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Arch. 185.40 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Trace Elements [post_excerpt] => Will Sergeant is best known for his work in pop combo Echo and the Bunnymen, but he also has strong tieswith the experimental side of life, in the form of performances and records as Glide. He has also worked with Skyray Liverpool's minimalist sound dabblers and Longstone Cheltenham's finest purveyor of bleeps. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => trace-elements-3 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:49 [post_modified_gmt] => 2014-09-25 10:36:49 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3279 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 990 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 3311 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 184.31 ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_title] => Between Zero [post_excerpt] => Andrew Garton is a sound and media artist. He has been commissioned to create networked sound pieces and installations for Stelarc, Ars Electronica, various radio performances and the percy Grainger Museum (Australia). He is also a member of the International theremin Ensemble and founding composer of teh choir, fierce Throat. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => between-zero [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:52 [post_modified_gmt] => 2014-09-25 10:36:52 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3311 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1023 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 3343 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 158.a.1,2,4,5; 183.59 [post_title] => upper lime [post_excerpt] => Scanner - British artist Robin Rimbaud - traverses the experimental terrain between sound, space, image and form, creating absorbing, multi-layered sound pieces that twist technology in unconventional ways . From his early controversial work using found mobile phone conversations, through to his focus on trawling the hidden noise of the modern metropolis as the symbol of the place where hidden meanings and missed contacts emerge, his restless explorations of the experimental terrain have won him international admiration from amongst others, Bjork, Aphex Twin and Stockhausen. Scanner is committed to working with cutting edge practitioners and has collaborated with artists from every imaginable genre: musicians Bryan Ferry and Laurie Anderson, The Royal Ballet and Random Dance companies, composers Michael Nyman and Luc Ferrari, and artists Mike Kelley and Derek Jarman. As well as producing compositions and audio CDs, his diverse body of work includes soundtracks for films, performances, radio, and site-specific intermedia installations. He has performed and created works in many of the world's most prestigious spaces including SFMOMA USA, Hayward Gallery London, Pompidou Centre Paris, Kunsthalle Vienna, Bolshoi Theatre Moscow, Tate Modern London and the Royal Opera House London. Paul Farrington, AKA TONNE This prize-winning visual artist and designer has made visible the work of Scanner, Pole and Spring Heel Jack among others, linking sound with visuals that vary between elegantly simple lines to multiple layers of superimposed imagery. Tonne's interactive sound interfaces allow music to be produced as responses to the movement of graphics, and vice-versa. By manipulating sound utilities, Tonne builds toys, games, interactive environments and soundbanks. Developing and producing controlled systems for sound and image interaction, Tonne has performed live at Sonar (Barcelona 2000), FCMN (Montréal), Expanded Cinema (Milan), Lovebytes (Sheffield), and Steim (Amsterdam). Tonne was awarded Creative Review's Creative Futures Up-And-Coming Graphic Designer of 1999. Recently Tonne has been commissioned by the music label Meta to release recordings of his sound toys. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => upper-lime [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:55 [post_modified_gmt] => 2014-09-25 10:36:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3343 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1055 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 3375 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => David Mann [post_excerpt] => Eske Nørholm is Danish and born in 1983. As a musician and sound artist he manipulates electronic components (i.e. by circuit bending), uses field recordings as well as more traditional instruments in his compositions. Eske Nørholm is part of the noise band Dødskuglen, and he has participated in international sound art and music festivals in Scandinavia. Technical Breakdown is an international sound art exhibition, which took place uin the public space of Cophenagen, denmark in November 2005 - January 2006. The exhibition consists of 5 different listening posts presenting 30 sound works by artists from 10 different countries.The sound art exhibition Technical Breakdown takes as its starting point the chaotic and unpredictable field of communication in which misunderstanding and the unspeakable take on a life of their own. The exhibition encourages "a grant of self conduct" practice, setting loose sounds and feedback from all spheres making it possible for them to diffuse and mingle into the sound-scapes we inhabit.The exhibition consists of 5 different listening posts, eahc presenting its own perpective pn the error. The listening posts introduce the audience to a numebr of unique sound worlds, using the technical breakdown itself as a strategy to give voice and body to that which would not otherwise surfece. Through circuit bending, cut-ups and samples, the sound art reaches into the environment and breaches the continuity of our rational experience of the world. The art works show us unconcious moods and phenomena, and connects circuits not designed to be connected. The surroundings are animated by sound which again enhance our sense of space. The sound works mark the installation sites by interfering and underlining, amplifying or unermining the surroundings. In this way the sites themselves take part in creating cross-references between the many different layers of sound that one is likely to be tuned in on simoultaneously, though at different levels of intensity. The listening post Panic Room turns up the paranoia and surveillance atmosphere in the shopping centre Field's. The intimidating refuge criticises as well as imitates consumer culture buffoon and chaos with sample of sound from media and the collapse of discourses. At The Culture House KIB, The Cones couples the harbour front with the another dimension. The sounds function as a portal linking the site to be underground and the mystical. At The Royal Library The Black Diamond, The Glass breaks the borders between inside and outside - between private and public - with its fragile, crisp sounds and forces itself on the visitor's itnimate sphere. At the cinema and film institute, Cinemateket, Sonographic Stele translates picture itno sound and sound intopicture. One language talks on behalf of the oher an dinitiates acomplicated dialogue on the verge of nonsense. In the web-basedc listening post, City on the Net everything is inter-twined cacophony - no sound is limited to its original context, while virtual cities are recreated as soundscapes. The artists participating in Technical Breakdown all contemplate events and notions that are out of our reach - and out of control. In the exhibition sound layers ranging from the fictive ti the real, from the cognitive to the evocative come together and form a sonic web around us. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => david-mann [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:15 [post_modified_gmt] => 2014-09-25 10:37:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3375 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1087 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3616 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => made specially for the live broadcasting of RAM at Utopia Station, 50° Biennale di Venezia [post_title] => Sounds of Venice [post_excerpt] => sound project [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-of-venice [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:38:13 [post_modified_gmt] => 2014-09-25 10:38:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3616 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1321 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 4001 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Arnold Brooks is American and was born in 1950. He has not only worked as a musician but also as a graphic artist. Brooks teaches art at several art institutions in New York and has done a large number of exhibitions in USA. The sketchy style, the obliterated and the expressiveness of the sound works are reflected in Brooks’ graphic prints and paintings. [post_title] => ContraDiction [post_excerpt] => City on the Net The listening posts of Technical Breakdown install sound art in the city, and mix it with everyday soundscapes. In the listening post City on the Net, the exhibition moves on to other cultures, other cities and countries. The cities are brought into private homes. The most comprehensive studies and far-reaching sound art projects are presented in City on the Net. All of them with long playing times and all of them exploring the social as a main theme. The unwanted, accidental, intrusive and violent sounds – the noises of the densely populated city became an art object in itself as early as 1913, with Luigi Russolo’s futuristic manifest L’arte dei Rumori (The Art of Noise). Since then, the effort to integrate real life sounds into sound art has developed in many different directions. The common denominator for this listening post is the collage form, the zapping and the cacophonic. "A cacophonic symphony’ is Arnold Brooks" description of his work ContraDiction. The work takes as its starting point New York’s population of more than 8 million people, and it is a collage that Brooks has mixed of sounds recorded in the streets of the city. There is a sense of loneliness, surveillance, voyeurism and paranoia in ContraDiction. Voices and sounds obliterate each other and become a backdrop that occasionally lets out fragments as clearly decipherable points. Rather than a conversation, the impression is that of a chaos of contradiction – a speech of voices against each other. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => contradiction [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:53 [post_modified_gmt] => 2014-09-25 10:39:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4001 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1872 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 4034 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] =>

Nato a Karl-Marx-Stadt, Germania (1965).  Vive e lavora a Berlino.

Carsten Nicolai  ha studiato architettura urbanistica presso l’università di Berlino, dove inizia la propria ricerca artistica attorno alla meta' degli anni 80. Carsten Nicolai e' un artista poliedrico; lavora sia come pittore che come musicista. La sua ricerca analizza il rapporto che sussiste tra l'utilizzo delle tecnologie e l'identita' dell'uomo nel contesto urbano e mediatico odierno. La sua poetica si focalizza sui suoni/emissioni dalle nuove tecnologie; partendo dai suoni di fax, telefoni e modem e con un impostazione da landscape designer, immette nella sua musica una concezione geometrica del suono; il carattere duale dell'opera di Carsten Nicolai si esprime nella compresenza tra le caratteristiche fisiche dell'impatto sonoro, espresso nell'utilizzo di bassissime e altissime frequenze usate in modo potente e allo stesso tempo tagliente e il carattere chirurgico e microscopico delle strutture in cui questo impianto sonico si realizza. Tutto cio' vale anche per le opere visive nelle quali Nicolai utilizza cromatismi netti (i bianchi e i neri) all'interno di opere rigorose e delicate allo stesso tempo, ancora in un'ottica di forte polarita' tra gli elementi utilizzati. La sintesi dei suoi lavori la troviamo nelle installazioni dove si intersecano la ricerca visiva e quelle acustica. La sua ricerca prende inoltre spunto da fenomeni naturali come il suono (di cui studia il rapporto con lo spazio, il tempo e il movimento), la luce, i campi elettromagentici (e in particolare gli effetti delle polarita') ed elementi naturali come il latte o la neve. e proprio come i fiocchi di neve rendono possibile il generarsi di forme uniche e irripetibili, le opere di Nicolai partono da un suono che costituisce il nucleo attorno al quale si crea un sistema di eventi sonori a cui aggiunge l'elemento errore che provoca cambiamenti di suono e frequenza creando cosi' infiniti altri nuclei e infinite via di fuga. Nel 1999 assieme a Frank Bretschneider (Komet) e Olaf Bender (Byetone) fonda l'etichetta Raster-Noton (fondendo la Raster Music dei due con la sua Noton.archiv.fur.ton.und.nichtton). www.raster-noton.de -
Dopo la sua partecipazione a importanti mostre internazionali come Documenta X e la 49a e la 50a Biennale di Venezia, le opere di Nicolai sono state esposte in diverse occasioni tra cui; Schirn Kunsthalle di Francoforte, in Germania e alla Neue Nationalgalerie di Berlino, Germania (syn chron) in 2005.
Da diversi anni ormai Carsten Nicolai sperimenta con il suono sotto lo pseudonimo di Alva Noto.
Come Alva Noto si è esibito tra l’altro al Solomon R. Guggenheim Museum in New York, al San Francisco Museum of Modern Art, al Centre Pompidou a Paris, al Kunsthaus Graz e alla Tate Modern di Londra. Inoltre ha avviato diversi progetto con artisti Ryoji Ikeda (cyclo.), Mika Vainio e Thomas Knak (opto); recentemente si è esibito in Europa, Australia ed Asia con Ryuichi Sakamoto.

[post_title] => Word/Monitortest/Morse [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => wordmonitortestmorse [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:56 [post_modified_gmt] => 2014-09-25 10:39:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4034 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1905 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 4081 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Words 14 [post_excerpt] => 9 cd da ascoltare contemporaneamente [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => words-14 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:40:00 [post_modified_gmt] => 2014-09-25 10:40:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4081 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1955 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 4166 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => RAMradioartemobile presenta

Nuit Blanche Parigi 2013

(Q.i Q.i) LES OISEAUX

Play list

23-ManfreDu Schu (Austria, 1959) Body of Bird “Ogni notte indago il mio corpo attraverso sogni feroci. L’aria penetra il mio piumaggio bizzarro… L’aria mi avvolge nella sua corrente e mi fa volare. Questo è un momento per essere VERI.”

05 ottobre 2013 - 06 ottobre 2013

La Gaîté Lyrique 3bis Rue Papin

75003 Parigi, Francia

I nostri ringraziamenti vanno a Chiara Parisi e Julie Pellegrin, direttore artistico delle Notti Bianche, Jerome Delormas, direttore delle Gaite Lyrique e le loro rispettive squadre. Ringraziamo in particolare Picnic Radio (Berlino) per la loro collaborazione. [post_title] => LES OISEAUX [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => les-oiseaux [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:40:22 [post_modified_gmt] => 2014-09-25 10:40:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4166 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 2040 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2331 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Planetspin [post_excerpt] => (18) My most influential band is probably Pink Floyd ;-). I try to create music as complex and dimensional like theirs, but do not want to cover them or sound too in-line with them, which also would be only a kind of copy. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => planetspin [to_ping] => [pinged] => [post_modified] => 2019-06-12 12:57:31 [post_modified_gmt] => 2019-06-12 10:57:31 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2331 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 31 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 3279 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 185.40 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Trace Elements [post_excerpt] => Will Sergeant is best known for his work in pop combo Echo and the Bunnymen, but he also has strong tieswith the experimental side of life, in the form of performances and records as Glide. He has also worked with Skyray Liverpool's minimalist sound dabblers and Longstone Cheltenham's finest purveyor of bleeps. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => trace-elements-3 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:49 [post_modified_gmt] => 2014-09-25 10:36:49 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3279 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 990 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1122 [max_num_pages] => 113 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => bbb9f3b1c32bbfb481b5f3b9aa8c7393 [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )