WEEKLY

RAM radioartemobile
presents:

WEEKLY
WEEKLY sound selections from the MPDS Audio Archive
by artists, musicologists, composers, researchers and art critics.

Podcasts published every
TUESTDAY at h.7 PM CET
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Info and podcasts:
www.radioartemobile.it/weekly

WEEKLY #8
Tuesday Jun 22th 2021 sound selection curated by
DONATELLA LANDI

WEEKLY
#7
Tuesday Jun 15th 2021 sound selection curated by
JONATHAN FRIGERI

WEEKLY #6
Tuesday Jun 7th 2021 sound selection curated by
PAOLO COTENI

WEEKLY #5
Tuesday Jun 1st 2021 sound selection curated by
ACHIM WOLLSCHEID

WEEKLY #4
Tuesday May 25
th 2021 sound selection curated by

RICCARDO GIAGNI


WEEKLY #3
Tuesday May 18th 2021 sound selection curated by 
ANGELO M. FARRO


WEEKLY #2
Tuesday May 11th 2021 sound selection curated by 
LUCA VITIELLO


WEEKLY #1
Tuesday May 4th 2021 sound selection by 
PAOLO AITA

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WEEKLY
LATEST PODCASTS

WEEKLY #8
Tuesday Jun 21th 2021 sound selection curated by
DONATELLA LANDI

Donatella Landi – Autobiografia Sonora 1969 – 1974 (2021) Podcast
Questo lavoro è parte di una ricerca che sto portando avanti dal 2019, tuttora in corso. Un processo di attivazione di memoria per riannodare eventi sedimentati e fondativi della mia vita personale connessi alla memoria e alla storia collettiva.
Donatella Landi – LEGENDA AUTOBIOGRAFIA SONORA 1969 – 1974
(cronologia, riferimenti bibliografici) – SCARICA/APRI IN FORMATO PDF: LINK

 


WEEKLY #7
Tuesday Jun 15th 2021 sound selection curated by
JONATHAN FRIGERI 
presents:
IIRM
Institut International de Recherche sur la Radio et la Magie / http://iirrm.ch / Podcasts

TAROT |Giuliana Altamura & Zeno Gabaglio
Podcast LISTEN: http://iirrm.ch/tarot/
Un algoritmo randomico è all’origine dell’opera radiofonica Tarot: le cinque carte scelte dalla casualità vengono lette e interpretate in una reale seduta di lettura di tarocchi. La tarologa non ha di fronte a sé una persona in carne e ossa, ma si rivolge direttamente alla stessa imprevedibilità che ha selezionato le carte. La musica è costruita seguendo passo passo la lettura delle carte, amplificando i sensi e le traiettorie dei significati svelati. Un percorso che non vuole prevedere il futuro, perché il futuro non è prevedibile ma è già dentro di noi.
Authors: Giuliana Altamura & Zeno Gabaglio Length: 28min Language: Italian Recorded at: Studio Lazzaretto, Milano & Studio Puccini, Vacallo

THE RIVER | Alessandro Bosetti
Podcast LISTEN: http://iirrm.ch/the-river « The river » is a story where the characters are chords (harmonic ratios). They do not have a name or a gender and the only way to evoke them is by recalling and hearing the corresponding relation between frequencies. The story is about a nightly trip on a barge along a mysterious river. The river is also the frontier between two opposite kingdoms and it’s populated by memories, fog and allegoric dreams. The story is repeated two times, in the first iteration is a very simple enunciation of the story where chords punctuate the narration each time one of such sonorous beings is evoked. In the second iteration chords extend their duration, they are not only the characters of the story but also become the landscape, the emotional canvas and the harmonic geography where the story takes place. « The river » It’s a study on harmony. The the protagonist is a just intoned minor seventh chord ( 1/1 3/3 7/4, seventh harmonic). Travelling with him are two weirder 13th limit triads ( 1/1 16/13 3/2 and 19/16 3/2 27/16 ) while an other mysterious character ( a just intoned major third, 1/1 5/4 3/2 -, somehow an alter ego of the protagonist ) has missed the appointment and is often thought about. The complete cast of the story includes 26 characters all belonging to different tuning systems.. READ MORE AT..  http://iirrm.ch/the-river
Authors: Alessandro Bosetti Length: 32min Language: English

MORE about Jonathan Frigerihttps://www.zonoff.net

 


WEEKLY #6
Tuesday Jun 7th 2021 sound selection curated by:
PAOLO COTENI

Paolo Coteni Podcast
0.3.00
P. Coteni :Viaggio sentimentale estratto / 10.00. J.Cage: “Dream” estratto.
16.30. La M. Yuong M. Zazeela: “Oceans” estratto. / 22.30. A. Coltrane : “Sita Ram” estratto. / 26.30.R. Shankar e P. Glass: “Raga miniature”. / 32.30. P. Oliveros: “Deep Listening” estratto. / 37.50. M. MONK: “Unison” estratto / 40.30. C. Palestine: “Sine Tone Study” estratto. / 44.20. K.Barry: “Regret” estratto. / 55.41. T Riley: “Eastern” estratto . / 58.05. P. P. Nath: “Roma 1974” estratto . / 1.02.00. S. Reich: “Outer Space” estratto . / 1.05.0. A. Curran: “Lontano Omaggio G. Scelsi” estratto / ex: F. Battiato: “Aria di Rivoluzione”.

Paolo Coteni, nato a Trastevere, Roma, è un pittore sonoro, si occupa da sempre delle avanguardie internazionali tra oriente ed occidente. Si forma come artista negli anni settanta con un percorso non accademico ed irregolare seguendo le esperienze dirette delle arti. Collabora con Giuseppe Chiari, lavora con L’Attico e 11 Beat ’72; dal tocco anarchico, dissacratore visivo e sonoro, un visionario. Ha curato mostre ed eventi, autore di trasmissioni radiofoniche ed ha diretto la rivista Oltre Silenzio, è docente presso Accademia di Belle Arti, direttore Artistico di Silenzio Associazione Culturale. 

Paolo Coteni, born in Trastevere, Rome, is a sound painter, since many years focused on international avant-gardes, between East and West. His formation as an artist begins in the seventies with a non-academic and irregular path following the direct experiences of the arts. He collaborates with Giuseppe Chiari, works with L’Attico and 11 Beat ’72; with an anarchic touch, visual and sound desecrator, a visionary. He has curated exhibitions and events, author of radio broadcasts and directed the magazine Oltre Silenzio, he is a professor at the Academy of Fine Arts and Artistic Director of Silenzio Cultural Association.


WEEKLY #5
Tuesday Jun 1st 2021 sound selection curated by:
ACHIM WOLLSCHEID

Achim Wollscheid – replaying the archive Podcast
1 Morton Feldman – String Quartet II / 2 The Grateful Dead – Live Dead, Dark Star / 3 Phil Niblock – Touch Works, for Hurdy Gurdy and Voice / 4 Melvins – Lysol / 5 Soft Machine – Fifth    ///
replaying the archive /
actually I tried to record one of my broadcasts at RadioX in Frankfurt, where I produce – every 4 weeks – a 2 hour nonstop realtime computer music stream. For various reasons I wasn’t satisfied with the result in regard to what I imagined as a broadcast for RAM, so I tried once more at  an improvised studio at home, which somehow makes sense, because that’s where the archive is – meaning all the records and CDs I collected over the years and which during the pandemic I started to listen to again on purpose. One of the purposes was to find out which recording stands the test of time and which doesn’t. Five of my favourite CDs I used as a source or starting point for a digital transformation, meaning bits and fragments of the respective piece are monitored, so to say, and processed in the following. The processing involves both intentionally programmed and chance operated procedures, of which certain aspects can be changed and re-defined during live transformation. Using a term from the architectural realm you could say the procedures are parametrical.
Achim Wollscheid (2021)



WEEKLY #4
Tuesday May
25th 2021 sound selection curated by:
RICCARDO GIAGNI

Riccardo Giagni – Listen! Interfere! Réson! Podcast
00.00 – Scott Johnson – Listen [1997] 5’00” / 04.53 – Ryoji Ikeda – Data.Reflex [2005] 4’16” / 09.09 – Alva Noto – Module 06 [2001] 5’36” / 14.47 – Frank Bretschneider – Blue [2001] 6’08” / 20.54 – Alva Noto & Ryuichi Sakamoto – ax Mr.L. [2005] 4’18” 25.11 – Taylor Deupree – In/Formation/Wall [2000] 4’33” / 29.41 – Riccardo Giagni – Tara [2008] 8’41” / 38.16 – Morton Feldman – Madame Press Died Last Week at Ninety [1970] 4’16” / 42.05 – György Ligeti – Poème symphonique, for 100 metronomes [1962] 19’55” //

Riccardo Giagni è nato a Roma nel 1956, è compositore e musicologo. Ha compiuto studi musicali al Conservatorio dell’Aquila e si è laureato in Filosofia presso l’Università di Roma. Dal 1976 collabora con la Rai in qualità di autore, consulente, regista e conduttore di programmi culturali, radiofonici e televisivi. Ha insegnato per lunghi anni all’Università di Lecce, e attualmente all’Istituto Europeo di Design (corsi di Sound Design e di Video Design e Filmmaking) e all’ Université Paris VIII. Ha collaborato con diverse istituzioni italiane e internazionali (tra le molte, il Centre Pompidou e la Biennale di Venezia). Fa parte del Direttivo dell’Associazione Italiana dei Comositori di Musica per Film (ACMF) sin dalla sua fondazione. Ha composto per il teatro, la televisione e il cinema, collaborando con autori come Marco Bellocchio, Mimmo Calopresti e Sabina Guzzanti.

Riccardo Giagni, born in Rome in 1956, is a composer and musicologist. He completed his musical studies at the Aquila Conservatoire and graduated in Philosophy from the University of Rome. Since 1976 he has collaborated with RAI as author, consultant, director and host of radio and television cultural programs. He has taught for many years at the University of Lecce, currently he teaches at the European Institute of Design (courses in Sound Design and Video Design and Filmmaking) and at the Université Paris VIII. He has collaborated with various Italian and international institutions (among many, the Centre Pompidou and the Venice Biennale). He is a member of the Board of the Italian Association of Film Music Composers (ACMF) since its foundation. He has composed music for theater, television and cinema, collaborating with authors such as Marco Bellocchio, Mimmo Calopresti and Sabina Guzzanti.

 


WEEKLY #3
Tuesday May 18th 2021 sound selection curated by:

ANGELO M. FARRO

Angelo M. Farro – New York Noise Podcast
Featuring: 1
Ludwig van Beethoven / 2 Glenn Branca / 3 Lou Reed / 4 The Velvet Underground / 5 Mars / 6 Gray / 7 Arthur Russell / 8 Men’s Recovery Project / 9 Lightning Bolt / 10 Black Dice / 11 Sightings / 12 Terrestrial Tones
Spotify Playlist:

Angelo Maria Farro vive e lavora a Roma. Opera come sound artist e compositore per musica, cinema e televisione. Da tanti anni assistente e collaboratore di Alvin Curran ha realizzato svariate installazioni audio in gallerie d’arte in Italia e all’estero. È curatore dei laboratori “Musica per film” del Centro Sperimentale di Cinematografia della sede di Roma, all’interno dei quali è docente di Musica Elettronica e Cinema.

Angelo Maria Farro lives and works in Rome. He works as a sound artist and composer for music, cinema and television. Alvin Curran’s assistant and collaborator since many years, he has created various audio installations in art galleries in Italy and abroad. He is the curator of the “Music for film” laboratories of the Rome Experimental Center of Cinematography, where he teaches Electronic Music and Cinema.

 


WEEKLY #2
Tuesday May 11
th 2021 sound selection curated by:
LUCA VITIELLO

Featuring : 00’00” EYƎ – Yamatsuka Eye  / 03’00” Rainbow Island / 04’32” Sidney Miller / 06’23” Sun Araw / 09’13” Gilberto Gil live in Tunisi @ Dar Bach Hamba / 11’13” J Dilla / 12’44” Stare Case / 16’07” KK Null / 17’00” ManfreDu Schu / 18’08” Autechre / 21’06” Aaron Dilloway / 23’27” RNBW Rota Acqua  / 25’01” Pontiac Streator / 30’18” Kode9 / 32’54” Arthur Verocai / 35’37” Jana Winderen  / 42’17” Mind Over Mirrors  / 45’14” Cluster  /// Thanks to:  M.Caizzi, UParale, Il Bottegone, T.V.C.I.G.

Luca Vitiello è un musicista, curatore, produttore ed autore che vive e lavora a Roma. Collabora con l’Associazione per l’Arte Contemporanea ZERYNTHIA OdV, No Man’s Land Foundation e, dal 2009, si occupa della registrazione, archiviazione e trasmissione in rete di voci, suoni e progetti per RAM radioartemobile. Ha collaborato, registrato interviste e realizzato progetti con numerosi artisti dentro e fuori contesti istituzionali. Appassionato di tecnologia e telecomunicazioni realizza prodotti audiovisivi e progetta soluzioni per il web. Suona con i Rainbow Island ed altri, sperimenta possibilità della rete su HDLIFE.it èd membro del think-tank Il Bottegone.

Luca Vitiello is a musician, curator, producer and author who lives and works in Rome. He collaborates with the Association for Contemporary Art ZERYNTHIA OdV, No Man’s Land Foundation and, since 2009, is responsible of the recording, archiving and network transmission of voices, sounds and projects for RAM radioartemobile. He has collaborated, recorded interviews and produced projects with numerous artists inside and outside institutional contexts. Passionate about technology and telecommunications, he creates audiovisual products and designs solutions for the web. He plays with Rainbow Island and others, experiments with the possibilities of the network on HDLIFE.it and is a member of the think-tank Il Bottegone.

 


WEEKLY #1
Tuesday May 4th 2021 sound selection by:

PAOLO AITA

Postazione RAM radioartemobile Open Museum Open City (2014 MAXXI Roma)
Paolo Aita con Paolo Coteni, Avanguardie a confronto
Paolo Aita intervento al Todi Festival (2014)

Paolo Aita (1958 -2016), era nato a Cosenza per poi trasferirsi a Pisa dove ha studiato Lettere e Filosofia. Ma è a Roma che si era fatto notare per il suo delicato eclettismo e il suo garbo curatoriale. Alla sua attività giornalistica (collaboratore di molte riviste d’arte, tra cui Inside Art, e redattore di programmi musicali su Radio Vaticana) ha sempre affiancato quella curatoriale. Ha curato moltissime mostre e vari cataloghi e antologie musicali, oltre ad aver pubblicato molti libri riguardo agli argomenti più vari,
dall’estetica alle traduzioni. Redattore di Segno, Arte e Critica, Exibart.

Paolo Aita (1958 – 2016), born in Cosenza, Italy, studied Literature and Philosophy in Pisa.
But it was in Rome that he drew attention to himself for his delicate eclecticism and his curatorial grace. His journalistic activity (collaborator of many art magazines, including Inside Art, and editor of the music programs on Vatican Radio) was always joined by the curatorial one. He has curated many exhibitions and various catalogs and musical anthologies, in addition to publishing many books on the most varied topics, from aesthetics to translations. Editor of Segno, Arte e Critica, Exibart.

 


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