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Arch. 185.1 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Bass Space Trace [post_excerpt] => ARPARP is a metamorphic research project producing soundworks for recordings, radio and installations. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => bass-space-trace [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:45 [post_modified_gmt] => 2014-09-25 10:36:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3219 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 930 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 3251 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. nn. Arch. 182.a, 183.28, 185.23 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Heart_Bit_T_Race_Lape_One [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. Thomas J. Schroffenegger is a composer, musician, designer, commercial artist and teacher. Both previously played in the same punk band ten years ago. Today they work together again especially to create this piece for Trace. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => heart_bit_t_race_lape_one [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:47 [post_modified_gmt] => 2014-09-25 10:36:47 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3251 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 962 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 3283 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 183.64, 185.44 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Grinding # 8 [post_excerpt] => Stylus is the pseudonym of the reclusive experimentalist Dafydd Morgan. In April 1997 he released the track "Kinski" (a tribute to Klaus Kinski) on a 10" split record with the band Longstone. "A lengthy, multi-layered piece of electronica, taking in vintage Cluster and 90's digi-dub", as The Wire found out. In 1998 he was part of The Serpents, a collaboration of artists on Ochre Records and Cradiff based Ankst Records (including David Wrench, Skyray, Will Sergeant of Echo & The Bunnymen, Ectogram, Longstone, Rheinhallt H. Rowlands, The Anglesey Ambient Experiment, Zoe Skoulding and Môr) which released their debut 7" single No Mask, No Cloak, Dim Gobaith on 18 May 1998. On 24 June 1998 his track "Paradise Ranch" was broadcast on "The John Peel Show". About "Glass Dream 1", released in November 1998 on the first INFRASONIC WAVES-EP-sampler, the Record Collector wrote: "Stylus put Baudelaire to a throbbing psychedelic backdrop"... Stylus now has forthcoming tracks appearing on Liquefaction Empire, Oggum and Space Age compilations. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => grinding-8 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:50 [post_modified_gmt] => 2014-09-25 10:36:50 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3283 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 994 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 3315 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch.184.40 ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_title] => Basit [post_excerpt] => Aidan Mark Humphrey was born in Liverpool. Surprisingly, Franfurt, a german city, is the same size of Liverpool. Aidan lives there now with 600,000 other people. 60% are not germans. In Franfurt it is possible to purchase shells for mobile telephones in the design of the Turkish flag. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => basit [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:53 [post_modified_gmt] => 2014-09-25 10:36:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3315 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1027 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3347 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Idylle [post_excerpt] => 2006 "Südkurve" - Interactive Sound-Installation for the exhibition "You'll never walk alone" (9.6.-9.7.) - O.K. Centrum für Gegenwartskunst, Linz t-u-b-e Plugged - Experimentelles Internetkonzert zur "Langen Nacht der Musik" T-U-B-E Munich feat. Oliver Augst (Frankfurt) , Nils Bultmann (Madison/USA), Wolfgang Dorninger (base records, Linz), Nick Fells (Glasgow), Klaus Schedl (München) und Axel-Frank Singer (z.Zt. Paris) "Nasca, über die Perspektive" - multi-media performance - 6th February 2006 - La Casa Encendida, Madrid "Nasca, über die Perspektive" - multi-media performance - 3rd-4th February 2006 - O.K. Centrum für Gegenwartskunst, Linz "Nasca, on perspektive" - DVD (base rec.) out June 2006 Acoustic presentation "now & Mozart" Albertina Wien, Curator: Herbert Lachmayr/Da Ponte (März) 2005 "Me and my mike!" Audio-Performance-Lecture Stop Spot 2005 (Symposium) - 18.11. 2005 O.K. Centrum für Gegenwartskunst, Linz Installation "Die Stimme - interaktive Pop-Algorithmen" Peter Weibel / Wolfgang Dorninger Kunstfest Weimar vom 22.8. - 11.9.2005 2004 "Phonorama" ZKM Karlsruhe - Acoustic presentation, Curator: Brigitte Felderer, Architect: Markus Pillhofer "Phonorama" ZKM Karlsruhe - Installation "Die Stimme - interaktive Pop-Algorithmen" Peter Weibel / Wolfgang Dorninger "Die Stimme" Ruhrtriennale Essen - Acoustic concept 2001 Uraufführung "Hisatsinom, über das Verschwinden" Festival "4020" Linz. Studienaufenthalt in Tucson, Arizona (12-2000 bis 3-2001) 2000 Musik für das Tanzstück "Sozialwerk" mit Marina Koraiman, Monika Huemer, Didi Bruckmayr, Michael Strohmann und Peter Thalhammer (Aufführungen im Posthof Linz und der Volksbühne Berlin, April 2000) "fadi @ vilnius.lt" for Dialog2 Articulation (Litauen/Oberösterreich) im OK-Centrum für Gegenwartskunst - CD base records 0046 - Katalog Edition OK, April 2000 Aufführung und Videoscreening im Contemporary Art Center Vilnius (Februar 2000) Teilnahme an der Ausstellung "Aus dem Umfeld - Zeichnungen+" Stadtwerkstatt 1979-1999 - Kunstuni Linz (Februar 2000) 1999 Auftragsarbeit Asten für Resocycling beim Festival der Regionen 1999 CD Asten (base records) Klangpark (Ars Electronica 1999) mit Michael Nyman, Scanner, Sam Auinger, Rupert Huber, Jomasound, Robert Worby und Gordan Paunovic. Gilt auch für die CD Klangpark (Ars Electrica) 1998 Laager - eine Auftragsarbeit für den europäischen Kulturmonat in Linz - Musik-Produktion von Peter Androsch, Sam Auinger, Dietmar Bruckmayr und Wolfgang Dorninger 1997 Sampling Realities mit Werner Jauk, Musik und Doris Jauk-Hinz, Videoinstallation - Forum Stadtpark Graz 11/97, Teilnehmer bei Symposium music<->media auf der Hochschule für Amerikanistik, Graz 1995 Ars Electronica 1995 - 3 Live-Auftritte mit Aural Screenshots (Wolfgang Dorninger und Josef Linschinger of Fuckhead) Teilnahme an Horizontal Radio des Ö1-Kunstradios mit Aural Screenshots Sounddesign für Achse des Ofens (Festival der Regionen - Androsch, Dörr und Kurovski) 1994 Musik für die CD und das Kunstradio für 11 23 Wien (Neville Brody, Glückstein, Senger) 1987 Ars Electronica 1987 Auftragsarbeit: Monochrome Bleu "Kopfstich - Musik und Video Pt.6" von Monochrome Bleu (Dorninger, Resch, Schatzl, Androsch und Kurt Hennrich (Videokünstler)) Morgen Hysterisch Theater Aufführung in der Fachhochschule für Architektur und Design in Düsseldorf - Rauminstallation und Theater mit Sabine Bitter, Helmut Weber, Leo Schatzl, Pepi Maier und Wolfgang Dorninger aka Josef K. Noyce) Intergallaktisches Lärmstrukturfestival - Ravensburg: Monochrome Bleu "Musik und Video Pt.5". 1986 Wohnen Von Sinnen - Düsseldorf: Projekt mit der Gruppe Wohnfreiheit zur Ausstellung im Düsseldorfer Kunstmuseum. Titel: "Badewannenkonzert" (mit Georg Ritter, Gotthard Wagner u.v.m) Unter jeder Kunst Beteiligung bei der illegalen Gemeinschaftsausstellung von Studenten der Mkl. für visuelle Gestaltung in Linz in den Katakomben der abgebrannten Ring-Brot-Werke Linz Klare Nacht Musikenironment für die Rauminstallation von Leo Schatzl in einer Linzer Bar. 1985 MUKU 1995 Multimediaperformance mit Monochrome Bleu (Dorninger, Resch und Schatzl) im Rahmen eines gemeinsamen Projektes der Gruppe Schöner Schein (Rainer Zendron, Leo Schatzl, etc.) auf dem Multimediafestival MUKU in Kassel, Deutschland. "Schnell und Hell" Musik zur Ausstellung und Performance von Leo Schatzl. 1984 "KLA4" Neue Galerie Linz, Performance mit Karl Heinz Klopf Ars Electronica 1994 Multimediaperformance mit der Gruppe Monochrome Bleu (Wolfgang Dorninger, Thomas Resch, Leo Schatzl, Dr. Geza Eisserer) mit dem Titel "Musik Sehen" mit Markus Binder und Pepi Maier. Visualisierte Musik - Auftritte in der Galerie Krintzinger, Zu den Sachen, etc. - 10 Auftritte 1983 "Schwarze Bilder" Konzert und Ausstellung in einem Abbruchhaus mit Sabine Bitter, Helmut Weber u.a. "Wechselstrom" Ausstellung, Beitrag mit Markus Binder (Attwenger), Pepi Maier (Gruppe Musik Sehen) in einer aufgelassenen Fabrik im Süden von Linz. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => idylle [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:55 [post_modified_gmt] => 2014-09-25 10:36:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3347 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1059 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 3379 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Sänpäkkilä [post_excerpt] => Opec is a Danish duo consisting of Jonas Olesen (b. 1979) and Christian Stadsgaard (b. 1975). Jonas Olesen has a background in techno- and electronica music, genres which operate with computer generated sounds. Christian Stadsgaard’s background is in noise music, a genre which incorporates sound elements from amplifiers and technical equipment. Opec has made a joint release with Norwegian Jazzkammer and contributed to the release spool.drv. The duo is currently working on their debut album. Technical Breakdown is an international sound art exhibition, which took place uin the public space of Cophenagen, denmark in November 2005 - January 2006. The exhibition consists of 5 different listening posts presenting 30 sound works by artists from 10 different countries.The sound art exhibition Technical Breakdown takes as its starting point the chaotic and unpredictable field of communication in which misunderstanding and the unspeakable take on a life of their own. The exhibition encourages "a grant of self conduct" practice, setting loose sounds and feedback from all spheres making it possible for them to diffuse and mingle into the sound-scapes we inhabit.The exhibition consists of 5 different listening posts, eahc presenting its own perpective pn the error. The listening posts introduce the audience to a numebr of unique sound worlds, using the technical breakdown itself as a strategy to give voice and body to that which would not otherwise surfece. Through circuit bending, cut-ups and samples, the sound art reaches into the environment and breaches the continuity of our rational experience of the world. The art works show us unconcious moods and phenomena, and connects circuits not designed to be connected. The surroundings are animated by sound which again enhance our sense of space. The sound works mark the installation sites by interfering and underlining, amplifying or unermining the surroundings. In this way the sites themselves take part in creating cross-references between the many different layers of sound that one is likely to be tuned in on simoultaneously, though at different levels of intensity. The listening post Panic Room turns up the paranoia and surveillance atmosphere in the shopping centre Field's. The intimidating refuge criticises as well as imitates consumer culture buffoon and chaos with sample of sound from media and the collapse of discourses. At The Culture House KIB, The Cones couples the harbour front with the another dimension. The sounds function as a portal linking the site to be underground and the mystical. At The Royal Library The Black Diamond, The Glass breaks the borders between inside and outside - between private and public - with its fragile, crisp sounds and forces itself on the visitor's itnimate sphere. At the cinema and film institute, Cinemateket, Sonographic Stele translates picture itno sound and sound intopicture. One language talks on behalf of the oher an dinitiates acomplicated dialogue on the verge of nonsense. In the web-basedc listening post, City on the Net everything is inter-twined cacophony - no sound is limited to its original context, while virtual cities are recreated as soundscapes. The artists participating in Technical Breakdown all contemplate events and notions that are out of our reach - and out of control. In the exhibition sound layers ranging from the fictive ti the real, from the cognitive to the evocative come together and form a sonic web around us. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sanpakkila [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:16 [post_modified_gmt] => 2014-09-25 10:37:16 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3379 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1091 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 3620 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => made specially for the live broadcasting of RAM at Utopia Station, 50° Biennale di Venezia [post_title] => Random access memory [post_excerpt] => sound project [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => random-access-memory [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:38:13 [post_modified_gmt] => 2014-09-25 10:38:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3620 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1325 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 4006 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Chris Watson is an english artist and sound recordist. He is one of the world's leading recorders of wildlife and natural phenomena, and for Touch he edits his field recordings into a filmic narrative. For example. The unearthly groaning of ice in an Icelandic glacier is a classic example of, in Watson's words, putting a microphone where you can't put your ears. He was born in Sheffield where he attended Rowlinson School and Stannington College (now part of Sheffield College). In 1971 he was a founding member of the influential Sheffield-based experimental music group Cabaret Voltaire. His sound recording career began in 1981 when he joined Tyne Tees Television. Since then he has developed a particular and passionate interest in recording the wildlife sounds of animals, habitats and atmospheres from around the world. As a freelance recordist for film, tv & radio, Chris Watson specialises in natural history and documentary location sound together with track assembly and sound design in post production. [post_title] => Cima Verde [post_excerpt] => Daniela Cascella e Lucia Farinati invited him to create a work for Sound Threshold, a project that explore the relationship between sound and landscape, art and acoustic. Watson lived in residence in the Center for Alpine Ecology in Monte Bondone, Italy, to create 'Cima Verde'. Watson è stato ospitato in residenza presso il Centro di Ecologia Alpina del Monte Bondone - sopra Trento - dove ha realizzato Cima Verde Dosso d'Abramo, Cornetto e Cima Verde. Sulle tre cime del Monte Bondone soffia il vento; cristalli di ghiaccio, vapori acquei e variazioni di pressione si uniscono ogni anno in una danza, ne profondo blu del cielo. Questo è suono che diventa luce. Giuù per i pendii alpini attraverso pascoli d'alta quota e dentro le foreste, una montagna congelata di suono si scioglie da un blocco monolitico, in una distesa ordinata di sette stadi, atraverso tremila metri di habitat acustici senza uguali. Forme e musica, ritmo e suono, una serie di erformance rituali per orecchie animali. Chris Watson, 16 maggio 2008 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => cima-verde [to_ping] => [pinged] => [post_modified] => 2015-09-25 10:33:40 [post_modified_gmt] => 2015-09-25 08:33:40 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4006 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1877 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 4039 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] =>

Brandon LaBelle is a sound artist and writer from Los Angeles. Working in the field of sound- performance- and installation-art since 1992, LaBelle's work aims to draw attention to the dynamics of sound as it is found within spaces and objects, public events and interactions, language and the body. Through a performative interaction with objects, found-sound, and minimal electronics, the work draws attention to the quality and nature of what is already there through an emphasis on and displacement of listening and interaction, as a technological and architectural glitch. LaBelle's interest in site-specificity reflects a desire to consider the relationships and tensions between art and a broader social environment.

His work has been featured in "Bitstreams" at the Whitney Museum, in "Amplitude of Chance" at Kawasaki City Museum Japan, at the 9th International Symposium of Electronic Arts in Liverpool and Manchester, Sampling Rage Festival in Berlin, the ICA London, Experimental Intermedia in New York, the Arizona State University Museum, and as part of "Sound as Media" at ICC in Tokyo. He is also the co-editor of "Site of Sound: of Architecture and The Ear" and "Writing Aloud: The Sonics of Language", both published by Errant Bodies, and curator of the Beyond Music Series at Beyond Baroque Center, Los Angeles CA. His work has been released on the SELEKTION, Fringes Recordings, Ground Fault, and La Bruit Secret labels.

[post_title] => diagram of a private space [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => diagram-of-a-private-space [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:56 [post_modified_gmt] => 2014-09-25 10:39:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4039 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1910 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 4085 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Words 2 [post_excerpt] => 9 cd da ascoltare contemporaneamente [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => words-2 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:40:00 [post_modified_gmt] => 2014-09-25 10:40:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4085 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1959 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 3219 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 185.1 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Bass Space Trace [post_excerpt] => ARPARP is a metamorphic research project producing soundworks for recordings, radio and installations. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => bass-space-trace [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:45 [post_modified_gmt] => 2014-09-25 10:36:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3219 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 930 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1122 [max_num_pages] => 113 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => bbb9f3b1c32bbfb481b5f3b9aa8c7393 [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )
Basit

Aidan Mark Humphreys

Basit

2000

Idylle

Wolfgang Fadi Dorninger

Idylle

1999