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He lives and works in Harlem in New York City. He received his BA from University at Albany in 1993 and his MFA from School of Visual Arts in 1998. He also studied at Rhode Island School of Design in 1995. His solo exhibitions in New York include Quest for Herb at Here Art and Beat Down at PS 122 Galley. His art has also been shown at PS1 MoMA, White Columns, and Ten in One Gallery in New York, and in Berlin, Cyprus, the Netherlands, and Zurich. His work has been reviewed in The New York Times, Time Out New York, Newsday and PAJ, A Journal of Performance and Art, as well as being featured in Razor and zingmagazine. He has curated exhibitions at Here Art in New York and Vox Populi in Philadelphia and written criticism for artnet.com. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => thats-what-phds-call-letters [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:24 [post_modified_gmt] => 2015-01-09 16:05:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6638 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 629 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 6670 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => A crack across the face of America [post_excerpt] => "Thank for flying american" is a richly diverse anthology of audio art compositions by media, performance and visual artist, write audio composer, producer, and internationally broadcast radio art innovator Jaci Apple. Travelling a thematic path, this 17 cut compilation, selected from six of her major performance, installation, video and radio works from 1980-1991, is a journey accross the American landscape spanning three decades. Filled with a pervasive sense of loss, this series of aural snapshots gazes bacward into the past from different vantage points as it speeds forward into a precarious and sometimes ominous future. 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And previous pieces: Little Music .. - 1999, Little Litany - 2002, Little Chronicles - 2005. [post_title] => The guile of the Prince [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-guile-of-the-prince [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:36 [post_modified_gmt] => 2015-01-09 16:05:36 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6762 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 754 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6827 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => 3M-HI - The Music for Tape [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 3m-hi-the-music-for-tape [to_ping] => [pinged] => [post_modified] => 2019-08-08 11:15:15 [post_modified_gmt] => 2019-08-08 09:15:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6827 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 820 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6859 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. nn. Arch. 183.28, 184.33, 185.23 [post_title] => Mouche [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => mouche [to_ping] => [pinged] => [post_modified] => 2019-08-13 11:55:48 [post_modified_gmt] => 2019-08-13 09:55:48 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6859 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 852 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6891 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Senda [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => senda [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:06:58 [post_modified_gmt] => 2015-01-09 16:06:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6891 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 885 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6923 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Cutlers Scale [post_excerpt] => British guitarist Keith Rowe, a member of AMM, is one of the improvisors who has most contributed to the definition of a new vocabulary for the guitar. Or, better, for the "tabletop" guitar, a guitar plugged into the cacophony of the "perfectly ordinary reality" (usually, a barrage of radios and electronic devices). He has played the guitar virtually in every possible manner and with every possible tool, to the point that the guitar has become a mere object that can be used to produce unusual sounds. His body of work, that references abstract painting, Dada, Edgar Varese and John Cage, is the quintessence of "noise" guitar music. The chaotic, cryptic and apparently meaningless "guitar solos" of A Dimension of Perfectly Ordinary Reality (Matchless, 1990) are his aesthetic manifesto. It would take ten years for Rowe to follow it up with another solo album: Harsh (Gross, 2000), three improvisations recorded in a garage (again, for tabletop-guitar and electronics). In between those two solo albums, Rowe engaged in all sorts of collaborations, from the humble Rowe/ Siwula/ Miano (RSM, 1996), an improvised jam with saxophonist Blaise Siwula and pianist Tonino Miano, to the majestic Dial: Log-rhythms (Matchless, 1999) with saxophonist Jeffrey Morgan. But the main experience of the period, besides AMM, was the Music In Movement Electronic Orchestra (MIMEO), an ensemble of of electronic improvisers that included Peter "Pita" Rehberg, Gert-Jan Prins, Thomas Lehn, Christian Fennesz, Marcus Schmickler, Kaffe Matthews, Rafael Toral, etc. They released several documents of their activity: MIMEO (Perdition Plastics, 1998), recorded in 1997, Queue (Gross, 1999), the double-disc Electric Chair + Table (Gross, 2000), and The Hands Of Caravaggio (Erstwhile, 2002) with John Tilbury. The new millenium saw Rowe multiply his collaborations: The World Turned Upside Down (Erstwhile, 2000) with Guenter Mueller and Taku Sugimoto; Maschinelle + Strategeme (Ritornell, 2000) with Pimmon, Peter "Pita" Rehberg and Christian Fennesz; Afternoon Tea (Ritornell, 2000), which documents two improvisations with Paul Gough (Pimmon), Oren Ambarchi, Peter Rehberg (Pita) and Christian Fennesz; N:Q (Fibrr, 2000), a new quartet with Jean Chevalier and Formanex's saxophonist Christophe Havard and percussionist Julien Ottavi; Dark Rags (Potlatch, 2001) with Evan Parker; Grain (Zarek, 2002) with percussionist Burkhard Beins; the mediocre Weather Sky (Erstwhile, 2002) with Toshimaru Nakamura; etc. One of Rowe's most ambitious projects, Rabbit Run (Erstwhile, 2002), contains the 41-minute namesake improvisation with Thomas Lehn on analogue synthesizer, and Marcus Schmickler on digital synthesizer and computer (both members of MIMEO), and 42 fragments extracted from it that can be played in any order and combination. It was followed by Thumb (Gross, 2003), a collaboration with Oren Ambarchi, Sachiko M, Otomo Yoshihide, Rob Avenaim, and the two-disc Duos for Doris (Erstwhile, 2003) with AMM's pianist John Tilbury, one of his most lyrical works. A View From The Window (Erstwhile, 2004) was a collaboration with Dorner and Hautzinger. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => cutlers-scale [to_ping] => [pinged] => [post_modified] => 2019-08-13 11:43:14 [post_modified_gmt] => 2019-08-13 09:43:14 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6923 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 918 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6955 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CFR. n. Arch. 183.19 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Etude for Victorua No.11 (fragment) [post_excerpt] => Born on August 12, 1958 in Sofia, Bulgaria. Gratuated at the Bulgarian State Academy of Music in Sofia in 1983 as a professional sound engineer and has been working as such since 1988 at the Stara Zagorabranch of the Bulgarian National radio. Participated twice at the "Muzika Nova" international festival of Contemporary Music held in Sofia. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => etude-for-victorua-no-11-fragment [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:05 [post_modified_gmt] => 2015-01-09 16:07:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6955 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 950 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6987 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 183.51 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Maps and Celings [post_excerpt] => Other People Children (OPC) is about electro-future-pop, certainly swimming between the co-ordinates of lo and hi-fi. In existence since 1996, OPC has recorded various cassettes and has appeared on compilations. An upcoming 7" single and long-player are currently being devised for release on Melbourne labe, Library records. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => maps-and-celings [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:09 [post_modified_gmt] => 2015-01-09 16:07:09 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6987 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 982 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 6638 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => That's what PhD's call letters [post_excerpt] => Chris Bors was born in Ithaca, New York in 1971. He lives and works in Harlem in New York City. He received his BA from University at Albany in 1993 and his MFA from School of Visual Arts in 1998. He also studied at Rhode Island School of Design in 1995. His solo exhibitions in New York include Quest for Herb at Here Art and Beat Down at PS 122 Galley. His art has also been shown at PS1 MoMA, White Columns, and Ten in One Gallery in New York, and in Berlin, Cyprus, the Netherlands, and Zurich. His work has been reviewed in The New York Times, Time Out New York, Newsday and PAJ, A Journal of Performance and Art, as well as being featured in Razor and zingmagazine. He has curated exhibitions at Here Art in New York and Vox Populi in Philadelphia and written criticism for artnet.com. 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