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Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => prestanza [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:08 [post_modified_gmt] => 2014-09-25 10:35:08 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2897 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 604 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2929 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Sparkling clean just lying here thinking of you [post_excerpt] => Chris Bors was born in Ithaca, New York in 1971. He lives and works in Harlem in New York City. He received his BA from University at Albany in 1993 and his MFA from School of Visual Arts in 1998. He also studied at Rhode Island School of Design in 1995. His solo exhibitions in New York include Quest for Herb at Here Art and Beat Down at PS 122 Galley. His art has also been shown at PS1 MoMA, White Columns, and Ten in One Gallery in New York, and in Berlin, Cyprus, the Netherlands, and Zurich. His work has been reviewed in The New York Times, Time Out New York, Newsday and PAJ, A Journal of Performance and Art, as well as being featured in Razor and zingmagazine. He has curated exhibitions at Here Art in New York and Vox Populi in Philadelphia and written criticism for artnet.com. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sparkling-clean-just-lying-here-thinking-of-you [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:37 [post_modified_gmt] => 2014-09-25 10:35:37 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2929 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 636 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2961 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => On the Road with The Traveler (9-12) [post_excerpt] => "ghost.dances/ on the event horizon": following up her retrospective anthology "Thank You For Flying American", visual, performance, and media artist, and audio-composer/producer Jacki Apple's second CD release is a sonic evocation of the clash between nature and culture in the modern world. It contains works from six major pieces that explore environmental issues - The Amazon (from "The Amazon, The Mekong, The Missouri and The Nile"), an excerpt from "Aviary of the Lost" plus "Flame to Moth & Fish Gotta Swim" and "Ghost Dancers for Birdland" from "The Culture of Disappearance", the full-length "One World at a Time" set in outer space, inner space, and cyber sapce, and "Fluctuations of the Fields" based on the writings of physicist avid Bohm. It includes music from Bruce Fowler, Ruben Garcia, and Kira Vollman & Joseph Berardi, as well as Apple's sound compositions and vocals. A Cactus Foundation/ Chronic Interactive production [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => on-the-road-with-the-traveler-9-12 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:40 [post_modified_gmt] => 2014-09-25 10:35:40 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2961 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 668 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2993 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => eye-witness [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => eye-witness [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:43 [post_modified_gmt] => 2014-09-25 10:35:43 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2993 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 700 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3025 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => venom clad omen [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => venom-clad-omen [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:46 [post_modified_gmt] => 2014-09-25 10:35:46 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3025 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 732 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 3058 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Farbfelder: Johann Pumhösl Tontecnik, Schnitt: Hermann Platzer, qufgenommen in Mai 2004 in Wien Cembalo: Kopie nach Christian Zell 1728, erbau von Bruce Kennedy Layout: Florian Pumhösl Copyright: Susanne Pumhösl [post_title] => Sinfonia 4, BWV 990 [post_excerpt] => Susanne Pumhösl Started her career as a soloist after winning the international Johann Heinrich Schmelzer competition for Baroque music at Melk Monastery. Since then she has appeared at many early music festivals throughout Europe and the United States, as well as in Taiwan. Ms. Pumhösl is the continuo player for the Ensemble Capella Leopoldina, Private Musicke, and the Capella Nova Graz. Particularly interested in the Viennese Baroque harpsichord literature, Ms. Pumhösl teaches early music at the private university Konservatorium Wien. She has performed live on radio, and has also made numerous recordings. Her most recent CD features previously unpublished works by the imperialcourt composer Johann Joseph Fux. Recitals (Selection) Kunsthalle Wien, project space; inventions / colorfields according to Isaac Newton - music by J. S. Bach, 2005 Austrian Cultural Forum New York, harpsichord music by J.J. Fux, J.M. Hauer and J. Haydn, 2005 Innsbrucker Festwochen für Alte Musik, harpsichord music by Gottlieb Muffat and Johann Joseph Fux, 2004 Wiener Musikverein, baroque opera „la Pastorelle“ von G. Ph. Telemann, oratories „Israel in Ägypten“ und „Jephta“, cappella leopoldina, 2003 und 2004 La Jolla, San Diego Harpsichord Society, Viennese harpsichord music by A. Poglietti, J. J. Froberger a.o., 2003 Café Prückel Wien, cabaret Karl Ferdinand Kratzl about christmas…, harpsichord music by J. M. Hauer, J. S. Bach a.o., 2003 Arkadelphia, Henderson State University; Viennese Harpsichord Festival, music by J. Haydn and J. J. Fux, 2003 Jeunesse, Festival „Colorscape“; masterly music of the 17th century, Daniel Sepec, baroque violin, Susanne Pumhösl, harpsichord, 2002 discography Inventionen Bach/Newton, kleine Präludien, Inventionen und Sinfonien von Johann Sebastian Bach und das Modell einer analytischen Farbe-Ton-Beziehung von Isaac Newton, LC 9288 Klangrede DVD 1, 2004 Vedo il ciel, Händel Arias & Overtures, capella leopldina, LC 107 Universal Music Austria CD 476 300 0, 2004 Inventionen, J.S. Bach: kleine Präludien, 2- und 3-stimmige Inventionen, LC 9288 Klangrede, CD 2 2003/04 Johann Joseph Fux, Musik für Cembalo, LC 9288 Klangrede CD 1, 2002 Vertrieb: Preiser Records Music of films by Ashot Shiroian: - „Once upon a time in Pannonia“, 2003, „Painting Stockholm“ 2001, music by J. S. Bach and J. J. Fux ORF, Edition Alte Musik, "Internationale Barocktage Stift Melk" 97/98; 2 CD Live Mitschnitte, Werke von Antoine Forqueray; LC 5130 ORF CD 213, 1999 ORF, "Les Plaisirs Mélancholiques", Private Musicke - Pierre Pitzl, Marcy Jean Bölli - Viola da Gamba, Susanne Pumhösl - Cembalo, Luciano Contini- Arciliuto. Werke von Marin Marais, Arcangelo Corelli und Antoine Forqueray, LC 5130 CD 237, 1999 rewiews It´s no wonder J. S. Bach so admired Fux. .....This was sensational playing. With brilliance and zest, Pumhösl brought out Fux´s magisterial command of a keyboard style that is at once French (in its elegantly embellished dance movements) and Italian (in its learned contrapuntal structures). Even on a first hearing, the Ciaccona immediately proclaimed itself one of the great examples of this much-favored Baroque form, an impression that repeated auditions of the recording confirmed. The Partie is worthy of the finest of Baroque composers of French keyboard suites. The CD adds some remarkable fugues, and a G Minor Capriccio with much of the concinnity and imagination of a Couperin. It´s no wonder J.S. Bach so admired Fux....... Jonathan Saville, San Diego Reader ....Das liegt vor allem an dem silbrigen, stets entrückt und verklärt wirkenden Klang des Cembalos, aber auch an dem Programm, das die Wiener Cembalistin Susanne Pumhösl aus dem umfangreichen Werk von Johann Joseph Fux zusammenstellte: 27 Courantes, Sarabanden, Menuette und Fugen, die den einstigen Organisten der Wiener Schottenkirche und späteren Kapellmeister von Karl VI. zwar auch als Meister der Virtuosität zeigen, der aber an die Stelle der schillernden französischen Oberflächenpolitur stets die gute, deutsche Ernsthaftigkeit rückte..eine wundervoll entrückte und verklärte CD..(a wonderfully radiant and entrancing CD) Carsten Fastner, Falter [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sinfonia-4-bwv-990 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:49 [post_modified_gmt] => 2014-09-25 10:35:49 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3058 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 767 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 3091 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => gocce n.8 [post_excerpt] => Studia chitarra brasiliana e chitarra flamenco. Dopo il diploma al liceo classico studia architetura alla Sapienza e pianoforte classico con il maestro Emilio Rabaglino. Quindi frequenta la scuola popolare di musica di testaccio (composizione e pianoforte jazz), e partecipa ai seminari estivi della Berklee ad Umbria Jazz e a quelli di Siena Jazz. Suona a Jeddah (Arabia Saudita) per uno scambio culturale, sia come solista che come accompagnatore. Compone una sonorizzazione per una performance teatrale di Filippo Garrone. Suona con la Moinor Funk Orchestra diretta da Angelo Schiavi. Nel 1998 si trasferisce a New York dove studia alla Mannes Jazz School of Music ed all'Istitute of Audio Research diplomandosi in ingegneria del suono. In questo periodo suona in diversi locali di NY e NJ. Compone la colonna sonora per il cortometraggio "taken..." di Bartek Rainski (vincitore al RIFF come miglior corto straniero), scrive e co-produce con lo stesso Rainski il cortometraggio "CONFINI". Nel 2002 lavora a Ouagadougou in Burkina Faso per l'avviamento di uno studio di registrazione (basato sul sistema digitale Soundscape), insegnando ad uno stagista Burkinabé le tecniche di regisrtazione e post produzione, e registrando diversi gruppi locali (verranno prodotti due dischi). Tornato in Italia, finisce insieme a Bartek Rainski la post-produzione del cortometraggio "Confini", e ne compone la colonna sonora. Composizione/sonorizzazzione per la performance video/teatrale "Narciso violento" e "Evian" di Caroline Freddi. Compone musiche per pubblicità, cartoni animati e programmi tv. In questo periodo lavora anche ad una raccolta di brani di carattere minimalista per pianoforte solo intitolata 'gocce', registrata poi nel Giugno 2005 e pubblicata in Ottobre. Insegna pianoforte moderno alla scuola "Officine Musicali". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => gocce-n-8 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:13 [post_modified_gmt] => 2014-09-25 10:36:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3091 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 800 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 3123 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Soil [post_excerpt] => Kamran Sadeghi (Son of Rose) is a Multi instrumentalist musician, composer, and audio engineer based in Seattle Washington. Since 2000 he has been actively exploring the use of electronics and recording techniques in contemporary music, with an emphasis on computer synthesis as a live instrument. This approach gives the movements in Sadeghi's compositions a powerful, emotional, and graceful quality with a patient and gradual pacing. Over the past two years Sadeghi has performed his work at dozens of events including the Decibel Festival(Seattle) and Staalplaat Records (Berlin), and released three albums as Son of Rose including his self titled debut in 2005 and "Top Flight"(2006) on Dragon's Eye Recordings, both receiving critical acclaim. Sadeghi has been reviewed by The Wire, E/I Magazine, The Stranger, and Igloo Magazine. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => soil [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:15 [post_modified_gmt] => 2014-09-25 10:36:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3123 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 832 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 3155 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. n. Arch. 184.4 [post_title] => YeARN [post_excerpt] => Peter Batchelor is a composer and sound artist living in Birmingham, UK. He has studied with Jonty Harrison and Andrew Lewis and, having recently completed a PhD in composition at the University of Birmingham, is currently a lecturer at De Montfort University, Leicester. Predominantly working with fixed-media, his output ranges from two-channel 'tape' compositions for concert diffusion to large-scale multi-channel installation work. Compositions have received recognition from such sources as the Concours de musique electroacoustique de Bourges and the International ElectroAcoustic Music Contest of São Paulo and have been performed internationally. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => yearn [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:17 [post_modified_gmt] => 2014-09-25 10:36:17 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3155 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 865 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3187 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => heaven, open, purple, elastic (for sari) [post_excerpt] => steve roden is a visual and sound artist from los angeles. his work includes painting, drawing, sculpture, film/video, sound installation, and performance. roden's working process uses various forms of specific notation (words, musical scores, maps, etc.) and translates them through self invented systems into scores; which then influence the process of painting, drawing, sculpture, and sound composition. these scores, rigid in terms of their parameters and rules, are also full of holes for intuitive decisions and left turns. the inspirational source material then becomes a kind of formal skeleton that the abstract finished works are built upon. in the sound works, singular source materials such as objects, architectural spaces, and field recordings, are abstracted through electronic processes to create new audio spaces, or 'possible landscapes'. the sound works present themselves with an aesthetic roden describes as "lower case'' - sound concerned with subtlety and the quiet activity of listening. roden has been exhibiting his visual and sound works since the mid 1980's, and has had numerous solo and group exhibitions internationally, including museums, galleries and arts spaces in usa, italy, france, japan, bulgaria, slovenia, england, etc. recent solo shows and projects include susanne vielmetter los angeles projects, nicole klagsbrun gallery new york, san francisco art institute mcbean gallery, fresno metropolitan museum of art and science, tang teaching museum skidmore college, gallery e/static torino and studio la citta verona italy. recent group exhibitions include the centre georges pompidou paris, the san diego museum of contemporary art, the ucla hammer museum los angeles, the sculpture center ny, and the drawing room london. roden has performed his soundworks at various arts spaces and festivals worldwide including the serpentine gallery london, the san francisco museum of modern art; MIT boston, the walker art center, minneapolis; the dca dundee scotland; the musee de beaux artes nantes; as well as performance tours of brazil and japan. he has also released over 20 cds of audio works on labels worldwide. roden received an mfa from art center college of design in pasadena, ca in 1989, and a bfa from otis parsons in los angeles in 1986. grants include: nimoy artist in residency grant, COLA grant from the city of los angeles, california arts council grant, subito grant from the american composer's forum, city of pasadena artist's grant, and the durfee foundation. upcoming projects include a solo show of visual and sound works at susanne vielmetter gallery los angeles and studio la citta, verona, and site specific sound installations for the museum of open air architecture in ivrea italy; the grand promenade in athens greece; and the james turrel skyspace at the henry museum in seattle. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => heaven-open-purple-elastic-for-sari [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:20 [post_modified_gmt] => 2014-09-25 10:36:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3187 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 897 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 2897 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => prestanza [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. 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