Archivio Sonoro:

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Dal 21 Settembre 2021 al 22 Settembre 2021

ROMA

LUOGO: MACRO

INDIRIZZO: Via Nizza 138

SITO UFFICIALE: http://www.museomacro.it

 

Il MACRO è tra le diverse sedi che in tutto il mondo – da mezzogiorno del 21 settembre a mezzogiorno del 22 settembre, nelle rispettive ore locali – ospitano la proiezione del film MARX dell’artista Olaf Nicolai. Il film attraversa in questo modo tutti i fusi orari, come un sole artificiale attorno alla Terra. MARX è un particolare ritratto del monumento a Karl Marx dell’artista Lew Kerbel, che fu inaugurato nel 1971 in quella che allora era Karl-Marx-Stadt (oggi Chemnitz). Kebel era conosciuto per le sue sculture monumentali; la sua opera più nota è il Memoriale per i soldati sovietici situato a Berlino nel Treptower Park. Da mezzogiorno del 21 settembre 2020 a mezzogiorno del giorno successivo (l’ora dell’equinozio), la sezione centrale del volto del grande busto è stata ripresa tramite un’inquadratura fissa, mentre il trascorrere del tempo nel corso delle 24 ore viene riflesso sia nel passaggio della luce sulla superficie bronzea del volto che nella registrazione sonora della vita urbana circostante. Questo trasforma l’icona politica in un paesaggio soggetto a un costante mutamento di luce. MARX si conclude con una breve citazione dell’autrice danese Inger Christensen: «Nessuno sa, nonostante tutto, se l’universo sta contando alla rovescia mentre noi contiamo fiduciosamente in avanti». Olaf Nicolai, MARX, 2020 24 ore, HD, colori, 16:9, stereo Riprese: Volker Sattel / Assistente alle riprese: Thilo Schmidt / Sound editor: Jakob Braito / Editing: Olaf Nicolai, Patrik Thomas / Assistente produzione: Maeve Gerding Prodotto come parte del progetto “Gegenwarten I Presences 2020”, organizzato dal Kunstsammlungen Chemnitz. Questa 24 ore è resa possibile grazie al supporto di Haus der Kunst, Monaco di Baviera; Galerie Eigen + Art Leipzig / Berlino; Knust Kunz Gallery Editions; Stiftung Federkiel & Christian Jacobs; Kulturstiftung des Bundes e Stadt Chemnitz. Screening locations in rispondenza all’ora locale: TIMES MUSEUM, Guangzhou / MAUDI, Tblissi / AL MA’MAL FOUNDATION FOR CONTEMPORARY ART, Gerusalemme / CINÉMATHÈQUE DE TANGER, Tanger / GARAGE. MUSEUM FOR CONTEMPORARYART, Mosca / GOETHE INSTITUT SOFIA, Sofia / LOCUS ATHEN, Atene / HAUS DER KULTUREN DER WELT, Berlin / HAUS DER KUNST, München / KUNSTSAMMLUNGEN CHEMNITZ, Chemnitz / MACRO. MUSEUM OF CONTEMPORARY ART, Roma / MGML. MUSEUM AND GALLERIES OF LJUBLJANA, Ljubljana / ICA. INSTITUTE OF CONTEMPORARY ARTS, London / FOGO ISLAND ARTS, Fogo Island / SUBTE. CENTRO DE EXPOSICIONES, Montevideo / ARTE CONTINUA LA HABANNA, Habanna / VILLA AURORA, Los Angeles

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MARIA THEREZA ALVES \ SONANCE SATURATED STONE \ Opening 16 September 2021 - Fondazione Morra Greco

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21.09 | Gianfranco Baruchello | MASSIMODECARLO Pièce Unique

FIGURE DELLA NOTTE (Byebye Flexor) GIANFRANCO BARUCHELLO

FROM TUESDAY SEPTEMBER 21st, 2021

MASSIMODECARLO Pièce Unique is delighted to announce its upcoming presentation: Figure della notte (Byebye Flexor), a painting by Gianfranco Baruchello produced between 1997 and 1998.

In resonance with this presentation, Gianfranco Baruchello will present Psicoenciclopedia Possibile at the Kandinsky Library of the Center Pompidou in Paris (September 25 - October 24).

Psicoenciclopedia Possibile will be available for consultation at MASSIMODECARLO Pièce Unique.

MASSIMODECARLO Pièce Unique 57, Rue de Turenne 75003 Paris, France pieceunique@massimodecarlo.com www.massimodecarlopieceunique.fr

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Honoré d’O for PASS 2021

https://www.pass2021.be/honor-do

honoredo.be instagram: Honore_do

Delinquent DLQ825 —- Solidarity project by Honoré d’O for PASS2021

Visitors are invited to drive the artist's car during the exhibition. A visitor can pick up the car key at the PASS2021 reception, Huiseplein, opposite the church in Huise. He/she can travel unlimited kilometers. 1 guest/passenger is allowed. Drive calmly, drive safely. Refuel, if necessary or out of sportsmanship. Use the yellow logbook, write down the date and mileage, leave your email address, take notes. We live in a amazing world that permanently and abundantly expresses its miraculous nature. The participants are asked to share as many photos and videos of their trip as possible.

On 11/08/2021 my Renault Kangoo DLQ825 had driven 495,776 km. It is now aiming for 500,000 km!!!!!, with the help of the public!!!!! Astonishing observation: the circumference of the earth is 40000 km, if DLQ825 reaches the glorious goal of  500,000 km, it will have circled the earth 12.5 times. 12.5 x around the world!!!!!!!!!!!!. Imagine.

Delinquent DLQ825 is a solidarity project in the landcape of a global responsability.

Gent, 11/08/2021, Honoré δ'O

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Aesthetics of Silence | Wei-Ling Contemporary, Malaysia 11/08-28/09/2021

https://weiling-gallery.com/contemporary/portfolio-item/aesthetics-of-silence-11-august-28-september-2021-press-release/

Wei-Ling Contemporary is pleased to present Aesthetics of Silence. Through this curated project, the gallery will be working with a critically acclaimed lineup of international artists from around the world including Arin Rungjang (Thailand), H.H. Lim (Italy), Heather Dewey-Hagborg (USA), Ivan Lam (Malaysia), Melati Suryodarmo (Indonesia), Rajinder Singh (UK/Malaysia), Robert Schaberl (Austria), Roger Ballen (South Africa). The title of the show borrows Susan Sontag’s first essay from her famous oeuvre, Styles of Radical Will (1969), in which she examines how silence mediates the role of art as a form of spirituality, particularly in a globalised world.

In this essay, Sontag wrote, “Every era has to reinvent the project of “spirituality” for itself,” and that “in the modern era, one of the most active metaphors for spiritual projects is art.” To her, art is a form of mystification of the secular culture that characterises the modern times; although its practice could be a form of consciousness, it is also an antidote to consciousness. In an increasingly complex, and noisy world, Sontag believes in “the mind’s need or capacity of self-etrangement”. As the world demands so much from us, and information travels synchronously from all directions, do we give enough precedence to silence? It is at such times that the pursuit of silence is needed, as a space of reflection, or what Sontag calls “a zone of meditation.”

The exhibition focuses on this concept of silence during a timely moment, in which simultaneously worldwide, we are forced to live remotely. All of a sudden, we have been given the space to isolate, sit with ourselves, and unlearn things; a chance to look at what we crave “beyond knowledge” and “beyond speech”, as Sontag terms it. While the exhibition takes Sontag’s essay as an entry point, it offers secondhand interpretations by the featured artists, through their own explorations on the metaphorical notion of silence. And yet, as Sontag points out, silence itself is relational; while it may be the intention of the artist, the audience may have a different perception to their work. “Silence doesn’t exist in a literal sense, however, as the experience of an audience.” Thus, the exhibition interrogates the idea of an individual consciousness through the audience’s participatory experience, and challenges how it could be interconnected through a shared space.

Altogether, the collective exhibition explores how silence could be interpreted through different languages of art, starting from performance, installation, video art, photography, and the written word. In the Aesthetics of Silence, artists commemorate the concept of silence as a state of flux instead of a definitive event or subject, seeing it as a medium to access different notions: social injustice, truth, identity, reality, trauma, fragility, and the human psyche.

About the Artworks Through his 7-channel video work Ravisara (2019), Arin Rungjang explores how memories can be expressed through performative gestures and physical presence without requiring verbal speech. Using text inserts, Rungjang reveals accounts of diasporic Thai women’s experiences of migration, violence, discimination, loss, and abuse of power.

H.H. Lim evokes the power of unspoken words through the neon light installation somanywonderfulsecrets (2021). The piece is accompanied by his two-channel video work Enter the Parallel World (2001/2006), which features himself conducting silent performative acts as metaphors of the life wisdoms he was brought up with.

How do you see me (2019) is Heather Dewey-Hagborg’s attempt to get closer to ‘the other’ that is watching us in silence. “We live in a world where we are constantly being looked at, studied, and analysed.” Two videos (Detection and Recognition) investigate how facial recognition is giving technology the authority and power over our identities.

Ivan Lam takes on performance art through Breathe (2021), a series of video works made on Tik Tok. The work features the artist simply sitting and breathing as an antithesis to the noise of social media. As an extension to his performance piece Human Experiences 66:66:66 (2017), the artist will be conducting a guided breathing session open to visitors.

Melati Suryodarmo’s single-channel film, The Dusk (2010), tangentially reflects upon her upbringing in a culture of silence. While silence is conventionally understood as nothingness or void, The Dusk reveals the elements of psychology and trauma, through abstract moments of silence and movements, or what she conceives as ‘poetical actions’.

During the lockdowns, Rajinder Singh channeled his introspectives into poetry, giving birth to his first poetry book entitled Trapping Silence (2021). Raw and personal, his poems explore human’s fragility in facing difficult times, dealing with isolation, and remembering the past; words that bear witness of a life.

Robert Schaberl continuously challenges himself to discover a perfect combination of materials and forms that engender a meditative feeling and vibration. His circular surfaces initiate transitions of colours when seen through different angles. Therefore to Schaberl, it is only through the experience of the viewer that his artwork is fully realised.

Photographed in Johannesburg between 2015 and 2020, Roger Ballen created and documented a part-human, part-rat creature who lives an isolated life outside of the mainstream society. In the series of photos and videos Roger the Rat, we witness the absurd aspects of human existence and psyche.

Aesthetics of Silence‘ is featured at Wei-Ling Contemporary from 11 August to 28 September 2021.

Wei-Ling Contemporary is located at RT01, Sixth Floor, The Gardens Mall, 59200, Kuala Lumpur, Malaysia. Admission hours are Tuesday – Sunday 11am-7pm.

Exhibition is open by appointment only. For appointments and further assistance, please contact +60322828323 or email weilinggallery.amanda@gmail.com

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“Luce di Pescara” su RADIOARTE 21/06/21 - ore 17.30 www.radioarte.it * - ASCOLTA LA REGISTRAZIONE  MarioPieroni_LuceDiPescara_suRADIOARTE_210621

[embed]https://www.radioartemobile.it/wp-content/uploads/2021/06/MarioPieroni_LuceDiPescara_suRADIOARTE_210621.mp3[/embed]   Le Persone con Mario Pieroni
Pensare alla luminosità di un luogo, di Pescara e descriverla, descrivendo insieme ciò che continua a produrre creativamente un tipo di atmosfera. Adriatico su Pescara è il confine che non esiste, a onde e in aria con le nuvole, un’antica pazienza apre il sorriso dell’azzurro. Una sensibilità che continua a esprimersi con l’arte, una città che ne custodisce molta. “Luce di Pescara”
Pensare alla luminosità di un luogo, di Pescara e descriverla, descrivendo insieme ciò che continua a produrre creativamente un tipo di atmosfera. Adriatico su Pescara è il confine che non esiste, a onde e in aria con le nuvole, un’antica pazienza apre il sorriso dell’azzurro. Una sensibilità che continua a esprimersi con l’arte, una città che ne custodisce molta. 
Le Persone con Mario Pieroni

*

     
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Dal 21 Settembre 2021 al 22 Settembre 2021

ROMA

LUOGO: MACRO

INDIRIZZO: Via Nizza 138

SITO UFFICIALE: http://www.museomacro.it

 

Il MACRO è tra le diverse sedi che in tutto il mondo – da mezzogiorno del 21 settembre a mezzogiorno del 22 settembre, nelle rispettive ore locali – ospitano la proiezione del film MARX dell’artista Olaf Nicolai. Il film attraversa in questo modo tutti i fusi orari, come un sole artificiale attorno alla Terra. MARX è un particolare ritratto del monumento a Karl Marx dell’artista Lew Kerbel, che fu inaugurato nel 1971 in quella che allora era Karl-Marx-Stadt (oggi Chemnitz). Kebel era conosciuto per le sue sculture monumentali; la sua opera più nota è il Memoriale per i soldati sovietici situato a Berlino nel Treptower Park. Da mezzogiorno del 21 settembre 2020 a mezzogiorno del giorno successivo (l’ora dell’equinozio), la sezione centrale del volto del grande busto è stata ripresa tramite un’inquadratura fissa, mentre il trascorrere del tempo nel corso delle 24 ore viene riflesso sia nel passaggio della luce sulla superficie bronzea del volto che nella registrazione sonora della vita urbana circostante. Questo trasforma l’icona politica in un paesaggio soggetto a un costante mutamento di luce. MARX si conclude con una breve citazione dell’autrice danese Inger Christensen: «Nessuno sa, nonostante tutto, se l’universo sta contando alla rovescia mentre noi contiamo fiduciosamente in avanti». Olaf Nicolai, MARX, 2020 24 ore, HD, colori, 16:9, stereo Riprese: Volker Sattel / Assistente alle riprese: Thilo Schmidt / Sound editor: Jakob Braito / Editing: Olaf Nicolai, Patrik Thomas / Assistente produzione: Maeve Gerding Prodotto come parte del progetto “Gegenwarten I Presences 2020”, organizzato dal Kunstsammlungen Chemnitz. Questa 24 ore è resa possibile grazie al supporto di Haus der Kunst, Monaco di Baviera; Galerie Eigen + Art Leipzig / Berlino; Knust Kunz Gallery Editions; Stiftung Federkiel & Christian Jacobs; Kulturstiftung des Bundes e Stadt Chemnitz. Screening locations in rispondenza all’ora locale: TIMES MUSEUM, Guangzhou / MAUDI, Tblissi / AL MA’MAL FOUNDATION FOR CONTEMPORARY ART, Gerusalemme / CINÉMATHÈQUE DE TANGER, Tanger / GARAGE. MUSEUM FOR CONTEMPORARYART, Mosca / GOETHE INSTITUT SOFIA, Sofia / LOCUS ATHEN, Atene / HAUS DER KULTUREN DER WELT, Berlin / HAUS DER KUNST, München / KUNSTSAMMLUNGEN CHEMNITZ, Chemnitz / MACRO. MUSEUM OF CONTEMPORARY ART, Roma / MGML. MUSEUM AND GALLERIES OF LJUBLJANA, Ljubljana / ICA. INSTITUTE OF CONTEMPORARY ARTS, London / FOGO ISLAND ARTS, Fogo Island / SUBTE. CENTRO DE EXPOSICIONES, Montevideo / ARTE CONTINUA LA HABANNA, Habanna / VILLA AURORA, Los Angeles

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