style=\"color: #ff6600;\">Studio Lazzaretto, Milano &amp; Studio Puccini, Vacallo<\/span><\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">THE RIVER<\/span> | <span style=\"font-size: 10pt;\">Alessandro Bosetti<br \/>\n<\/span><\/span><span style=\"color: #ff6600;\"><span style=\"color: #000000;\">Podcast<span style=\"font-size: 12pt;\"> LISTEN:<\/span> <a href=\"http:\/\/iirrm.ch\/the-river\/\"><span style=\"color: #ff6600; font-size: 12pt;\">http:\/\/iirrm.ch\/the-river <\/span><\/a><span style=\"font-size: 8pt;\">\u00ab The river \u00bb is a story where the characters are chords (harmonic ratios). They do not have a name or a gender and the only way to evoke them is by recalling and hearing the corresponding relation between frequencies. The story is about a nightly trip on a barge along a mysterious river. The river is also the frontier between two opposite kingdoms and it\u2019s populated by memories, fog and allegoric dreams. <\/span><span style=\"font-size: 8pt;\">The story is repeated two times, in the first iteration is a very simple enunciation of the story where chords punctuate the narration each time one of such sonorous beings is evoked. In the second iteration chords extend their duration, they are not only the characters of the story but also become the landscape, the emotional canvas and the harmonic geography where the story takes place. <\/span><span style=\"font-size: 8pt;\">\u00ab The river \u00bb It\u2019s a study on harmony. The the protagonist is a just intoned minor seventh chord ( 1\/1 3\/3 7\/4, seventh harmonic). Travelling with him are two weirder 13th limit triads ( 1\/1 16\/13 3\/2 and 19\/16 3\/2 27\/16 ) while an other mysterious character ( a just intoned major third, 1\/1 5\/4 3\/2 -, somehow an alter ego of the protagonist ) has missed the appointment and is often thought about. The complete cast of the story includes 26 characters all belonging to different tuning systems.. <span style=\"color: #ff6600;\">READ<\/span> <span style=\"color: #ff6600;\">MORE AT..<\/span>\u00a0 <a href=\"http:\/\/iirrm.ch\/the-river\">http:\/\/iirrm.ch\/the-river<\/a><br \/>\nAuthors: <span style=\"color: #ff6600;\">Alessandro Bosetti<\/span> Length: <span style=\"color: #ff6600;\">32min<\/span> Language: <span style=\"color: #ff6600;\">English<\/span><\/span><\/span><\/span><\/span><\/p>\n<p><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 8pt;\">MORE about<\/span> <span style=\"color: #ff6600;\">Jonathan Frigeri<\/span> :\u00a0<span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/www.zonoff.net\">https:\/\/www.zonoff.net<\/a><br \/>\n<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><span style=\"color: #1c1c1c;\"><span style=\"font-size: medium;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY <span style=\"font-size: 18pt; color: #ff6600;\">#6<\/span><br \/>\n<span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\">Tuesday <span style=\"color: #ff6600;\">Jun 7<sup>th<\/sup><\/span> 2021 sound selection curated by:<\/span><br \/>\n<span style=\"font-size: 18pt; font-family: 'arial black', sans-serif; color: #ff6600;\">PAOLO COTENI<br \/>\n<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-14\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_coteni.mp3?_=14\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_coteni.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_coteni.mp3<\/a><\/audio>\n<h1 style=\"text-align: justify;\"><span style=\"color: #1c1c1c;\"><span style=\"font-size: medium;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-size: 10pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><strong><span style=\"font-size: 12pt;\">Paolo Coteni <span style=\"font-size: 10pt; color: #000000;\">Podcast<\/span><\/span><\/strong><br \/>\n0.3.00<\/span> P. Coteni :Viaggio sentimentale estratto \/ <span style=\"color: #ff6600;\">10.00.<\/span> J.Cage: \u201cDream\u201d estratto. <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-size: 10pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\">16.30.<\/span> La M. Yuong M. Zazeela: \u201cOceans\u201d estratto. \/ <span style=\"color: #ff6600;\">22.30.<\/span> A. Coltrane : \u201cSita Ram\u201d estratto. \/ <span style=\"color: #ff6600;\">26.30.R.<\/span> Shankar e P. Glass: \u201cRaga miniature\u201d. \/ <span style=\"color: #ff6600;\">32.30.<\/span> P. Oliveros: \u201cDeep Listening\u201d estratto. \/ <span style=\"color: #ff6600;\">37.50. <\/span>M. MONK: \u201cUnison\u201d estratto \/ <span style=\"color: #ff6600;\">40.30.<\/span> C. Palestine: \u201cSine Tone Study\u201d estratto. \/ <span style=\"color: #ff6600;\">44.20.<\/span> K.Barry: \u201cRegret\u201d estratto. \/ <span style=\"color: #ff6600;\">55.41.<\/span> T Riley: \u201cEastern\u201d estratto . \/ <span style=\"color: #ff6600;\">58.05.<\/span> P. P. Nath: \u201cRoma 1974\u201d estratto . \/ <span style=\"color: #ff6600;\">1.02.00.<\/span> S. Reich: \u201cOuter Space\u201d estratto . \/ <span style=\"color: #ff6600;\">1.05.0.<\/span> A. Curran: \u201cLontano Omaggio G. Scelsi\u201d estratto \/ <span style=\"color: #ff6600;\">ex:<\/span> F. Battiato: \u201cAria di Rivoluzione\u201d.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/h1>\n<div>\n<div dir=\"ltr\">\n<div dir=\"ltr\">\n<p style=\"text-align: justify;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600;\">Paolo<\/span> <span style=\"color: #ff6600;\">Coteni<\/span>, <span style=\"color: #000000;\">nato a Trastevere, Roma, \u00e8 un pittore sonoro, si occupa da sempre delle avanguardie internazionali tra oriente ed occidente. Si forma come artista negli anni settanta con un percorso non accademico ed irregolare seguendo le esperienze dirette delle arti. Collabora con Giuseppe Chiari, lavora con L\u2019Attico e 11 Beat \u201972; dal tocco anarchico, dissacratore visivo e sonoro, un visionario. Ha curato mostre ed eventi, autore di trasmissioni radiofoniche ed ha diretto la rivista Oltre Silenzio, \u00e8 docente presso Accademia di Belle Arti, direttore Artistico di Silenzio Associazione Culturale.\u00a0<\/span><\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600;\">Paolo<\/span> <span style=\"color: #ff6600;\">Coteni<\/span>,<span style=\"color: #000000;\"> born in Trastevere, Rome, is a sound painter, since many years focused on international avant-gardes, between East and West. His formation as an artist begins in the seventies with a non-academic and irregular path following the direct experiences of the arts. He collaborates with Giuseppe Chiari, works with L\u2019Attico and 11 Beat &#8217;72; with an anarchic touch, visual and sound desecrator, a visionary. He has curated exhibitions and events, author of radio broadcasts and directed the magazine Oltre Silenzio, he is a professor at the Academy of Fine Arts and Artistic Director of Silenzio Cultural Association.<\/span><\/span><\/strong><\/p>\n<p style=\"text-align: justify;\">\n<\/div>\n<\/div>\n<\/div>\n<div>\n<div dir=\"ltr\">\n<hr \/>\n<\/div>\n<\/div>\n<p><strong style=\"font-size: medium; color: #1c1c1c;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt; color: #000000;\"><span style=\"color: #ff6600; font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"font-family: terminal, monaco, monospace;\"><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\">WEEKLY <\/span><span style=\"font-size: 18pt;\">#5<br \/>\n<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><span style=\"color: #1c1c1c;\"><span style=\"font-size: medium;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"font-size: 12pt; color: #000000;\">Tuesday <span style=\"font-size: 12pt; color: #ff6600;\">Jun 1<sup>st<\/sup><\/span><span style=\"font-size: 12pt;\"> 2021<\/span>\u00a0sound selection curated by:<\/span><br \/>\n<span style=\"font-size: medium; color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\"><span style=\"font-size: 18pt;\">ACHIM WOLLSCHEID<\/span><\/span><\/span><em><br \/>\n<\/em><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/span><\/span><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-15\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_wollscheid.mp3?_=15\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_wollscheid.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_wollscheid.mp3<\/a><\/audio>\n<h1 style=\"text-align: justify;\" align=\"LEFT\"><strong><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">Achim Wollscheid &#8211; <em>replaying the archive<\/em><\/span><span style=\"color: #000000;\"> Podcast<\/span><br \/>\n<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><strong><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\">1<\/span> Morton Feldman &#8211; <em>String Quartet II<\/em> \/ <span style=\"color: #ff6600;\">2<\/span> The Grateful Dead &#8211; <em>Live Dead, Dark Star<\/em> \/ <span style=\"color: #ff6600;\">3<\/span> Phil Niblock &#8211; <em>Touch Works, for Hurdy Gurdy and Voice<\/em> \/ <span style=\"color: #ff6600;\">4<\/span> Melvins &#8211; <em>Lysol<\/em> \/ <\/span><\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10pt;\"><span style=\"font-family: 'arial black', sans-serif; color: #ff6600;\">5 <\/span><span style=\"color: #000000;\"><span style=\"font-family: arial black, sans-serif;\">Soft Machine &#8211; <em>Fifth<\/em>\u00a0 \u00a0 \/\/\/<br \/>\n&#8220;<\/span><em><span style=\"font-family: 'arial black', sans-serif; color: #ff6600;\">replaying the archive \/ <\/span><\/em><\/span><\/span><\/span><\/span><\/span><\/strong><span style=\"font-size: 10pt;\"><em><span style=\"font-family: 'courier new', courier, monospace; color: #000000;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 10pt;\">actually I tried to record one of my broadcasts at RadioX in Frankfurt, where I produce &#8211; every 4 weeks &#8211; a 2 hour nonstop realtime computer music stream. For various reasons I wasn&#8217;t satisfied with the result in regard to what I imagined as a broadcast for RAM, so I tried once more at\u00a0 an improvised studio at home, which somehow makes sense, because that&#8217;s where the archive is &#8211; meaning all the records and CDs I collected over the years and which during the pandemic I started to listen to again on purpose. One of the purposes was to find out which recording stands the test of time and which doesn&#8217;t. Five of my favourite CDs I used as a source or starting point for a digital transformation, meaning bits and fragments of the respective piece are monitored, so to say, and processed in the following. The processing involves both intentionally programmed and chance operated procedures, of which certain aspects can be changed and re-defined during live transformation. Using a term from the architectural realm you could say the procedures are parametrical.<\/span><span style=\"font-family: arial black, sans-serif;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 10pt; color: #000000;\">&#8220;<\/span><br \/>\n<\/span><\/span><\/em><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 10pt;\"><span style=\"color: #000000; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><strong>Achim Wollscheid <\/strong><\/span><span style=\"font-family: arial, helvetica, sans-serif;\">(2021)<span style=\"font-family: 'arial black', sans-serif; font-size: 10pt;\"><br \/>\n<span style=\"font-size: 8pt;\"><strong><br \/>\n<\/strong><\/span><\/span><br \/>\n<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/h1>\n<hr \/>\n<h1 align=\"LEFT\"><span style=\"color: #1c1c1c;\"><span style=\"font-size: medium;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\"><span style=\"font-size: 14pt;\"><span style=\"color: #ff6600; font-family: 'courier new', courier, monospace;\"><span style=\"font-size: 14pt; color: #000000; font-family: terminal, monaco, monospace;\">WEEKLY <span style=\"color: #ff6600; font-size: 18pt;\">#4<\/span><\/span><\/span><\/span><\/span><\/span><br \/>\n<\/span>Tuesday May <\/span><\/span><\/span><\/span><\/strong><\/span><\/span><span style=\"color: #ff6600;\"><span style=\"font-size: medium;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\">25<\/span><\/span><\/span><\/strong><\/span><span style=\"font-size: medium;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><sup>th<\/sup><\/span><\/span><\/span><\/strong><\/span><\/span><span style=\"color: #1c1c1c;\"><span style=\"font-size: medium;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\"> 2021<\/span> sound selection curated by:<br \/>\n<\/span><\/span><\/span><\/span><\/strong><\/span><\/span><span style=\"font-size: medium; color: #ff6600;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt;\">RICCARDO GIAGNI<br \/>\n<\/span><\/span><\/span><\/span><\/strong><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-16\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_giagni.mp3?_=16\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_giagni.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_giagni.mp3<\/a><\/audio>\n<h1 style=\"text-align: justify;\" align=\"LEFT\"><span style=\"font-size: 10pt;\"><span style=\"color: #1c1c1c; font-size: 12pt;\"><strong><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif; color: #000000;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333;\">Riccardo Giagni &#8211; <\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/span><em><span style=\"color: #ff6600;\"><strong><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 12pt;\">Listen! Interfere! R\u00e9son!<\/span>\u00a0<\/span><\/strong><\/span><\/em><\/span><span style=\"font-size: medium; color: #000000;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 10pt;\">Podcast<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong><span style=\"color: #ff6600;\">00.00<\/span> &#8211; Scott Johnson &#8211; Listen [1997] 5&#8217;00&#8221; \/ <span style=\"color: #ff6600;\">04.53<\/span> &#8211; Ryoji Ikeda &#8211; Data.Reflex [2005] 4&#8217;16&#8221; \/ <span style=\"color: #ff6600;\">09.09<\/span> &#8211; Alva Noto &#8211; Module 06 [2001] 5&#8217;36&#8221; \/ <span style=\"color: #ff6600;\">14.47<\/span> &#8211; Frank Bretschneider &#8211; Blue [2001] 6&#8217;08&#8221; \/ <span style=\"color: #ff6600;\">20.54<\/span> &#8211; Alva Noto &amp; Ryuichi Sakamoto &#8211; ax Mr.L. [2005] 4&#8217;18&#8221; <span style=\"color: #ff6600;\">25.11<\/span> &#8211; Taylor Deupree &#8211; In\/Formation\/Wall [2000] 4&#8217;33&#8221; \/ <span style=\"color: #ff6600;\">29.41<\/span> &#8211; Riccardo Giagni &#8211; Tara [2008] 8&#8217;41&#8221; \/ <span style=\"color: #ff6600;\">38.16<\/span> &#8211; Morton Feldman &#8211; Madame Press Died Last Week at Ninety [1970] 4&#8217;16&#8221; \/ <span style=\"color: #ff6600;\">42.05<\/span> &#8211; Gy\u00f6rgy Ligeti &#8211; Po\u00e8me symphonique, for 100 metronomes [1962] 19&#8217;55&#8221; \/\/<\/strong><\/span><br \/>\n<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/h1>\n<p style=\"font-weight: 400; text-align: justify;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600; font-size: 10pt;\">Riccardo Giagni<\/span> <span style=\"color: #000000;\">\u00e8 nato a Roma nel 1956, \u00e8 compositore e musicologo. Ha compiuto studi musicali al Conservatorio dell&#8217;Aquila e si \u00e8 laureato in Filosofia presso l&#8217;Universit\u00e0 di Roma. Dal 1976 collabora con la Rai in qualit\u00e0 di autore, consulente, regista e conduttore di programmi culturali, radiofonici e televisivi. Ha insegnato per lunghi anni all&#8217;Universit\u00e0 di Lecce, e attualmente all&#8217;Istituto Europeo di Design (corsi di Sound Design e di Video Design e Filmmaking) e all&#8217; Universit\u00e9 Paris VIII. Ha collaborato con diverse istituzioni italiane e internazionali (tra le molte, il Centre Pompidou e la Biennale di Venezia). Fa parte del Direttivo dell&#8217;Associazione Italiana dei Comositori di Musica per Film (ACMF) sin dalla sua fondazione. Ha composto per il teatro, la televisione e il cinema, collaborando con autori come Marco Bellocchio, Mimmo Calopresti e Sabina Guzzanti.<\/span><\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><span style=\"color: #ff6600; font-size: 10pt;\">Riccardo Giagni<\/span>, born in Rome in 1956, is a composer and musicologist. He completed his musical studies at the Aquila Conservatoire and graduated in Philosophy from the University of Rome. Since 1976 he has collaborated with RAI as author, consultant, director and host of radio and television cultural programs. He has taught for many years at the University of Lecce, currently he teaches at the European Institute of Design (courses in Sound Design and Video Design and Filmmaking) and at the Universit\u00e9 Paris VIII. He has collaborated with various Italian and international institutions (among many, the Centre Pompidou and the Venice Biennale). He is a member of the Board of the Italian Association of Film Music Composers (ACMF) since its foundation. He has composed music for theater, television and cinema, collaborating with authors such as Marco Bellocchio, Mimmo Calopresti and Sabina Guzzanti.<\/span><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1 align=\"LEFT\"><span style=\"color: #1c1c1c;\"><span style=\"font-size: medium;\"><strong><span style=\"font-family: 'arial black', sans-serif; font-size: 18pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\"><span style=\"font-size: 14pt;\"><span style=\"color: #ff6600; font-family: 'courier new', courier, monospace;\"><span style=\"font-size: 14pt; color: #000000; font-family: terminal, monaco, monospace;\">WEEKLY <span style=\"color: #ff6600; font-size: 18pt;\">#3<\/span><br \/>\n<\/span><\/span><\/span><\/span><\/span>Tuesday May 18<sup>th<\/sup> <span style=\"color: #000000;\">2021<\/span> sound selection curated by:<\/span><br \/>\nANGELO M. FARRO<\/span><\/span><br \/>\n<\/strong><\/span><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-17\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_amfarro.mp3?_=17\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_amfarro.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_amfarro.mp3<\/a><\/audio>\n<h1 style=\"text-align: justify;\" align=\"LEFT\"><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 12pt;\">Angelo M. Farro &#8211; <em>New York Noise <\/em><\/span><span style=\"color: #000000;\">Podcast<\/span><br \/>\nFeaturing: 1 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Ludwig van Beethoven<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"> \/ 2 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Glenn Branca<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"> \/ 3 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Lou Reed<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"> \/ 4 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">The Velvet Underground<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"> \/ 5 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Mars<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"> \/ 6 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Gray<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"> \/ 7 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Arthur Russell<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"> \/ 8 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Men&#8217;s Recovery Project <\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\">\/ 9 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Lightning Bolt<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"> \/ 10 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Black Dice<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"> \/ 11 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Sightings<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"> \/ 12 <\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\">Terrestrial Tones<\/span><\/span><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\"><br \/>\nSpotify Playlist:<\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/span><\/h1>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/6IzJZcjGtwmBYNg5Q3C4XT\" width=\"300\" height=\"380\" frameborder=\"0\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 10pt;\"><strong><span style=\"color: #ff6600;\">Angelo Maria Farro<\/span><\/strong><\/span><span style=\"font-size: 12pt;\"><span style=\"font-size: 8pt;\"><strong> vive e lavora a Roma. Opera come sound artist e compositore per musica, cinema e televisione. Da tanti anni assistente e collaboratore di Alvin Curran ha realizzato svariate installazioni audio in gallerie d\u2019arte in Italia e all\u2019estero. \u00c8 curatore dei laboratori \u201cMusica per film\u201d del Centro Sperimentale di Cinematografia della sede di Roma, all\u2019interno dei quali \u00e8 docente di Musica Elettronica e Cinema.<\/strong><\/span><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000; font-family: 'arial black', sans-serif;\"><strong><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\">Angelo Maria Farro<\/span><\/span><span style=\"font-size: 8pt;\"> lives and works in Rome. He works as a sound artist and composer for music, cinema and television. Alvin Curran\u2019s assistant and collaborator since many years, he has created various audio installations in art galleries in Italy and abroad. He is the curator of the &#8220;Music for film&#8221; laboratories of the Rome Experimental Center of Cinematography, where he teaches Electronic Music and Cinema.<\/span><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1 align=\"LEFT\"><span style=\"color: #1c1c1c;\"><span style=\"font-size: medium;\"><strong><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 14pt;\"><span style=\"color: #ff6600; font-family: 'courier new', courier, monospace;\"><span style=\"font-size: 14pt; color: #000000; font-family: terminal, monaco, monospace;\">WEEKLY <span style=\"color: #ff6600; font-size: 18pt;\">#2<\/span><\/span><\/span><\/span><\/span><\/span><br \/>\nTuesday <span style=\"color: #ff6600;\">May 11<\/span><\/span><\/strong><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"color: #ff6600; font-size: 12pt;\"><sup>th<\/sup><\/span><span style=\"color: #1c1c1c;\"><span style=\"font-size: medium;\"><span style=\"font-size: 12pt;\"> 2021 sound selection curated by:<\/span><br \/>\n<\/span><\/span><\/strong><\/span><strong><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"color: #ff6600;\"><span style=\"font-family: 'arial black', sans-serif;\">LUCA VITIELLO<\/span><\/span><\/span><\/strong><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-18\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_vitiello.mp3?_=18\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_vitiello.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_vitiello.mp3<\/a><\/audio>\n<h1 style=\"text-align: justify;\" align=\"LEFT\"><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"color: #333333; font-size: 10pt;\"><span style=\"color: #ff6600;\">Featuring :<\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/span><strong><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\"> 00&#8217;00&#8221; EY\u018e <\/span><\/span><\/span><\/span><span style=\"color: #ff6600;\"><span style=\"color: #808080;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif;\">&#8211; Yamatsuka Eye<\/span><\/span><\/span><\/span><span style=\"color: #ff6600;\"><span style=\"color: #808080;\"><span style=\"font-family: 'arial black', sans-serif;\">\u00a0 \/ 03&#8217;00&#8221; <\/span><\/span><span style=\"color: #808080; font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\">Rainbow Island<\/span>\u00a0\/ 04&#8217;32&#8221; <span style=\"color: #000000;\">Sidney Miller<\/span> \/ 06&#8217;23&#8221; <span style=\"color: #000000;\">Sun Araw<\/span> \/ 09&#8217;13&#8221;<span style=\"color: #000000;\"> Gilberto Gil live in Tunisi @ Dar Bach Hamba<\/span><\/span><\/span><\/span><\/strong><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\"><span style=\"color: #808080;\"> \/ 11&#8217;13&#8221;\u00a0<span style=\"color: #000000;\">J Dilla<\/span> \/ 12&#8217;44&#8221; <span style=\"color: #000000;\">Stare Case \/ 16&#8217;07&#8221; KK Null <\/span>\/ 17&#8217;00&#8221; <span style=\"color: #000000;\">ManfreDu Schu<\/span> \/ 18&#8217;08&#8221; <span style=\"color: #000000;\">Autechre <\/span>\/ 21&#8217;06&#8221; <span style=\"color: #000000;\">Aaron Dilloway<\/span> \/ 23&#8217;27&#8221; <span style=\"color: #000000;\">RNBW<\/span><\/span><\/span><span style=\"color: #000000;\">\u00a0Rota Acqua<\/span><\/span><\/strong><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\"><strong><span style=\"color: #808080;\">\u00a0 \/ <span style=\"color: #ff6600;\">25&#8217;01&#8221;<\/span> <span style=\"color: #000000;\">Pontiac Streator<\/span> \/ <span style=\"color: #ff6600;\">30&#8217;18&#8221; <\/span><\/span><span style=\"color: #000000;\">Kode9<\/span><span style=\"color: #808080;\"> \/ <span style=\"color: #ff6600;\">32&#8217;54&#8221; <\/span><\/span><span style=\"color: #000000;\">Arthur Verocai<\/span><span style=\"color: #808080;\"> \/<span style=\"color: #ff6600;\"> 35&#8217;37&#8221; <\/span><\/span><span style=\"color: #000000;\">Jana Winderen<\/span><span style=\"color: #808080;\">\u00a0 \/ <span style=\"color: #ff6600;\">42&#8217;17&#8221; <\/span><\/span><span style=\"color: #000000;\">Mind Over Mirrors<\/span><span style=\"color: #808080;\">\u00a0 \/<span style=\"color: #ff6600;\"> 45&#8217;14&#8221; <\/span><\/span><span style=\"color: #808080;\"><span style=\"color: #000000;\">Cluster<\/span> <\/span><\/strong><span style=\"color: #000000;\"><strong>\u00a0\/\/\/ <\/strong><span style=\"color: #ff6600; font-size: 8pt;\">Thanks to<\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\"><em><span style=\"color: #808080; font-size: 8pt;\"><span style=\"color: #ff6600; font-size: 8pt;\">:<\/span>\u00a0 <\/span><\/em><\/span><\/span><span style=\"font-family: 'arial black', sans-serif;\"><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080; font-size: 8pt;\"><span style=\"color: #000000;\">M.Caizzi<\/span><\/span><\/span><\/span><span style=\"font-size: 18pt;\"><span style=\"font-size: 10pt;\"><span style=\"color: #808080; font-size: 8pt;\">, <span style=\"color: #000000;\">UParale, Il Bottegone, T.V.C.I.G.<\/span><\/span><\/span><\/span><\/span><\/h1>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"font-size: 8pt;\"><span style=\"color: #ff6600; font-size: 10pt;\">Luca Vitiello<\/span> \u00e8 un musicista, curatore, produttore ed autore che vive e lavora a Roma. Collabora con l\u2019Associazione per l\u2019Arte Contemporanea ZERYNTHIA OdV, No Man\u2019s Land Foundation e, dal 2009, si occupa della registrazione, archiviazione e trasmissione in rete di voci, suoni e progetti per RAM radioartemobile. Ha collaborato, registrato interviste e realizzato progetti con numerosi artisti dentro e fuori contesti istituzionali. Appassionato di tecnologia e telecomunicazioni realizza prodotti audiovisivi e progetta soluzioni per il web. Suona con i Rainbow Island ed altri, sperimenta possibilit\u00e0 della rete su HDLIFE.it \u00e8d membro del think-tank Il Bottegone.<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000; font-family: 'arial black', sans-serif;\"><strong><span style=\"font-size: 10pt;\"><span style=\"color: #ff6600;\">Luca Vitiello<\/span><\/span><span style=\"font-size: 8pt;\"> is a musician, curator, producer and author who lives and works in Rome. He collaborates with the Association for Contemporary Art ZERYNTHIA OdV, No Man&#8217;s Land Foundation and, since 2009, is responsible of the recording, archiving and network transmission of voices, sounds and projects for RAM radioartemobile. He has collaborated, recorded interviews and produced projects with numerous artists inside and outside institutional contexts. Passionate about technology and telecommunications, he creates audiovisual products and designs solutions for the web. He plays with Rainbow Island and others, experiments with the possibilities of the network on HDLIFE.it and is a member of the think-tank Il Bottegone.<\/span><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"color: #1c1c1c;\"><span style=\"font-size: medium;\"><span style=\"color: #ff6600; font-size: 18pt;\"><span style=\"font-size: 12pt; color: #000000;\"><span style=\"font-size: 12pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #000000;\"><span style=\"color: #ff6600;\"><span style=\"font-size: 14pt;\"><span style=\"color: #ff6600; font-family: 'courier new', courier, monospace;\"><span style=\"font-size: 14pt; color: #000000; font-family: terminal, monaco, monospace;\">WEEKLY <span style=\"color: #ff6600; font-size: 18pt;\">#1<\/span><\/span><\/span><\/span><\/span><\/span><\/span><br \/>\nTuesday <span style=\"color: #ff6600;\">May 4<sup>th<\/sup><\/span> 2021 sound selection by:<\/span><br \/>\nPAOLO AITA<\/span><\/span><\/span><\/strong><\/span><\/h1>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17486-19\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_aita.mp3?_=19\" \/><a href=\"https:\/\/www.dacmeetings.com\/weekly\/weekly_aita.mp3\">https:\/\/www.dacmeetings.com\/weekly\/weekly_aita.mp3<\/a><\/audio>\n<h1><span style=\"font-family: 'arial black', sans-serif; font-size: 8pt;\"><strong><span style=\"font-size: 10pt;\">Postazione <span style=\"color: #ff6600;\">RAM radioartemobile<\/span> <\/span>&#8211; <span style=\"font-size: 10pt;\"><em>Open Museum Open City<\/em> (2014 MAXXI Roma)<\/span><br \/>\n<span style=\"color: #ff6600; font-size: 10pt;\">Paolo Aita con Paolo Coteni<\/span>, <span style=\"font-size: 10pt;\"><em>Avanguardie a confronto<\/em><\/span><br \/>\n<\/strong><strong><span style=\"color: #ff6600; font-size: 10pt;\">Paolo Aita<\/span> &#8211;<span style=\"font-size: 10pt;\"> intervento al Todi Festival (2014)<\/span><\/strong><\/span><\/h1>\n<p style=\"text-align: justify;\"><span style=\"color: #808080; font-size: 8pt; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 10pt;\"><strong>Paolo Aita<\/strong><\/span> <span style=\"color: #000000;\">(1958 -2016), era nato a Cosenza per poi trasferirsi a Pisa dove ha <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">studiato Lettere e Filosofia. Ma \u00e8 a Roma che si era fatto notare per il suo delicato <\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">eclettismo e il suo garbo curatoriale. Alla sua attivit\u00e0 giornalistica (collaboratore di molte <\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">riviste d\u2019arte, tra cui Inside Art, e redattore di programmi musicali su Radio Vaticana) ha <\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">sempre affiancato quella curatoriale. Ha curato moltissime mostre e vari cataloghi e <\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">antologie musicali, oltre ad aver pubblicato molti libri riguardo agli argomenti pi\u00f9 vari,<\/span><\/span><br \/>\n<span style=\"font-size: 8pt; font-family: 'arial black', sans-serif; color: #000000;\">dall\u2019estetica alle traduzioni. Redattore di Segno, Arte e Critica, Exibart.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000; font-family: 'arial black', sans-serif;\"><span style=\"color: #ff6600; font-size: 10pt;\"><strong>Paolo Aita<\/strong><\/span><span style=\"font-size: 8pt;\"> (1958 &#8211; 2016), born in Cosenza, Italy, studied Literature and Philosophy in Pisa.<\/span><\/span><br \/>\n<span style=\"color: #000000;\"><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">But it was in Rome that he drew attention to himself for his delicate eclecticism and his <\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">curatorial grace. His journalistic activity (collaborator of many art magazines, including <\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">Inside Art, and editor of the music programs on Vatican Radio) was always joined by the <\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">curatorial one. He has curated many exhibitions and various catalogs and musical <\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">anthologies, in addition to publishing many books on the most varied topics, from <\/span><span style=\"font-size: 8pt; font-family: 'arial black', sans-serif;\">aesthetics to translations. Editor of Segno, Arte e Critica, Exibart.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h4 style=\"text-align: justify;\" align=\"LEFT\"><span style=\"font-family: 'arial black', sans-serif;\">Info and podcasts:<br \/>\n<span style=\"font-size: 12pt;\"><strong><span style=\"color: #ff6600; font-family: terminal, monaco, monospace;\"><u><a style=\"color: #ff6600;\" href=\"\/?page_id=17486\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.radioartemobile.it\/weekly&amp;source=gmail&amp;ust=1619800806794000&amp;usg=AFQjCNGfrsYZU5isNqKscIb9vBm6xMXjIQ\">www.radioartemobile.it\/weekly<\/a><br \/>\n<\/u><\/span><\/strong><span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"mailto:info@radioartemobile.it\"><strong><span style=\"font-family: terminal, monaco, monospace;\">info@radioartemobile.it<\/span><\/strong><\/a><\/span><\/span><u><\/u><\/span><\/h4>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>Weekly sound selections by\u00a0artists, musicologists, composers, researchers and art critics, curated\u00a0by Luca Vitiello and Lara Limongelli WEEKLY LATEST PODCASTS WEEKLY #23\u00a0ANTONIA GOZZI OPPENHEIM \/ \u00a0WEEKLY #22 00185fm\u00a0 \/\u00a0WEEKLY #21 FRANCESCA BONO\u00a0 \/\u00a0 WEEKLY #20 TOMMASO BATTISTELLI \/\u00a0 WEEKLY #19 \u00d8KAPI\u00a0 \/ WEEKLY #18 FRANCESCO FONASSI\u00a0 \/\u00a0 WEEKLY #17 ANDY MOOR\u00a0 \/\u00a0 WEEKLY #16 MARCO CAIZZI [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"footnotes":""},"class_list":["post-17486","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.radioartemobile.it\/en\/wp-json\/wp\/v2\/pages\/17486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radioartemobile.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.radioartemobile.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.radioartemobile.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radioartemobile.it\/en\/wp-json\/wp\/v2\/comments?post=17486"}],"version-history":[{"count":224,"href":"https:\/\/www.radioartemobile.it\/en\/wp-json\/wp\/v2\/pages\/17486\/revisions"}],"predecessor-version":[{"id":20369,"href":"https:\/\/www.radioartemobile.it\/en\/wp-json\/wp\/v2\/pages\/17486\/revisions\/20369"}],"wp:attachment":[{"href":"https:\/\/www.radioartemobile.it\/en\/wp-json\/wp\/v2\/media?parent=17486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}