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Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => turna [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:08 [post_modified_gmt] => 2014-09-25 10:35:08 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2899 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 606 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2931 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => For someone special [post_excerpt] => Chris Bors was born in Ithaca, New York in 1971. He lives and works in Harlem in New York City. He received his BA from University at Albany in 1993 and his MFA from School of Visual Arts in 1998. He also studied at Rhode Island School of Design in 1995. His solo exhibitions in New York include Quest for Herb at Here Art and Beat Down at PS 122 Galley. His art has also been shown at PS1 MoMA, White Columns, and Ten in One Gallery in New York, and in Berlin, Cyprus, the Netherlands, and Zurich. His work has been reviewed in The New York Times, Time Out New York, Newsday and PAJ, A Journal of Performance and Art, as well as being featured in Razor and zingmagazine. He has curated exhibitions at Here Art in New York and Vox Populi in Philadelphia and written criticism for artnet.com. 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It contains works from six major pieces that explore environmental issues - The Amazon (from "The Amazon, The Mekong, The Missouri and The Nile"), an excerpt from "Aviary of the Lost" plus "Flame to Moth & Fish Gotta Swim" and "Ghost Dancers for Birdland" from "The Culture of Disappearance", the full-length "One World at a Time" set in outer space, inner space, and cyber sapce, and "Fluctuations of the Fields" based on the writings of physicist avid Bohm. It includes music from Bruce Fowler, Ruben Garcia, and Kira Vollman & Joseph Berardi, as well as Apple's sound compositions and vocals. 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Since then she has appeared at many early music festivals throughout Europe and the United States, as well as in Taiwan. Ms. Pumhösl is the continuo player for the Ensemble Capella Leopoldina, Private Musicke, and the Capella Nova Graz. Particularly interested in the Viennese Baroque harpsichord literature, Ms. Pumhösl teaches early music at the private university Konservatorium Wien. She has performed live on radio, and has also made numerous recordings. Her most recent CD features previously unpublished works by the imperialcourt composer Johann Joseph Fux. Recitals (Selection) Kunsthalle Wien, project space; inventions / colorfields according to Isaac Newton - music by J. S. Bach, 2005 Austrian Cultural Forum New York, harpsichord music by J.J. Fux, J.M. Hauer and J. Haydn, 2005 Innsbrucker Festwochen für Alte Musik, harpsichord music by Gottlieb Muffat and Johann Joseph Fux, 2004 Wiener Musikverein, baroque opera „la Pastorelle“ von G. Ph. Telemann, oratories „Israel in Ägypten“ und „Jephta“, cappella leopoldina, 2003 und 2004 La Jolla, San Diego Harpsichord Society, Viennese harpsichord music by A. Poglietti, J. J. Froberger a.o., 2003 Café Prückel Wien, cabaret Karl Ferdinand Kratzl about christmas…, harpsichord music by J. M. Hauer, J. S. Bach a.o., 2003 Arkadelphia, Henderson State University; Viennese Harpsichord Festival, music by J. Haydn and J. J. Fux, 2003 Jeunesse, Festival „Colorscape“; masterly music of the 17th century, Daniel Sepec, baroque violin, Susanne Pumhösl, harpsichord, 2002 discography Inventionen Bach/Newton, kleine Präludien, Inventionen und Sinfonien von Johann Sebastian Bach und das Modell einer analytischen Farbe-Ton-Beziehung von Isaac Newton, LC 9288 Klangrede DVD 1, 2004 Vedo il ciel, Händel Arias & Overtures, capella leopldina, LC 107 Universal Music Austria CD 476 300 0, 2004 Inventionen, J.S. Bach: kleine Präludien, 2- und 3-stimmige Inventionen, LC 9288 Klangrede, CD 2 2003/04 Johann Joseph Fux, Musik für Cembalo, LC 9288 Klangrede CD 1, 2002 Vertrieb: Preiser Records Music of films by Ashot Shiroian: - „Once upon a time in Pannonia“, 2003, „Painting Stockholm“ 2001, music by J. S. Bach and J. J. Fux ORF, Edition Alte Musik, "Internationale Barocktage Stift Melk" 97/98; 2 CD Live Mitschnitte, Werke von Antoine Forqueray; LC 5130 ORF CD 213, 1999 ORF, "Les Plaisirs Mélancholiques", Private Musicke - Pierre Pitzl, Marcy Jean Bölli - Viola da Gamba, Susanne Pumhösl - Cembalo, Luciano Contini- Arciliuto. Werke von Marin Marais, Arcangelo Corelli und Antoine Forqueray, LC 5130 CD 237, 1999 rewiews It´s no wonder J. S. Bach so admired Fux. .....This was sensational playing. With brilliance and zest, Pumhösl brought out Fux´s magisterial command of a keyboard style that is at once French (in its elegantly embellished dance movements) and Italian (in its learned contrapuntal structures). Even on a first hearing, the Ciaccona immediately proclaimed itself one of the great examples of this much-favored Baroque form, an impression that repeated auditions of the recording confirmed. The Partie is worthy of the finest of Baroque composers of French keyboard suites. The CD adds some remarkable fugues, and a G Minor Capriccio with much of the concinnity and imagination of a Couperin. It´s no wonder J.S. Bach so admired Fux....... Jonathan Saville, San Diego Reader ....Das liegt vor allem an dem silbrigen, stets entrückt und verklärt wirkenden Klang des Cembalos, aber auch an dem Programm, das die Wiener Cembalistin Susanne Pumhösl aus dem umfangreichen Werk von Johann Joseph Fux zusammenstellte: 27 Courantes, Sarabanden, Menuette und Fugen, die den einstigen Organisten der Wiener Schottenkirche und späteren Kapellmeister von Karl VI. zwar auch als Meister der Virtuosität zeigen, der aber an die Stelle der schillernden französischen Oberflächenpolitur stets die gute, deutsche Ernsthaftigkeit rückte..eine wundervoll entrückte und verklärte CD..(a wonderfully radiant and entrancing CD) Carsten Fastner, Falter [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => inventio-7-bwv-778 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:49 [post_modified_gmt] => 2014-09-25 10:35:49 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3060 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 769 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 3093 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => gocce n.10 [post_excerpt] => Studia chitarra brasiliana e chitarra flamenco. Dopo il diploma al liceo classico studia architetura alla Sapienza e pianoforte classico con il maestro Emilio Rabaglino. Quindi frequenta la scuola popolare di musica di testaccio (composizione e pianoforte jazz), e partecipa ai seminari estivi della Berklee ad Umbria Jazz e a quelli di Siena Jazz. Suona a Jeddah (Arabia Saudita) per uno scambio culturale, sia come solista che come accompagnatore. Compone una sonorizzazione per una performance teatrale di Filippo Garrone. Suona con la Moinor Funk Orchestra diretta da Angelo Schiavi. Nel 1998 si trasferisce a New York dove studia alla Mannes Jazz School of Music ed all'Istitute of Audio Research diplomandosi in ingegneria del suono. In questo periodo suona in diversi locali di NY e NJ. Compone la colonna sonora per il cortometraggio "taken..." di Bartek Rainski (vincitore al RIFF come miglior corto straniero), scrive e co-produce con lo stesso Rainski il cortometraggio "CONFINI". Nel 2002 lavora a Ouagadougou in Burkina Faso per l'avviamento di uno studio di registrazione (basato sul sistema digitale Soundscape), insegnando ad uno stagista Burkinabé le tecniche di regisrtazione e post produzione, e registrando diversi gruppi locali (verranno prodotti due dischi). Tornato in Italia, finisce insieme a Bartek Rainski la post-produzione del cortometraggio "Confini", e ne compone la colonna sonora. Composizione/sonorizzazzione per la performance video/teatrale "Narciso violento" e "Evian" di Caroline Freddi. Compone musiche per pubblicità, cartoni animati e programmi tv. In questo periodo lavora anche ad una raccolta di brani di carattere minimalista per pianoforte solo intitolata 'gocce', registrata poi nel Giugno 2005 e pubblicata in Ottobre. Insegna pianoforte moderno alla scuola "Officine Musicali". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => gocce-n-10 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:13 [post_modified_gmt] => 2014-09-25 10:36:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3093 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 802 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 3125 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Maverick [post_excerpt] => Kamran Sadeghi (Son of Rose) is a Multi instrumentalist musician, composer, and audio engineer based in Seattle Washington. Since 2000 he has been actively exploring the use of electronics and recording techniques in contemporary music, with an emphasis on computer synthesis as a live instrument. This approach gives the movements in Sadeghi's compositions a powerful, emotional, and graceful quality with a patient and gradual pacing. Over the past two years Sadeghi has performed his work at dozens of events including the Decibel Festival(Seattle) and Staalplaat Records (Berlin), and released three albums as Son of Rose including his self titled debut in 2005 and "Top Flight"(2006) on Dragon's Eye Recordings, both receiving critical acclaim. Sadeghi has been reviewed by The Wire, E/I Magazine, The Stranger, and Igloo Magazine. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => maverick [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:15 [post_modified_gmt] => 2014-09-25 10:36:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3125 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 834 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 3157 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. nn. Arch. 184.8, 185.6 [post_title] => Hope of the insects with dryer and chinese cooks [post_excerpt] => Steve Bradley's art practice involves sound performance, time-based media and material culture. He explores the boundaries of urban and suburban culture by collecting debris, sound and images from the consumed and littered landscape. In June 2001, he was awarded a rivercommission at Hull Time Based Arts, Hull, England where he will be an artist-in-residence for two months in spring 2002. His project, Reading the River, will focus on the environmental aspects of the River Hull Corridor. Since 1998 he has curated art@radio, a net.radio broadcast of sound art and experimental music. In June 2001, he spent two weeks participating in an artist residency, Communication Front in Plovdiv, Bulgaria, where he explored the city with a digital camera documenting street and material culture. Summer 2000, Bradley directed and organized Polar Circuit III, a 6-week international media arts residency for over 50 artists located at the University of Lapland, Rovanimei, Finland. Bradley has performed live at Transmission 003.3 sound art festival in Chicago, Sonic Circuits VII, International Festival Electronic Music and Art in St. Paul, Minnesota, and the Red Room, Baltimore, Maryland. Bradley received his B.F.A. from the University of South Florida in drawing and painting and a Masters of Fine Arts from Florida State University in painting and electronic media. He is an Associate Professor, Visual Arts at the University of Maryland Baltimore County. He teaches courses in foundations, digital cinema, video art and sound. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hope-of-the-insects-with-dryer-and-chinese-cooks [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:18 [post_modified_gmt] => 2014-09-25 10:36:18 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3157 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 867 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3189 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. n. Arch. 184.43 [post_title] => Somniferous Extract [post_excerpt] => Rob Kennedy is audio/video artist, living in Glasgow. He was born in London and studied Fine Arts at the Brighton Polytechnic. He spent one year on an exchange program at the School of Art in Chicago. His works, including experimental soundtracks, audio installations, short films and CDs in collaboration with various artist, were shown at festivals and exhibitions in Glasgow, London, Dundee, amongst others. 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Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. 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turna

Gianluca Codeghini

turna

2003