Archivio Sonoro: SoundArtMuseum

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1 - In Search of a Bun part 1 2 - In Search of a Bun part 2 3 - In Search of a Bun part 3 4 - In Search of a Bun part 4 5 - In Search of a Bun part 5 6 - In Search of a Bun part 6 7 - In Search of a Bun part 7 8 - In Search of a Bun part 8 9 - The Last of the Violins part 1 10 - The Last of the Violins part 2 11 - The Last of the Violins part 3 12 - The Last of the Violins part 4 13 - The Last of the Violins part 5 14 - The Last of the Violins part 6 15 - Pool in the Basement

Copyright: Kaffe Matthews 2000. [post_title] => CD dd [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-dd [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:57 [post_modified_gmt] => 2019-07-15 10:19:57 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/suoni/cd-dd/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [1] => WP_Post Object ( [ID] => 14436 [post_author] => 1 [post_date] => 2019-07-15 11:05:51 [post_date_gmt] => 2019-07-15 09:05:51 [post_content] => CD "flo"; T.T. 54' 27". Mixed and produced by Kaffe Matthews at Annette Works.

1 - Much Room 2 - Corner 3 - Mni 4 - In The Dust 5 - Chem Trails 6 - Boy With Dog 7 - Dashes Five 8 - Drop Time

Copyright: Kaffe Matthews 2003 [post_title] => CD flo [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-flo [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:54 [post_modified_gmt] => 2019-07-15 10:19:54 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/suoni/cd-flo/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [2] => WP_Post Object ( [ID] => 14435 [post_author] => 1 [post_date] => 2019-07-12 18:34:06 [post_date_gmt] => 2019-07-12 16:34:06 [post_content] => CD "eb"; T.T. 50' 48". Mixed and produced by km at Annette Works.

1 - Long line starting 2 - Clean tone falling 3 - To a landing 4 - She could 5 - Get out more 6 - Hallo vera 7 - For mama 8 - 7 inches of glass 9 - Some potential

Copyright: Kaffe Matthews 2003 [post_title] => CD Eb [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-eb [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:50 [post_modified_gmt] => 2019-07-15 10:19:50 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/suoni/cd-eb/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [3] => WP_Post Object ( [ID] => 14434 [post_author] => 1 [post_date] => 2019-07-12 16:52:05 [post_date_gmt] => 2019-07-12 14:52:05 [post_content] => R.G.: Kaffe Matthews “CD Bea” – archivio SAM n. 123/c 26 tracce, compl. 70’40” Lavoro strutturalmente molto simile al precedente (123.a), forse ancora più “musicale” che “concreto”. Stesso giudizio.

1 - A Custom Skylark part 1 2 - A Custom Skylark part 2 3 - A Custom Skylark part 3 4 - A Custom Skylark part 4 5 - The Red Room I part 1 6 - The Red Room I part 2 7 - The Red Room I part 3 8 - The Red Room I part 4 9 - The Red Room I part 5 10 - The Red Room I part 6 11 - The Red Room I part 7 12 - The Red Room I part 8 13 - The Red Room I part 9 14 - The Red Room I part 10 15 - The Red Room I part 11 16 - Long Thin Room part 1 17 - Long Thin Room part 2 18 - Long Thin Room part 3 19 - Long Thin Room part 4 20 - Long Thin Room part 5 21 - Subwired part 1 22 - Subwired part 2 23 - The Red Room II part 1 24 - The Red Room II part 2 25 - The Red Room II part 3 26 - The Red Room II part 4

Copyright: Kaffe Matthews 1998 [post_title] => CD Bea [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-bea [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:49 [post_modified_gmt] => 2019-07-15 10:19:49 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/suoni/cd-bea/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [4] => WP_Post Object ( [ID] => 14433 [post_author] => 2 [post_date] => 2019-07-12 15:39:46 [post_date_gmt] => 2019-07-12 13:39:46 [post_content] => CD Cécile; T.T. 69' 44" – archivio SAM n. 123/b Edited, mixed and mastered by km at Annette Works, Top floor, 11-29 Fashion Street, London E1 6PX.

1 - Contact C part 1 2 - Contact C part 2 3 - Contact C part 3 4 - My love gave me a blue plastic watch 1 5 - My love gave me a blue plastic watch 2 6 - My love gave me a blue plastic watch 3 7 - My love gave me a blue plastic watch 4 8 - My love gave me a blue plastic watch 5 9 - My love gave me a blue plastic watch 6 10 - My love gave me a blue plastic watch 7 11 - My love gave me a blue plastic watch 8 12 - My love gave me a blue plastic watch 9 13 - This may B planes 14 - The air underneath 15 - The surface as ice I believe 16 -  At night 17 - The air hostless 18 - Touch down 19 - Outside

Copyright: Kaffe Matthews 1999 [post_title] => CD Cécile [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-cecile [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:44 [post_modified_gmt] => 2019-07-15 10:19:44 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/suoni/cd-cecile/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [5] => WP_Post Object ( [ID] => 14430 [post_author] => 1 [post_date] => 2019-07-11 17:44:04 [post_date_gmt] => 2019-07-11 15:44:04 [post_content] => R.G.: Kaffe Matthews “CD Ann” – archivio SAM n. 123/a 17 tracce, compl. 68’43” Musica elettroacustica di taglio ambient/minimal, sperimentale ma abbastanza “ascoltabile”. Suoni e rumori concreti, sostanzialmente rari e rarefatti. Musica predominante: con tastiere, campionamenti vari, archi, percussioni. Non male, nel complesso: però molto lungo, piuttosto omogeneo (leggi monotono) e in definitiva un po’ “già sentito”. 1 - Advent harring part 1 2 - Advent harring part 2 3 - Advent harring part 3 4 - Advent harring part 4 5 - Advent harring part 5 6 - A hot bath 7 - To Manson 13 part 1 8  - To Manson 13 part 2 9  - To Manson 13 part 3 10 - To Manson 13 part 4 11 - To Manson 13 part 5 12 - To Manson 13 part 6 13 - To Manson 13 part 7 14 - To Manson 13 part 8 15 - To Manson 13 part 9 16 - To Manson 13 part 10 17 - Bus with Olive Smme

Copyright: Kaffe Matthews 1997

[post_title] => CD Ann [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-ann [to_ping] => [pinged] => [post_modified] => 2019-07-15 11:55:45 [post_modified_gmt] => 2019-07-15 09:55:45 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/suoni/cd-ann/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [6] => WP_Post Object ( [ID] => 14408 [post_author] => 2 [post_date] => 2019-07-02 14:51:00 [post_date_gmt] => 2019-07-02 12:51:00 [post_content] => [post_title] => Celle Elettrolitiche part 2 [post_excerpt] => Claudio Sichel nasce a Padova nel 1976. Consegue la Maturità Artistica nel 1996 presso il Liceo Artistico A.Modigliani di Padova. Consegue nel 2003 col massimo dei voti la Laurea in Dams presso la Facolta di Lettere e Filosofia di Bologna con una tesi sull’Arte Cinetica del Gruppo N (monografia su Alberto Biasi). Consegue nel 2004 il diploma professionale di videoediting su sistemi AVID sotto la guida di Paolo Vanghetti presso l’Accademia Nazionale Arti Cinematografiche di Bologna (CINE STUDIO). Ha collaborato come redattore per le rubriche Exibart e Random Net Art. Dal 2003 e membro del collettivo IXEM (Italian eXperimental Electronic Music). Dal 1996 è impegnato sul fronte dell’arte contemporanea realizzando eventi e opere basate sulla commistione di elementi visivi (pitture, sculture, installazioni, video) e sonori (musica elettronica sperimentale). Interessato all’esplorazione estetica intorno alle molteplici sfacettature dei fenomeni fisici della realtà e della tecnologia, la sua poetica è caratterizzata da una costante tensione di ricerca verso nuove dimensioni espressive e comunicative [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => celle-elettrolitiche-part-2 [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:02:23 [post_modified_gmt] => 2019-07-15 10:02:23 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=14408 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [7] => WP_Post Object ( [ID] => 14402 [post_author] => 2 [post_date] => 2019-06-29 19:28:28 [post_date_gmt] => 2019-06-29 17:28:28 [post_content] => [post_title] => Contrattempi 2 [post_excerpt] => Il lavoro, come ho scritto nel foglio allegato al materiale che vi ho inviato, è composta da 2 cd audio e 1 dvd video , Quando ho esposto l'installazione, nello spazio erano disposte 4 casse audio a cui erano collegati i 2 cd audio e su una parete andavano in loop le immagini del dvd. Quindi il dvd non ha audio perché l'audio esce già dai due cd. Il lavoro è principalmente un'installazione sonora, per quella occasione c'erano anche le immagini video mute che andavano in loop, ma l'installazione potrebbe funzionare anche solo con i 2 cd audio collegati alla 4 casse. Se non c'è la possibilità di esporlo come installazione i due cd possono anche essere ascoltati singolarmente. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => contrattempi-2 [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:01:07 [post_modified_gmt] => 2019-07-15 10:01:07 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=14402 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [8] => WP_Post Object ( [ID] => 9910 [post_author] => 2 [post_date] => 2015-01-12 16:37:13 [post_date_gmt] => 2015-01-12 15:37:13 [post_content] => [post_title] => Terzo Paradiso/Terzo Occhio [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => terzo-paradisoterzo-occhio [to_ping] => [pinged] => [post_modified] => 2015-01-12 16:37:13 [post_modified_gmt] => 2015-01-12 15:37:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://www.radioartemobile.it/?post_type=sounds&p=9910 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [9] => WP_Post Object ( [ID] => 9879 [post_author] => 2 [post_date] => 2015-01-08 17:49:18 [post_date_gmt] => 2015-01-08 16:49:18 [post_content] =>   In collaboration with RADIO PICNIC and SYRPHE [post_title] => RADIO PICNIC for SOUND OBJECT [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => radio-picnic-for-sound-object [to_ping] => [pinged] => [post_modified] => 2015-08-06 11:45:26 [post_modified_gmt] => 2015-08-06 09:45:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://www.radioartemobile.it/?post_type=sounds&p=9879 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 14437 [post_author] => 1 [post_date] => 2019-07-15 11:38:25 [post_date_gmt] => 2019-07-15 09:38:25 [post_content] => CD "dd"; T.T.67' 39". Mixed and edited by km at Annette Works.

1 - In Search of a Bun part 1 2 - In Search of a Bun part 2 3 - In Search of a Bun part 3 4 - In Search of a Bun part 4 5 - In Search of a Bun part 5 6 - In Search of a Bun part 6 7 - In Search of a Bun part 7 8 - In Search of a Bun part 8 9 - The Last of the Violins part 1 10 - The Last of the Violins part 2 11 - The Last of the Violins part 3 12 - The Last of the Violins part 4 13 - The Last of the Violins part 5 14 - The Last of the Violins part 6 15 - Pool in the Basement

Copyright: Kaffe Matthews 2000. [post_title] => CD dd [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-dd [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:57 [post_modified_gmt] => 2019-07-15 10:19:57 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/suoni/cd-dd/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1102 [max_num_pages] => 111 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => de1b777534fc12fdf533c11a0ebdaaeb [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )