This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d’Anjou (Opera)
Titolo:
Tudor Loops
Player:
Partecipanti:
Matt Rogalsky
Country:
UK
Homepage:
#http://mrogalsky.web.wesleyan.edu/ #
Year:
1997
Durata:
2' 37"
Numerazione:
152.38
Info brano:
Electronic music composer Matt Rogalsky worked as an assistant to david Tudor. His pieces are often based on sounds he finds around him, such as radio broadcasts. Other pieces of his are purely electronic. In this excerpt he uses feedback, which he transf
Supporto:
a
Posizione:
05/05
Materiali:
Track 20 del CD 2 "Apollo and Marsyas. An anthology of new music concerts at Het Apollohuis 1980-19
Informazioni tecniche:
mp3
Descrizione:
My work often focuses on exploration of abject,invisible/inaudible, or ignored streams of information. I perform and present work regularly in Europe and North America. Recent projects include: a series of performance and installation works exploring radio silences (Diapason Gallery, New York; Sleeper Gallery, Edinburgh; SoundPlay Festival, Toronto) a commission from the Berliner Festspiele for a new version of John Cage's Fontana Mix performances of the music of Phill Niblock at the Barbican (London UK) / Mixtophonics series (Vancouver Canada) / Tone Deaf Festival (Kingston Canada) collaborative performances with violinist Jane Henry at Diapason Gallery (New York City) a series of collaborative exhibitions in the UK and Canada with UK artist Chloë Steele entitled Perfect Imperfect t he sound installation Auricle in Norwich Cathedral (UK) a tour of improvisational performances in the Netherlands and Germany with Anne La Berge and Anne Wellmer a sound installation entitled Digital to Analog Converter, making audible digital sources via tin-can telephones, for the touring exhibition Sound Machines (UK)
