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Paolo Coteni
in collaborazione con RAM radioartemobile
Un pezzo di non musica dedicato al Terzo Paradiso e al suo movimento circolare come suoni indefiniti che si incontrano tra loro.
La riapertura del "terzo occhio" è un lavoro di sound art, tra assenza e presenza acustica, realizzato alla fine degli anni settanta rielaborato più volte.
Nasce dalla cellula minimalista di un drom vuoto dove le sequenze sonore generate da impulsi di origine ambientale-elettroacustico, di suoni ripetuti ciclicamente per circa 30" in un loop continuo, una serie di di echi speculari che creano un anello sonoro circolare che si può ascoltare all'infinito e ad ogni passaggio le modularità cambiano frequenza e modificano l'ascolto ad ogni ciclo di circa 3 minuti.
16 dicembre 2014
Roma
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SOUND OBJECT – North/West Europe – /8/
  In collaboration with RADIO PICNIC and SYRPHE [post_title] => RADIO PICNIC for SOUND OBJECT [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => radio-picnic-for-sound-object [to_ping] => [pinged] => [post_modified] => 2015-08-06 11:45:26 [post_modified_gmt] => 2015-08-06 09:45:26 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=9879 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [2] => WP_Post Object ( [ID] => 9875 [post_author] => 2 [post_date] => 2015-01-08 17:32:34 [post_date_gmt] => 2015-01-08 16:32:34 [post_content] => Yoko Higashi (HamaYoko) (Japan, 1976), Triptique de l'oeil [post_title] => Triptique de l'oeil [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => triptique-de-loeil [to_ping] => [pinged] => [post_modified] => 2015-01-08 17:32:53 [post_modified_gmt] => 2015-01-08 16:32:53 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=9875 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [3] => WP_Post Object ( [ID] => 9873 [post_author] => 2 [post_date] => 2015-01-08 17:27:08 [post_date_gmt] => 2015-01-08 16:27:08 [post_content] => Kazuyuki Kishino (KK Null) (Japan, 1961), Starquake [post_title] => Starquake [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => starquake [to_ping] => [pinged] => [post_modified] => 2015-01-08 17:27:32 [post_modified_gmt] => 2015-01-08 16:27:32 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=9873 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [4] => WP_Post Object ( [ID] => 9870 [post_author] => 2 [post_date] => 2015-01-08 17:24:00 [post_date_gmt] => 2015-01-08 16:24:00 [post_content] => Kazuyuki Kishino (KK Null) (Japan, 1961), Storm of Kronos [post_title] => Storm of Kronos [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => storm-of-kronos [to_ping] => [pinged] => [post_modified] => 2015-01-08 18:20:38 [post_modified_gmt] => 2015-01-08 17:20:38 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=9870 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [5] => WP_Post Object ( [ID] => 9867 [post_author] => 2 [post_date] => 2015-01-08 17:14:44 [post_date_gmt] => 2015-01-08 16:14:44 [post_content] => SOUND OBJECT - FAR EAST/AUSTRALIA - /2/ Korean project by: Ito Lim and Young-Ae Yeon Coordinated by Yujin Lee Ito Lim, "N.E.W.S" : through geographical features Korea has tried to capture many stories that we can hear only when we see each peninsular from its farthest parts. In the hope that the sounds of regrets and remorses coming from Korea will be conveyed to each heart in the context of coexistence. [post_title] => "N.E.W.S" [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => n-e-w-s [to_ping] => [pinged] => [post_modified] => 2015-01-08 17:15:03 [post_modified_gmt] => 2015-01-08 16:15:03 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=9867 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [6] => WP_Post Object ( [ID] => 9864 [post_author] => 2 [post_date] => 2015-01-08 17:03:46 [post_date_gmt] => 2015-01-08 16:03:46 [post_content] => SOUND OBJECT – FAR EAST/AUSTRALIA – /2/ Korean project by: Ito Lim and Young-Ae Yeon Coordinated by Yujin Lee Young-Ae Yeon "Cheongju, now and today" Cheongju is the city of Jikji and where the first metal type was used in the world. It is a city of cutting-edge transportation having Cheongju Airport and KTX Station. The city has been selected as the city of culture for East Asia. I was inspired by "Mooshim-chun" stream that flows through the heart of Cheongju city and wanted to express my affection and interest in my work. I am currently working at Seowon University, the school with 47 years of tradition, as art department faculty. I am both teaching students and engaged in creative activities. I collected sound as if collecting the air of Cheongju city and worked on sound project called "Cheongju, now and today". "Cheongju, now and today" is the time of meeting in my life in Cheongju where I am living today. Waking up in the morning... going for a walk in early morning and listening to birds chirpping and the sound of the wind... going to school and talking to students... sometimes going outdoor for MT trip to hear the laughters of youth... stopping by at Ancient Printing Museum... or going to the nearby airport to listen to the sound from the sky... collecting the noises of the cars driving by the tree-lined street and the racing sound of fast running train from the KTX station. The quiet sound of air just before the train arrives and the wind that blows after the train passes. And Mushimchun stream. I am feeling the wind in order to store the air of Mushimchun stream during the early morning walk. Dawn. The sound of birds chirpping in the midst of clear air of the early dawn as day breaks and the stream water flowing is waking the sun up to rise. 2014.10.5. Writer's Note [post_title] => Cheongju, now and today [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => cheongju-now-and-today [to_ping] => [pinged] => [post_modified] => 2015-01-08 17:17:04 [post_modified_gmt] => 2015-01-08 16:17:04 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=9864 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [7] => WP_Post Object ( [ID] => 9859 [post_author] => 2 [post_date] => 2015-01-08 16:51:22 [post_date_gmt] => 2015-01-08 15:51:22 [post_content] => L-R, 2005 [a checkpoint diary) 2 audio channels, english, 25 minutes Left channel (recorded in Jerusalem): a young israeli tells about his daily routine while serving as an officer in occupied territories. Right channel (recorded in Bethleem): 2 young palestinian brothers in Bethleem depict their daily life and ID controls routine. Both interviews were edited in order to create topic or situations correspondences between the contents of both testimonies. The work forces the listener to switch from a channel to another as human brain has difficulty to focus on two language stimuli at the same time. It is meant to be an allegory of the wall between Israel and the occupied territories. This work has been presented at the group show: “ID Trouble” cur. Zoran Eric Nurture Gallery, New-York City, 2005 In 2013, in Batroun, Lebanon, it's presentation has been censored by the art space where it was supposed to be played. [post_title] => L-R [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => l-r [to_ping] => [pinged] => [post_modified] => 2015-01-08 16:51:43 [post_modified_gmt] => 2015-01-08 15:51:43 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=9859 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [8] => WP_Post Object ( [ID] => 9856 [post_author] => 2 [post_date] => 2015-01-08 16:46:33 [post_date_gmt] => 2015-01-08 15:46:33 [post_content] => BoyGeorgeMichaelJacksonPollock, 2008-2012 This work is part of the dyptic ROBERTBARRYWHITESTRIPES / BOYGEORGEMICHAELJACKSONPOLLOCK   3 versions exist as follows:   ------------------ The first version of this work was presented in Melbourne in the group show "The Invisible Generation" A Vision Forum project devised by Per Hüttner and Daniele Balit Margaret Lawrence Gallery Melbourne, Australia, 2009   it consists on the following written instruction:   Boy George Michael Jackson Pollock score for turntables, cd players and mixer - do a live sound dripping in a Pollock style using records and cds of the aforementioned musicians   This first version was also presented in the group show "(In)visible Dialogues" Cur. Per Hüttner Konstakademien, Stockholm, 2011   ------------------ The second version of this work consisted in an embossed print, black on black, 50 x 65 cm, edition of 3   This second version was presented in the solo show by Samon Takahashi "Le choix du titre est un faux problème" CNEAI, Paris, 2011   ------------------ The third version of this work is a sound work part of the dyptic ROBERTBARRYWHITESTRIPES / BOYGEORGESMICHAELJACKSONPOLLOCK   Pt.2 - BOYGEORGESMICHAELJACKSONPOLLOCK Audio stereo, 03' 54" [fragments of songs from Boy George, Georges Michael and Michael Jackson are "decomposed" in a Jackson Pollock's dripping manner]   This third version was commissioned for the group show "Soundworks" ICA, London, 2012 [post_title] => BoyGeorgeMichaelJacksonPollock [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => boygeorgemichaeljacksonpollock [to_ping] => [pinged] => [post_modified] => 2015-01-08 16:47:12 [post_modified_gmt] => 2015-01-08 15:47:12 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=9856 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [9] => WP_Post Object ( [ID] => 9853 [post_author] => 2 [post_date] => 2015-01-08 16:41:09 [post_date_gmt] => 2015-01-08 15:41:09 [post_content] => Sillons Impurs Samon Takahashi, 2007 Audio work audio stereo, 9 min 19 sec (trans: Impure Furrows) Sound collage of 16 versions of La Marseillaise Created for the group exhibition 'je m'voyais déjà', Cur. Pierre Leguillon Passage de Retz, Paris, 2007 This work has been presented in a mono version at "Forte Piano : le forme del suono Cur. Achille Bonito Oliva Auditorium Parco della Musica, Rome, 2012 --------------------------------- Original sound sources: - Claude-Joseph Rouget de Lisle, la Marseillaise, chant de guerre de l’armée du Rhin (orchestration H. Berlioz, 1830) - Claude-Joseph Rouget de Lisle, la Marseillaise, (orchestration F.-J. Gossec) - Claude-Benigne, Balbastre, Marche des Marseillois/Ca ira - Robert Schumann, Die beiden Grenadiere op. 49 n° 1 - Piotr Iliytch Tchaïkovski, Ouverture 1812 op. 49 - Claude Debussy, Feux d’artifice, (Préludes pour piano, livre 2) - Django Reinhardt et Stéphane Grapelli, la Marseillaise - Karlheinz Stockhausen, Hymnen (Région 1) - Serge Gainsbourg, Aux armes et caetera - Rouget de Lisle / Jean-Loup Longnon, la Marseillaise - Rouget de Lisle / Henri Agnel / Zaïna Mektoub, Al Marseillaise - Rouget de Lisle / -Jacky Terrasson, la Marseillaise - Rouget de Lisle / -P.V, la Marseill’house - Wolfang Amadeus Mozart, Concerto pour piano n° 25 (début du 1er mouvement) - Albert Ayler, Spirit Rejoice - Santiago Serra, The first verses of the Marseillaise played uninterruptedly for one hour [post_title] => Sillons Impurs [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sillons-impurs [to_ping] => [pinged] => [post_modified] => 2015-01-08 16:41:56 [post_modified_gmt] => 2015-01-08 15:41:56 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=9853 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 9910 [post_author] => 2 [post_date] => 2015-01-12 16:37:13 [post_date_gmt] => 2015-01-12 15:37:13 [post_content] =>
Paolo Coteni
in collaborazione con RAM radioartemobile
Un pezzo di non musica dedicato al Terzo Paradiso e al suo movimento circolare come suoni indefiniti che si incontrano tra loro.
La riapertura del "terzo occhio" è un lavoro di sound art, tra assenza e presenza acustica, realizzato alla fine degli anni settanta rielaborato più volte.
Nasce dalla cellula minimalista di un drom vuoto dove le sequenze sonore generate da impulsi di origine ambientale-elettroacustico, di suoni ripetuti ciclicamente per circa 30" in un loop continuo, una serie di di echi speculari che creano un anello sonoro circolare che si può ascoltare all'infinito e ad ogni passaggio le modularità cambiano frequenza e modificano l'ascolto ad ogni ciclo di circa 3 minuti.
16 dicembre 2014
Roma
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L-R

Samon Takahashi

L-R

2005