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And previous pieces: Little Music .. - 1999, Little Litany - 2002, Little Chronicles - 2005. [post_title] => In sanctuary of Nijola [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => in-sanctuary-of-nijola [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:47 [post_modified_gmt] => 2014-09-25 10:35:47 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3044 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 752 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 3107 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Vox (track 2) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => vox-track-2 [to_ping] => [pinged] => [post_modified] => 2019-07-04 14:26:11 [post_modified_gmt] => 2019-07-04 12:26:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3107 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 816 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 3139 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 183.28, 184.33, 185.23 [post_title] => Between life lines [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => between-life-lines [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:16 [post_modified_gmt] => 2014-09-25 10:36:16 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3139 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 848 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 3171 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 184.24, 185.17 [post_title] => Hope Spring [post_excerpt] => Max Eastley is an artist whose work combines kinetic sound sculpture and music to produce a unique art form. Since the late 1960s, Eastley has been fascinated by the relationship of chance to music and art, and in environmental forces such as wind and water. He began to investigate this relationship in his work, using kinetic sound machines and the natural forces of the wind, streams and the sea. As a consequence, his career opened out into new areas of creative and philosophical exploration. Eastley is an important and innovative figure in the field of sound art. He often works in collaboration with other artists from a range of disciplines. He has exhibited his sound installations internationally, and worked closely with a wide range of artists, musicians and filmmakers, including Brian Eno, Peter Greenaway, Evan Parker, Thomas Köner, Eddie Prévost and The Spaceheads. Exhibitions of his installations in 2000 included Sonic Boom at the Hayward Gallery and Sound as Media in Toyko. In 2002 he composed the music for Plants and Ghosts by Siobhan Davies Dance. He has worked with musician and writer David Toop to produce the critically acclaimed albums New and Rediscovered Musical Instruments 1975, Buried Dreams 1994 and Doll Creature 2004. For The Ship Eastley has produced a sound sculpture installation which incorporates found sound recorded during Cape Farewell expeditions. 'I'm a musician and a sound artist, and I'm here on the boat to collect as many different sounds as I can: sounds the ship makes, water sounds, birdcalls, seal songs, that kind of thing. I do an awful lot of recording all over the place and I've never heard anything like the sounds I've heard on this voyage. We went to a kittiwake colony - a huge city of seabirds all nesting on the side of a cliff - and that was absolutely fantastic.' (Max Eastley, Cape Farewell 2003 Voyage) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hope-spring [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:19 [post_modified_gmt] => 2014-09-25 10:36:19 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3171 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 881 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3203 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 184.54 [post_title] => Brass, Steel, Skin and Bone and Hope [post_excerpt] => Al Willard Peterson was born into a small mining community in the Rhondda Valley, South Wales. Moved to Liverpool where he was educated at Liverpool School of Art and the Liverpool Mathay School of Music. Most of his musical career has been spent working within the confines of contemporary rhythm and Blues throughout the North-Western region. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => brass-steel-skin-and-bone-and-hope [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:21 [post_modified_gmt] => 2014-09-25 10:36:21 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3203 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 913 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 3236 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. n. Arch. 2.a; 183.17. TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Lost My Lead [post_excerpt] => Paul Devens works as a visual artist who is concerned with social and architectural environments and the preoccupations and expectations of the spectator or public. He also makes soundworks without a direct visual elemnt. Various sources are used as material in the compositions: sound taken from his installations, from people in railway, stations or post offices, sounds from engines or traffic. Acoustic, electric and electronic instruments, sometimes home-made are also used. b. 1965. Lives and works in Maastricht, Netherlands 1984-1989 ABK Maastricht 1989-1991 Jan van Eyck Akademie (post-graduate) Maastricht 1994 Pepinieres Europeennes pour Jeunes Artistes, Grenoble. Soloexhibitions 2002 *Experimental Intermedia, Gent, B. *DSM, Sittard, NL 2000 *"On Hold", Marres, Maastricht. *"Oblique Nights", Le Lieu Unique, association crdc, Nantes, France. *"TAG" Luxus artfoundation, Den Haag. 1999 *Bonnefantenmuseum Maastricht. Casimir BV, Arnhem NL. 1998 *Lokaal 01, Breda, NL. 1996 *De Bank, artfoundation, Enschede, NL. 1995 *Bonnefantenmuseum, Maastricht. 1994 *Magasin, cnac, Grenoble, F. 1993 Apollohuis, Eindhoven, Nl 1992 *"Euregionale 1992", Provinciaal Museum, Hasselt,B. Group exhibitions 2004 “Switched on”, Klein Art works, Chicago 2003 “ctrl-alt-del”, Marres, Maastricht, Nl/ Babylon, Istanbul, TR. *“Bread and Circus”, Lokaal 01, Breda nl *Neuer Aachener Kunstverein, Aachen, D. 2002 *Film- and videofestival, Dulcinea Contemporary Art Gallery and Institut Francais, Istanbul. *"Mobile Phonics", Z33, Hasselt, B. *Videoscreening, SOX 36, Berlin. *Film- and videofestival, Hedah artfoundation, Maastricht 2001 *"Who Says Seeing Only Happens With The Eyes?", Galleri F15, Moss, Norway. *"Fricties" Museum van Bommel van Dam, Venlo, NL. *"Le detour vers la simplicite: experiences de l'absurde" Le Confort Moderne, Poitiers, FR. *Arti et Amicitiae, Amsterdam. 2000 *"Our House" festival, Genk, B. Videoscreening. *"Global Attic Festival", Rotterdam. 1999 *"De toekomst die ons toekomt", Fonds BKVB, Amsterdam. 1998 *Villa Oud Amelisweerd, Utrecht, NL. Stadsgalerij Heerlen, NL. *"The Eye and The Ear", Duende artfoundation, Rotterdam. 1997 *W139, Amsterdam. 1995 *Technical University, Architecturedept., Einhoven, NL. 1994 *Proton ICA, Amsterdam. *"Toucheprijs 1994" Arti et Amicitiae, Amsterdam. *"Nuldrieenveertig" Landbouwbelang, Maastricht. 1993 *"Sound and Vision" ICA, Amsterdam. Public Commissions 2002 *"Food 2" Amstenraderveld, Brunssum, NL. 2000 *"Moped" Universiteit Maastricht. 1997 *"Cone 8" Business and Sciencepark, Enschede, NL. Solo Concerts and Events 2003 * “Ctrl-alt-del” at Babylon, Istanbul 2002 *"Food 2" *"Mobile Phonics" Museum Z33, Hasselt. *"Blue Loft" Lokaal 01, Breda, NL. 2001 *"We'll See" (music for the choreography of Kosmas Kosmopoulos). *Neuer Aachener Kunstverein, D *MEX, Dortmund, D. *Release, Hedah Art Foundation, Maastricht. * "wssohwte", Galleri F15, Norway. * "Fricties", Museum van Bommel van Dam, Venlo. *Stedelijk Museum Amsterdam, concert and broadcast on national radio (VPRO) *Le Confort Moderne, Poitiers, F. 2000 *"Oblique Nights", Le Lieu Unique, Nantes. *"Le dejeuner sur l'herbe", Gothaer Kunstforum, Koln, D. *"Our House" festival, Winterslag, Genk, B. * "Global Attic Festival" Rotterdam. 1999 *"Blue Nail" concerseries in CBK Maastricht, De Parel, Amsterdam, Doornroosje, Nijmegen, Baudelopark, Gent, Boulevard, Den Bosch and Winterslag, Genk. Web 2003 *www.project-ctrl-alt-del.com 2001 *"Who Says Seeing Only Happens With The Eyes?" www.wssohwte.net 2000 *cooperation with Bert van den Bosch, private site Paul Devens: www.niew.nl/pauldevens *Release web-cd "-Fuck -It": www.mp3.com/pauldevens *"TAG" projectsite. Already off-line. www.luxus8days.nl *"Osaka Remix Project": www.fotonrecords.com *Various sites of museums and artfoundations like www.lelieuunique.fr www.confort-moderne.fr www.experimentalintermedia.be www.limburg.be/ z33 etc. Releases 2003 *production and soundpiece for CD “ctrl-alt-del”. 2002 *Contribution to compilation-cd "Music for difficult people" by Mangenerated, Moortsel, B. 2001 *Solo audio cd/ cd-rom "DJ Lait Russe", private release. 2000 "Dralt" audio cd. Cooperation with Los DQ. *Contribution to "Trace", an audio cd by the John Moore University, Liverpool.1999 *Contribution to "Hope", an audio cd by Scanner and the John Moore University, Liverpool.1998 *"Hedah 500 rpm", audio cd. production, participation and curation. *"Model (book)" fc book and audio cd. private release with texts from Mique Eggermont, Ranti Tjan, Frans Budé and Anna Hakkens.1996 *"Models" audiocassette, release by De Bank, Enschede. 1994 *"Belt 3" Folder and audio cd. release by the city of Grenoble, le Magasin and l'Ecole des Beaux Arts, Grenoble 1992 *"Signs Signals Tunes", audio cd. Released by the Jan van Eyck Akademie, Maastricht Side activities 2002 * ”Soundlab” artstudents ABK Maastricht working in public on soundart at Museum Het Domein, Sittard with lectures of Natasa Petersin, Jay Allen Yim and Marlena Novak, Jens Brand, Guy van Belle. * "Leefbaar Hedah" workshop with artstudents ABK Maastricht at the Hedah foundation. 2001 *Projectteacher at the ABK Maastricht (Akademy for fine arts) up to now. Committeemember of the foundation for Fine Art, Design and Architecture, Amsterdam. *Lecture "Cafe Sonore" CEM foundation Amsterdam. *Lecture "Cafe Sonore", CEM. Location: Den Bosch. *"H5" book and cd-rom release by Hedah. Cooperation in concept and design. 2000 *Design cd rom "Parkstad prijs 2000" in cooperation with Bert van den Bosch. 1999 *Lecture and workshop ABK Maastricht. 1996 *Lecture ABK Maastricht.1995 *co-foundation and co-programming Hedah foundation. Up to 1998. 1994 *Lecture at the Ecole des Beaux Arts, Grenoble. 1993 *Lecture at the AKI, Fine Arts Academy, Enschede. Benga! Went outside and started to turn things around. Bikes, benches, tins and all sorts of trash, street furniture, everything was turned around. He believed he could keep the soul of those things inside. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => lost-my-lead [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:46 [post_modified_gmt] => 2014-09-25 10:36:46 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3236 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 947 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 3268 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Trace elements [post_excerpt] => Joe McKechnie aka The Mindwinder Based in Liverpool Joe McKechnie has been making music for many years, most recently as The Mindwinder and DJ Tempest. With releases on Buffalo (Joe's own label), Cheltenhams Ochre Records and Detroit techno label Acacia. At the end of 1997 Ochre released the compilation "Coming Round at Calums". The CD was compiled by Joe for Ochre Records. It features The Mindwinder track "Slo Mo Shoot Out". The Mindwinder has DJed at many Liverpool club night's. He is a regular at Liverpool's most underground night "The Fukdup Raves Social Club". A monthly event that changes venue and line-up for each event. He is also a regular guest at many events around the Liverpool area. The Mindwinder writes about music every fortnight for Event, the Merseysides listings magazine. The Mindwinder's most frequent outing until March 1999 was his weekly show on Liverpool independent radio station Crash FM (Saturday Night 9pm to Midnight). Joe produced and performed on the show, selecting a play-list from as wide a cross section of Dance music as possible. Each week As well as airing new recordings and mixes of his own, Joe invited a guest Producer to provide an exclusive mix (either a DJ set or a Live set) for the show. Guests on the show included Orlando Voorn (The Netherlands), Colin Newman (Swim, UK), Stephen Brown (Djax, NL) and Andrew Weatherall (UK). During 1999 as well as his regular Liverpool area gigs the Mindwinder has DJed in Glasgow with Sonic Boom's electronic collective E.A.R. as part of an Ochre Records Night, Toured Europe with a collective of Liverpool artists including ISM and DJed in Germany at Pop-Com. Closing 1999 Joe performed at the Ochre records 'Five' Festival in November 1999. A track (Soviet Space) will be available on the commemorative CD of the event, to be released in 2000. TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => trace-elements [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:49 [post_modified_gmt] => 2014-09-25 10:36:49 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3268 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 979 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 3300 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Hellzbell [post_excerpt] => Jhon Countache is a multimedia artist and educator based lately in Balgriggan, Ireland. He lectures in Multimedia and in radio Journalism at Dublin City University. His sound work is usually based in natural and "found" sound. Previuos CD releases include Trace, and video Pool Audio Artists in Residence. ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hellzbell [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:51 [post_modified_gmt] => 2014-09-25 10:36:51 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3300 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1012 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 3332 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 183.62 ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_title] => Coleman's Fireproof Depository [post_excerpt] => Paul Simpson is an artist and musician based in Liverpool. As Skyray he has released critically acclaimed albums including: Tranquilliser (1997); Womb (1998); Mind Lagoons (1999); and Slow Dissolve (2000). On his Skyray CD's he has worked solo and in collaboration with Will Sergeant (Echo & the Bunnymen), Bill Drummond (KLF) et al. Skyray performances include: ISEA98, Ochre 5 (1999), and Cornucopea: Two South Bank Evenings with Julian Cope, Royal Festival Hall, London (2000). Paul co-founded The Teardrop Explodes with Julian Cope; fronted The Wild Swans and Care with Ian Broudie - releasing music internationally. In 2000 Paul completed a Visiting Fellowship at Liverpool School of Art and Design, Liverpool John Moores University. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => colemans-fireproof-depository [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:54 [post_modified_gmt] => 2014-09-25 10:36:54 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3332 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1044 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3364 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Hisatsinom, über das Verschwinden is the first oart of a triology. The secon dpart "Nasca, on perspective" (FC.188) had its premiere 2006. [post_title] => Das Anti-Gedächtnis [post_excerpt] => 2006 "Südkurve" - Interactive Sound-Installation for the exhibition "You'll never walk alone" (9.6.-9.7.) - O.K. Centrum für Gegenwartskunst, Linz t-u-b-e Plugged - Experimentelles Internetkonzert zur "Langen Nacht der Musik" T-U-B-E Munich feat. Oliver Augst (Frankfurt) , Nils Bultmann (Madison/USA), Wolfgang Dorninger (base records, Linz), Nick Fells (Glasgow), Klaus Schedl (München) und Axel-Frank Singer (z.Zt. Paris) "Nasca, über die Perspektive" - multi-media performance - 6th February 2006 - La Casa Encendida, Madrid "Nasca, über die Perspektive" - multi-media performance - 3rd-4th February 2006 - O.K. Centrum für Gegenwartskunst, Linz "Nasca, on perspektive" - DVD (base rec.) out June 2006 Acoustic presentation "now & Mozart" Albertina Wien, Curator: Herbert Lachmayr/Da Ponte (März) 2005 "Me and my mike!" Audio-Performance-Lecture Stop Spot 2005 (Symposium) - 18.11. 2005 O.K. Centrum für Gegenwartskunst, Linz Installation "Die Stimme - interaktive Pop-Algorithmen" Peter Weibel / Wolfgang Dorninger Kunstfest Weimar vom 22.8. - 11.9.2005 2004 "Phonorama" ZKM Karlsruhe - Acoustic presentation, Curator: Brigitte Felderer, Architect: Markus Pillhofer "Phonorama" ZKM Karlsruhe - Installation "Die Stimme - interaktive Pop-Algorithmen" Peter Weibel / Wolfgang Dorninger "Die Stimme" Ruhrtriennale Essen - Acoustic concept 2001 Uraufführung "Hisatsinom, über das Verschwinden" Festival "4020" Linz. Studienaufenthalt in Tucson, Arizona (12-2000 bis 3-2001) 2000 Musik für das Tanzstück "Sozialwerk" mit Marina Koraiman, Monika Huemer, Didi Bruckmayr, Michael Strohmann und Peter Thalhammer (Aufführungen im Posthof Linz und der Volksbühne Berlin, April 2000) "fadi @ vilnius.lt" for Dialog2 Articulation (Litauen/Oberösterreich) im OK-Centrum für Gegenwartskunst - CD base records 0046 - Katalog Edition OK, April 2000 Aufführung und Videoscreening im Contemporary Art Center Vilnius (Februar 2000) Teilnahme an der Ausstellung "Aus dem Umfeld - Zeichnungen+" Stadtwerkstatt 1979-1999 - Kunstuni Linz (Februar 2000) 1999 Auftragsarbeit Asten für Resocycling beim Festival der Regionen 1999 CD Asten (base records) Klangpark (Ars Electronica 1999) mit Michael Nyman, Scanner, Sam Auinger, Rupert Huber, Jomasound, Robert Worby und Gordan Paunovic. Gilt auch für die CD Klangpark (Ars Electrica) 1998 Laager - eine Auftragsarbeit für den europäischen Kulturmonat in Linz - Musik-Produktion von Peter Androsch, Sam Auinger, Dietmar Bruckmayr und Wolfgang Dorninger 1997 Sampling Realities mit Werner Jauk, Musik und Doris Jauk-Hinz, Videoinstallation - Forum Stadtpark Graz 11/97, Teilnehmer bei Symposium music<->media auf der Hochschule für Amerikanistik, Graz 1995 Ars Electronica 1995 - 3 Live-Auftritte mit Aural Screenshots (Wolfgang Dorninger und Josef Linschinger of Fuckhead) Teilnahme an Horizontal Radio des Ö1-Kunstradios mit Aural Screenshots Sounddesign für Achse des Ofens (Festival der Regionen - Androsch, Dörr und Kurovski) 1994 Musik für die CD und das Kunstradio für 11 23 Wien (Neville Brody, Glückstein, Senger) 1987 Ars Electronica 1987 Auftragsarbeit: Monochrome Bleu "Kopfstich - Musik und Video Pt.6" von Monochrome Bleu (Dorninger, Resch, Schatzl, Androsch und Kurt Hennrich (Videokünstler)) Morgen Hysterisch Theater Aufführung in der Fachhochschule für Architektur und Design in Düsseldorf - Rauminstallation und Theater mit Sabine Bitter, Helmut Weber, Leo Schatzl, Pepi Maier und Wolfgang Dorninger aka Josef K. Noyce) Intergallaktisches Lärmstrukturfestival - Ravensburg: Monochrome Bleu "Musik und Video Pt.5". 1986 Wohnen Von Sinnen - Düsseldorf: Projekt mit der Gruppe Wohnfreiheit zur Ausstellung im Düsseldorfer Kunstmuseum. Titel: "Badewannenkonzert" (mit Georg Ritter, Gotthard Wagner u.v.m) Unter jeder Kunst Beteiligung bei der illegalen Gemeinschaftsausstellung von Studenten der Mkl. für visuelle Gestaltung in Linz in den Katakomben der abgebrannten Ring-Brot-Werke Linz Klare Nacht Musikenironment für die Rauminstallation von Leo Schatzl in einer Linzer Bar. 1985 MUKU 1995 Multimediaperformance mit Monochrome Bleu (Dorninger, Resch und Schatzl) im Rahmen eines gemeinsamen Projektes der Gruppe Schöner Schein (Rainer Zendron, Leo Schatzl, etc.) auf dem Multimediafestival MUKU in Kassel, Deutschland. "Schnell und Hell" Musik zur Ausstellung und Performance von Leo Schatzl. 1984 "KLA4" Neue Galerie Linz, Performance mit Karl Heinz Klopf Ars Electronica 1994 Multimediaperformance mit der Gruppe Monochrome Bleu (Wolfgang Dorninger, Thomas Resch, Leo Schatzl, Dr. Geza Eisserer) mit dem Titel "Musik Sehen" mit Markus Binder und Pepi Maier. Visualisierte Musik - Auftritte in der Galerie Krintzinger, Zu den Sachen, etc. - 10 Auftritte 1983 "Schwarze Bilder" Konzert und Ausstellung in einem Abbruchhaus mit Sabine Bitter, Helmut Weber u.a. "Wechselstrom" Ausstellung, Beitrag mit Markus Binder (Attwenger), Pepi Maier (Gruppe Musik Sehen) in einer aufgelassenen Fabrik im Süden von Linz. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => das-anti-gedachtnis [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:14 [post_modified_gmt] => 2014-09-25 10:37:14 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3364 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1076 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 3044 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => dates: Twilight of Peryn - 1972, Street Music - 1966, Signals - 1992, String Play - 1980. And previous pieces: Little Music .. - 1999, Little Litany - 2002, Little Chronicles - 2005. [post_title] => In sanctuary of Nijola [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => in-sanctuary-of-nijola [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:47 [post_modified_gmt] => 2014-09-25 10:35:47 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3044 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 752 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1123 [max_num_pages] => 113 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 6b1a61711cd62aafe1fbd977ed4e5390 [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )