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Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ma-che-bello [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:08 [post_modified_gmt] => 2014-09-25 10:35:08 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2895 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 602 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2927 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Purple Spandex Pants [post_excerpt] => Chris Bors was born in Ithaca, New York in 1971. He lives and works in Harlem in New York City. He received his BA from University at Albany in 1993 and his MFA from School of Visual Arts in 1998. He also studied at Rhode Island School of Design in 1995. His solo exhibitions in New York include Quest for Herb at Here Art and Beat Down at PS 122 Galley. His art has also been shown at PS1 MoMA, White Columns, and Ten in One Gallery in New York, and in Berlin, Cyprus, the Netherlands, and Zurich. His work has been reviewed in The New York Times, Time Out New York, Newsday and PAJ, A Journal of Performance and Art, as well as being featured in Razor and zingmagazine. He has curated exhibitions at Here Art in New York and Vox Populi in Philadelphia and written criticism for artnet.com. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => purple-spandex-pants [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:37 [post_modified_gmt] => 2014-09-25 10:35:37 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2927 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 634 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2959 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => The Shape of Things to Come (1-7) [post_excerpt] => "ghost.dances/ on the event horizon": following up her retrospective anthology "Thank You For Flying American", visual, performance, and media artist, and audio-composer/producer Jacki Apple's second CD release is a sonic evocation of the clash between nature and culture in the modern world. It contains works from six major pieces that explore environmental issues - The Amazon (from "The Amazon, The Mekong, The Missouri and The Nile"), an excerpt from "Aviary of the Lost" plus "Flame to Moth & Fish Gotta Swim" and "Ghost Dancers for Birdland" from "The Culture of Disappearance", the full-length "One World at a Time" set in outer space, inner space, and cyber sapce, and "Fluctuations of the Fields" based on the writings of physicist avid Bohm. It includes music from Bruce Fowler, Ruben Garcia, and Kira Vollman & Joseph Berardi, as well as Apple's sound compositions and vocals. A Cactus Foundation/ Chronic Interactive production [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-shape-of-things-to-come-1-7 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:40 [post_modified_gmt] => 2014-09-25 10:35:40 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2959 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 666 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2991 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Careful inquiry [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => careful-inquiry [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:43 [post_modified_gmt] => 2014-09-25 10:35:43 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2991 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 698 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3023 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => the B [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-b [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:45 [post_modified_gmt] => 2014-09-25 10:35:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3023 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 730 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 3056 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Farbfelder: Johann Pumhösl Tontecnik, Schnitt: Hermann Platzer, qufgenommen in Mai 2004 in Wien Cembalo: Kopie nach Christian Zell 1728, erbau von Bruce Kennedy Layout: Florian Pumhösl Copyright: Susanne Pumhösl [post_title] => Kleines Präludium d-moll, BWV 926 [post_excerpt] => Susanne Pumhösl Started her career as a soloist after winning the international Johann Heinrich Schmelzer competition for Baroque music at Melk Monastery. Since then she has appeared at many early music festivals throughout Europe and the United States, as well as in Taiwan. Ms. Pumhösl is the continuo player for the Ensemble Capella Leopoldina, Private Musicke, and the Capella Nova Graz. Particularly interested in the Viennese Baroque harpsichord literature, Ms. Pumhösl teaches early music at the private university Konservatorium Wien. She has performed live on radio, and has also made numerous recordings. Her most recent CD features previously unpublished works by the imperialcourt composer Johann Joseph Fux. Recitals (Selection) Kunsthalle Wien, project space; inventions / colorfields according to Isaac Newton - music by J. S. Bach, 2005 Austrian Cultural Forum New York, harpsichord music by J.J. Fux, J.M. Hauer and J. Haydn, 2005 Innsbrucker Festwochen für Alte Musik, harpsichord music by Gottlieb Muffat and Johann Joseph Fux, 2004 Wiener Musikverein, baroque opera „la Pastorelle“ von G. Ph. Telemann, oratories „Israel in Ägypten“ und „Jephta“, cappella leopoldina, 2003 und 2004 La Jolla, San Diego Harpsichord Society, Viennese harpsichord music by A. Poglietti, J. J. Froberger a.o., 2003 Café Prückel Wien, cabaret Karl Ferdinand Kratzl about christmas…, harpsichord music by J. M. Hauer, J. S. Bach a.o., 2003 Arkadelphia, Henderson State University; Viennese Harpsichord Festival, music by J. Haydn and J. J. Fux, 2003 Jeunesse, Festival „Colorscape“; masterly music of the 17th century, Daniel Sepec, baroque violin, Susanne Pumhösl, harpsichord, 2002 discography Inventionen Bach/Newton, kleine Präludien, Inventionen und Sinfonien von Johann Sebastian Bach und das Modell einer analytischen Farbe-Ton-Beziehung von Isaac Newton, LC 9288 Klangrede DVD 1, 2004 Vedo il ciel, Händel Arias & Overtures, capella leopldina, LC 107 Universal Music Austria CD 476 300 0, 2004 Inventionen, J.S. Bach: kleine Präludien, 2- und 3-stimmige Inventionen, LC 9288 Klangrede, CD 2 2003/04 Johann Joseph Fux, Musik für Cembalo, LC 9288 Klangrede CD 1, 2002 Vertrieb: Preiser Records Music of films by Ashot Shiroian: - „Once upon a time in Pannonia“, 2003, „Painting Stockholm“ 2001, music by J. S. Bach and J. J. Fux ORF, Edition Alte Musik, "Internationale Barocktage Stift Melk" 97/98; 2 CD Live Mitschnitte, Werke von Antoine Forqueray; LC 5130 ORF CD 213, 1999 ORF, "Les Plaisirs Mélancholiques", Private Musicke - Pierre Pitzl, Marcy Jean Bölli - Viola da Gamba, Susanne Pumhösl - Cembalo, Luciano Contini- Arciliuto. Werke von Marin Marais, Arcangelo Corelli und Antoine Forqueray, LC 5130 CD 237, 1999 rewiews It´s no wonder J. S. Bach so admired Fux. .....This was sensational playing. With brilliance and zest, Pumhösl brought out Fux´s magisterial command of a keyboard style that is at once French (in its elegantly embellished dance movements) and Italian (in its learned contrapuntal structures). Even on a first hearing, the Ciaccona immediately proclaimed itself one of the great examples of this much-favored Baroque form, an impression that repeated auditions of the recording confirmed. The Partie is worthy of the finest of Baroque composers of French keyboard suites. The CD adds some remarkable fugues, and a G Minor Capriccio with much of the concinnity and imagination of a Couperin. It´s no wonder J.S. Bach so admired Fux....... Jonathan Saville, San Diego Reader ....Das liegt vor allem an dem silbrigen, stets entrückt und verklärt wirkenden Klang des Cembalos, aber auch an dem Programm, das die Wiener Cembalistin Susanne Pumhösl aus dem umfangreichen Werk von Johann Joseph Fux zusammenstellte: 27 Courantes, Sarabanden, Menuette und Fugen, die den einstigen Organisten der Wiener Schottenkirche und späteren Kapellmeister von Karl VI. zwar auch als Meister der Virtuosität zeigen, der aber an die Stelle der schillernden französischen Oberflächenpolitur stets die gute, deutsche Ernsthaftigkeit rückte..eine wundervoll entrückte und verklärte CD..(a wonderfully radiant and entrancing CD) Carsten Fastner, Falter [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => kleines-praludium-d-moll-bwv-926 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:49 [post_modified_gmt] => 2014-09-25 10:35:49 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3056 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 765 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 3089 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => gocce n.6 [post_excerpt] => Studia chitarra brasiliana e chitarra flamenco. Dopo il diploma al liceo classico studia architetura alla Sapienza e pianoforte classico con il maestro Emilio Rabaglino. Quindi frequenta la scuola popolare di musica di testaccio (composizione e pianoforte jazz), e partecipa ai seminari estivi della Berklee ad Umbria Jazz e a quelli di Siena Jazz. Suona a Jeddah (Arabia Saudita) per uno scambio culturale, sia come solista che come accompagnatore. Compone una sonorizzazione per una performance teatrale di Filippo Garrone. Suona con la Moinor Funk Orchestra diretta da Angelo Schiavi. Nel 1998 si trasferisce a New York dove studia alla Mannes Jazz School of Music ed all'Istitute of Audio Research diplomandosi in ingegneria del suono. In questo periodo suona in diversi locali di NY e NJ. Compone la colonna sonora per il cortometraggio "taken..." di Bartek Rainski (vincitore al RIFF come miglior corto straniero), scrive e co-produce con lo stesso Rainski il cortometraggio "CONFINI". Nel 2002 lavora a Ouagadougou in Burkina Faso per l'avviamento di uno studio di registrazione (basato sul sistema digitale Soundscape), insegnando ad uno stagista Burkinabé le tecniche di regisrtazione e post produzione, e registrando diversi gruppi locali (verranno prodotti due dischi). Tornato in Italia, finisce insieme a Bartek Rainski la post-produzione del cortometraggio "Confini", e ne compone la colonna sonora. Composizione/sonorizzazzione per la performance video/teatrale "Narciso violento" e "Evian" di Caroline Freddi. Compone musiche per pubblicità, cartoni animati e programmi tv. In questo periodo lavora anche ad una raccolta di brani di carattere minimalista per pianoforte solo intitolata 'gocce', registrata poi nel Giugno 2005 e pubblicata in Ottobre. Insegna pianoforte moderno alla scuola "Officine Musicali". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => gocce-n-6 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:12 [post_modified_gmt] => 2014-09-25 10:36:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3089 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 798 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 3121 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => release [post_excerpt] => Yann Novak was born in Madison, WI in 1979. At an early age, he became interested in the worlds of both music and visual art. He developed his primary medium, collage, via pieces which combined found photographs with his own drawings, and prerecorded LPs with loops and live instruments. In the 1990s, Novak performed and exhibited his work throughout the vibrant Madison café art scene. In 2000, Novak moved to Seattle and refined his methods, trading in turntables and vinyl records for a Mini Disc recorder and a laptop, in order to achieve a more in-depth style of production. Novak has released set of 5 limited edition 3-inch CDs “Three Inches for Friends”. In addition, he has produced two film soundtracks, for “Leaning” (which he also produced), and “Neptune” (produced by Brian Murphy). Both movies premiered at the Seattle Lesbian and Gay Film Festival, in 2003 and 2004, respectively. He was recently included on the compilation “People Doing Strange Things With Electricity” curated by Dorkbot-sea and released by Comfort Stand Records, and was Commissioned by the Crispen Spaeth Dance Group to score there full length piece “Fade”. Novak’s work has withstood a series of changes in method while always retaining and refining the strengths of his unique aesthetic, exploring the overlap and intersection between presence and absence, art and design, sound and music. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => release [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:15 [post_modified_gmt] => 2014-09-25 10:36:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3121 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 830 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 3153 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 184.3, 185.3 [post_title] => Hope under the weather [post_excerpt] => Steven Ball, a Master's degree graduate of the University of Michigan School of Music, holds the unique distinction of being the first organist in modern academic history to have proven his abilities as a performer on both the classical and theater organ. Mr. Ball has concertized and lectured around the world including solo performances and silent film presentations in the Netherlands, Germany, Belgium, France, Portugal, Ireland, England and Switzerland. He was also the recipient of a Fulbright Scholarship to the Netherlands in 2001 for his work in the world of Campanology and Carillon Performance. His unique perspective, energy, improvisatory abilities and performance style have kept audiences in theatres on the edge of their seats and have generated a new and unexpected excitement about the future of this instrument in America and elsewhere. Mr. Ball is currently Staff Organist at the Michigan Theater in Ann Arbor, MI and organist at Plymouth Congregational Church in Lansing, MI where he can be heard on a regular basis. He also plays the carillons at the University of Michigan. A specialist in the rare and almost vanished art of live silent film accompaniment, Mr. Ball has participated in numerous festivals over years. Working with original instruments, materials and music he has either composed, arranged, re-created, performed and/or improvised scores for countless films both in solo performance and with orchestra. These have ranged from the familiar to the obscure. Just to name a few from recent seasons: -The Phantom of the Opera -Metropolis -The Hunchback of Notre Dame -Judith of Bethelia -Sunrise -One Week -The Shiek -Steamboat Bill Jr. -Nosferatu -He Who Gets Slapped -Amarilly of Clothes-line Alley -Faust (The Damnation of) -Cops -Steamboat Bill Jr. -His Marriage Vow -Bring Up Baby -IT -The Lamb -Our Hospitality -Habeas Corpus Mr. Ball will be appearing in various theater sponsored film events throughout the 2005-2006 season at the Michigan Theater and was also recently featured on National Public Radio's nationally syndicated program Pipedreams (program # 0447 11/22/2004). You can listen to this show on their online audio archives for free by going to www.pipedreams.publicradio.org [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hope-under-the-weather [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:17 [post_modified_gmt] => 2014-09-25 10:36:17 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3153 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 863 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3185 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR: n. Arch. 184.39 [post_title] => Oh! Hum (hopefully) [post_excerpt] => Val Klassen is a video artist based in Winnipeg, Canada. She has collaborated with audio artist John Coutanche (Ireland) on a series of Humming Experiments, which have included studio recordings, live participatory performances and webcasts, videos, and a limited edition CD. Humming Experiments explores the spontaneous creation of music in groups. Since 1996, they have experimented with the act and sound of humming through participatory performances, recordings, and attempts at long distance interactive connections via telephony, telepathy, radio and internet technology. John Coutanche was born in St. James, Manitoba. He studied Radio and Television Arts at Ryerson College in Toronto. He has worked as a radio producer and manager for the CBC in Toronto, Halifax and then in Winnipeg, where he currently works as an independent producer-editor-writer. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => oh-hum-hopefully [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:20 [post_modified_gmt] => 2014-09-25 10:36:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3185 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 895 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 2895 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => ma che bello [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. 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