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Arch. 184.12, 184.56, 185.9 [post_title] => Ship of hope ( a kind of shipping forecast for the soul) [post_excerpt] => John J. Campbell is an artist and musician whose work encompasses a number of disciplines including: site specific gallery installation, electronic soundworks and group performance. He has published work nationally and internationally under his own name and various group names including It’s Immaterial for over twenty-five years. He has produced gallery based installations such as: Baby 96 (1996) for the Live from the Vinyl Junkyard (1996-1997) group show at the Bluecoat Gallery Liverpool; and for Two Seconds Nine Months (1996) at the Bankside Gallery London. He has also contributed soundworks to the Audio Research Editions CDs: Hope (1998, ARE) as part of the ninth International Symposium on Electronic Art (ISEA98); Trace (1999, ARE) as part of the first Liverpool Biennial of Contemporary Art; and Zero (2000, ARE) as part of Video Positive 2000 festival. Liverpool-based Henry Priestman has sold three million albums with his band The Christians. Besides TV, film, games and advertising work he writes with stars like former Spice Girl Mel C and upcoming artists like Marli Buck (whose album is due out on Sony in 2005).Equally at home on the heady waters of the mainstream (The Christians, TV soundtracks, song-writing and producing) as the murky depths of more experimental forms (audio installation"Baby96", "Hope" CD, releases by MoR and The serpents) ultimately henry Priestman is a multi-tasker and proprietor of the Gossamer Dome. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ship-of-hope-a-kind-of-shipping-forecast-for-the-soul [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:18 [post_modified_gmt] => 2014-09-25 10:36:18 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3159 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 869 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 3191 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. nn. Arch. 184.44, 185.28 [post_title] => IN SPE [post_excerpt] => Petri Kuljuntausta is a composer, performer and sound artist. He is famous for music composed of sounds both natural and extraordinary. In close collaboration with natural scientists, he has composed an underwater installation from underwater materials and made music out of whale calls and the sounds of the northern lights. In many ways Kuljuntausta's art is based on good knowledge of tradition; environmental sounds, live-electronics, improvisation and collaborations with media artists has influenced him as a composer. His recent composition project Northern Lights LIVE, based on soundscapes of the northern lights and feedback sounds, was performed at the ISEA2004 festival, 12th Symposium on Electronic Arts. The work was a vivid collaboration between art and science, recycling original field recordings of the phenomena as well as processing aurora borealis sounds. A forty-five minute long continuous audio-visual dialogue between nature's own soundscapes and their digitally altered, urban noise-art substitutes were created on stage. Kuljuntausta has composed digital music for experimental films, visual art and dance projects, and made media and sound installations in museums, galleries and concert halls. His works has been performed in many European countries, Australia and the USA, and he has made recordings for various labels in Australia, England, Finland, France, Germany and the USA. Kuljuntausta has collaborated with the experimental film director Sami van Ingen, urban architecture group Ocean-North, composers Morton Subotnick and Atau Tanaka, sound artist Richard Lerman and musician/philosopher David Rothenberg. He is the author of an 800 page History of Finnish Electronic Music, On/Off, and in 2006 he published his second book, Äänen eXtreme ('eXtreme Sound', info), on his own approach to music. Recently he won an award, The Finnish State Prize for Art, from the Finnish government as a distinguished national artist for 2005. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => in-spe [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:20 [post_modified_gmt] => 2014-09-25 10:36:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3191 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 901 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 3224 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Transit (Trace Mix) [post_excerpt] => Beat Theater is a live multimedia concert that features integrated movement, graphics and sound; distance performers via the web and a healthy element of audience participation - all wrapped up in a jet black bon-bon of cutting edge dance music, sinister guitars and visceral v-drumming. TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => transit-trace-mix [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:45 [post_modified_gmt] => 2014-09-25 10:36:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3224 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 935 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 3256 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. n. Arch. 183.33 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Without a trace [post_excerpt] => Detroit-based audio project Hearing Trumpet (yes, they take their name from the Leonora Carrington book) are enthusiastic Surrealists who produce Surrealist audio works of uncompromising intensity. They also have an excellent radio program called "Misanthropy 961" which is broadcast every Sunday night from midnight to 2am on CJAM 91.5 FM Windsor, Ontario (the show is also available on the WWW via real audio at the same time, check that out at http://www.uwindsor.ca/cjam/live.htm, and it appears monthly on Radio Marabu in Belm, Germany and 13 other European stations, direct your browsers to http://www.mediaDD.de/radiomarabu for more info on that). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => without-a-trace [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:48 [post_modified_gmt] => 2014-09-25 10:36:48 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3256 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 967 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3288 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Sound of a hand [post_excerpt] => Sonia Sheridan, Professor Emerita School of the ArtInstitute of Chicago is International Co-editor of LEONARDO. Guggenheim Fellow, National Endowment for the Arts grantee, foundes of Generative Systems at the (SAIC) Art Institue of Chicago. Her work has been exhibited internationally and is in the permanent collection of major museums. TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sound-of-a-hand [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:50 [post_modified_gmt] => 2014-09-25 10:36:50 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3288 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 999 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 3320 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Talking of Zero [post_excerpt] => The Leck Collective are: J.K.-Visual junkie, abstract artist; Nozza - audio tourist, philosophical wander and early riser;M Mapo - Student of pop, art and life; henry P. (man) - Leader and spiritual director; Wild J. - Advocate of the beat. ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => talking-of-zero [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:53 [post_modified_gmt] => 2014-09-25 10:36:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3320 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1032 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 3352 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Donaukraftwerk [post_excerpt] => 2006 "Südkurve" - Interactive Sound-Installation for the exhibition "You'll never walk alone" (9.6.-9.7.) - O.K. Centrum für Gegenwartskunst, Linz t-u-b-e Plugged - Experimentelles Internetkonzert zur "Langen Nacht der Musik" T-U-B-E Munich feat. Oliver Augst (Frankfurt) , Nils Bultmann (Madison/USA), Wolfgang Dorninger (base records, Linz), Nick Fells (Glasgow), Klaus Schedl (München) und Axel-Frank Singer (z.Zt. Paris) "Nasca, über die Perspektive" - multi-media performance - 6th February 2006 - La Casa Encendida, Madrid "Nasca, über die Perspektive" - multi-media performance - 3rd-4th February 2006 - O.K. Centrum für Gegenwartskunst, Linz "Nasca, on perspektive" - DVD (base rec.) out June 2006 Acoustic presentation "now & Mozart" Albertina Wien, Curator: Herbert Lachmayr/Da Ponte (März) 2005 "Me and my mike!" Audio-Performance-Lecture Stop Spot 2005 (Symposium) - 18.11. 2005 O.K. Centrum für Gegenwartskunst, Linz Installation "Die Stimme - interaktive Pop-Algorithmen" Peter Weibel / Wolfgang Dorninger Kunstfest Weimar vom 22.8. - 11.9.2005 2004 "Phonorama" ZKM Karlsruhe - Acoustic presentation, Curator: Brigitte Felderer, Architect: Markus Pillhofer "Phonorama" ZKM Karlsruhe - Installation "Die Stimme - interaktive Pop-Algorithmen" Peter Weibel / Wolfgang Dorninger "Die Stimme" Ruhrtriennale Essen - Acoustic concept 2001 Uraufführung "Hisatsinom, über das Verschwinden" Festival "4020" Linz. Studienaufenthalt in Tucson, Arizona (12-2000 bis 3-2001) 2000 Musik für das Tanzstück "Sozialwerk" mit Marina Koraiman, Monika Huemer, Didi Bruckmayr, Michael Strohmann und Peter Thalhammer (Aufführungen im Posthof Linz und der Volksbühne Berlin, April 2000) "fadi @ vilnius.lt" for Dialog2 Articulation (Litauen/Oberösterreich) im OK-Centrum für Gegenwartskunst - CD base records 0046 - Katalog Edition OK, April 2000 Aufführung und Videoscreening im Contemporary Art Center Vilnius (Februar 2000) Teilnahme an der Ausstellung "Aus dem Umfeld - Zeichnungen+" Stadtwerkstatt 1979-1999 - Kunstuni Linz (Februar 2000) 1999 Auftragsarbeit Asten für Resocycling beim Festival der Regionen 1999 CD Asten (base records) Klangpark (Ars Electronica 1999) mit Michael Nyman, Scanner, Sam Auinger, Rupert Huber, Jomasound, Robert Worby und Gordan Paunovic. Gilt auch für die CD Klangpark (Ars Electrica) 1998 Laager - eine Auftragsarbeit für den europäischen Kulturmonat in Linz - Musik-Produktion von Peter Androsch, Sam Auinger, Dietmar Bruckmayr und Wolfgang Dorninger 1997 Sampling Realities mit Werner Jauk, Musik und Doris Jauk-Hinz, Videoinstallation - Forum Stadtpark Graz 11/97, Teilnehmer bei Symposium music<->media auf der Hochschule für Amerikanistik, Graz 1995 Ars Electronica 1995 - 3 Live-Auftritte mit Aural Screenshots (Wolfgang Dorninger und Josef Linschinger of Fuckhead) Teilnahme an Horizontal Radio des Ö1-Kunstradios mit Aural Screenshots Sounddesign für Achse des Ofens (Festival der Regionen - Androsch, Dörr und Kurovski) 1994 Musik für die CD und das Kunstradio für 11 23 Wien (Neville Brody, Glückstein, Senger) 1987 Ars Electronica 1987 Auftragsarbeit: Monochrome Bleu "Kopfstich - Musik und Video Pt.6" von Monochrome Bleu (Dorninger, Resch, Schatzl, Androsch und Kurt Hennrich (Videokünstler)) Morgen Hysterisch Theater Aufführung in der Fachhochschule für Architektur und Design in Düsseldorf - Rauminstallation und Theater mit Sabine Bitter, Helmut Weber, Leo Schatzl, Pepi Maier und Wolfgang Dorninger aka Josef K. Noyce) Intergallaktisches Lärmstrukturfestival - Ravensburg: Monochrome Bleu "Musik und Video Pt.5". 1986 Wohnen Von Sinnen - Düsseldorf: Projekt mit der Gruppe Wohnfreiheit zur Ausstellung im Düsseldorfer Kunstmuseum. Titel: "Badewannenkonzert" (mit Georg Ritter, Gotthard Wagner u.v.m) Unter jeder Kunst Beteiligung bei der illegalen Gemeinschaftsausstellung von Studenten der Mkl. für visuelle Gestaltung in Linz in den Katakomben der abgebrannten Ring-Brot-Werke Linz Klare Nacht Musikenironment für die Rauminstallation von Leo Schatzl in einer Linzer Bar. 1985 MUKU 1995 Multimediaperformance mit Monochrome Bleu (Dorninger, Resch und Schatzl) im Rahmen eines gemeinsamen Projektes der Gruppe Schöner Schein (Rainer Zendron, Leo Schatzl, etc.) auf dem Multimediafestival MUKU in Kassel, Deutschland. "Schnell und Hell" Musik zur Ausstellung und Performance von Leo Schatzl. 1984 "KLA4" Neue Galerie Linz, Performance mit Karl Heinz Klopf Ars Electronica 1994 Multimediaperformance mit der Gruppe Monochrome Bleu (Wolfgang Dorninger, Thomas Resch, Leo Schatzl, Dr. Geza Eisserer) mit dem Titel "Musik Sehen" mit Markus Binder und Pepi Maier. Visualisierte Musik - Auftritte in der Galerie Krintzinger, Zu den Sachen, etc. - 10 Auftritte 1983 "Schwarze Bilder" Konzert und Ausstellung in einem Abbruchhaus mit Sabine Bitter, Helmut Weber u.a. "Wechselstrom" Ausstellung, Beitrag mit Markus Binder (Attwenger), Pepi Maier (Gruppe Musik Sehen) in einer aufgelassenen Fabrik im Süden von Linz. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => donaukraftwerk [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:56 [post_modified_gmt] => 2014-09-25 10:36:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3352 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1064 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 3384 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Breathless [post_excerpt] => Plastic Violence is an alias for Paolillo Fabrizio, he is Italian and born in 1967. Plastic Violence was formed in 1996 as a musical project with a clear political and socially critical attitude. In 2002 Plastic Violence released the first ’official’ cd Immaterial. Fabrizio has released a large part of Plastic Violence’s work on his own record label Death Paradise and performs live with his compositions. Cfr. nn. Arch. 14.a-b Technical Breakdown is an international sound art exhibition, which took place uin the public space of Cophenagen, denmark in November 2005 - January 2006. The exhibition consists of 5 different listening posts presenting 30 sound works by artists from 10 different countries.The sound art exhibition Technical Breakdown takes as its starting point the chaotic and unpredictable field of communication in which misunderstanding and the unspeakable take on a life of their own. The exhibition encourages "a grant of self conduct" practice, setting loose sounds and feedback from all spheres making it possible for them to diffuse and mingle into the sound-scapes we inhabit.The exhibition consists of 5 different listening posts, eahc presenting its own perpective pn the error. The listening posts introduce the audience to a numebr of unique sound worlds, using the technical breakdown itself as a strategy to give voice and body to that which would not otherwise surfece. Through circuit bending, cut-ups and samples, the sound art reaches into the environment and breaches the continuity of our rational experience of the world. The art works show us unconcious moods and phenomena, and connects circuits not designed to be connected. The surroundings are animated by sound which again enhance our sense of space. The sound works mark the installation sites by interfering and underlining, amplifying or unermining the surroundings. In this way the sites themselves take part in creating cross-references between the many different layers of sound that one is likely to be tuned in on simoultaneously, though at different levels of intensity. The listening post Panic Room turns up the paranoia and surveillance atmosphere in the shopping centre Field's. The intimidating refuge criticises as well as imitates consumer culture buffoon and chaos with sample of sound from media and the collapse of discourses. At The Culture House KIB, The Cones couples the harbour front with the another dimension. The sounds function as a portal linking the site to be underground and the mystical. At The Royal Library The Black Diamond, The Glass breaks the borders between inside and outside - between private and public - with its fragile, crisp sounds and forces itself on the visitor's itnimate sphere. At the cinema and film institute, Cinemateket, Sonographic Stele translates picture itno sound and sound intopicture. One language talks on behalf of the oher an dinitiates acomplicated dialogue on the verge of nonsense. In the web-basedc listening post, City on the Net everything is inter-twined cacophony - no sound is limited to its original context, while virtual cities are recreated as soundscapes. The artists participating in Technical Breakdown all contemplate events and notions that are out of our reach - and out of control. In the exhibition sound layers ranging from the fictive ti the real, from the cognitive to the evocative come together and form a sonic web around us. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => breathless-2 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:16 [post_modified_gmt] => 2014-09-25 10:37:16 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3384 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1096 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 3633 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => selected by the artist for the live broadcasting of RAM at Utopia Station, 50° Biennale di Venezia [post_title] => Skowhegan bridge [post_excerpt] => sound project [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => skowhegan-bridge [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:38:14 [post_modified_gmt] => 2014-09-25 10:38:14 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3633 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1338 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 4011 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Globalgroove nasce alla fine degli anni novanta da un’idea di Michele Andreoni e Fabio Toffolo. Inizialmente l’interesse si rivolge al web con il sito www.globalgroove.it , una pubblicazione on-line al limite tra arte e advertising. In seguito il progetto ha ampliato il suo raggio d'azione con pittura, fotografia, collage, campionamenti audio e progetti editoriali. [post_title] => Natural Location [post_excerpt] => Lo start è dato da una puntina che cade su un disco. Sul rumore del vinile si sente il segnale di una macchina per l’elettrocardiogramma. A seguire si dissolvono o sovrappongono altre fonti sonore: Guillaume,Apollinaire che legge una poesia (Le Pont Mirabeau), un loop ossessivo di Aphex Twin (Domino), suoni e conversazioni tratti da home video, il frammento di una sigla televisiva, le previsioni del tempo, la voce di un bambino che conta alla rovescia, l’avvio di un proiettore Super 8, l’eco di una filastrocca, lo squillo insistente di un telefono. Improvvisamente il nastro si riavvolge e il disco finisce. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => natural-location [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:54 [post_modified_gmt] => 2014-09-25 10:39:54 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4011 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1882 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 3159 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. nn. Arch. 184.12, 184.56, 185.9 [post_title] => Ship of hope ( a kind of shipping forecast for the soul) [post_excerpt] => John J. Campbell is an artist and musician whose work encompasses a number of disciplines including: site specific gallery installation, electronic soundworks and group performance. He has published work nationally and internationally under his own name and various group names including It’s Immaterial for over twenty-five years. He has produced gallery based installations such as: Baby 96 (1996) for the Live from the Vinyl Junkyard (1996-1997) group show at the Bluecoat Gallery Liverpool; and for Two Seconds Nine Months (1996) at the Bankside Gallery London. He has also contributed soundworks to the Audio Research Editions CDs: Hope (1998, ARE) as part of the ninth International Symposium on Electronic Art (ISEA98); Trace (1999, ARE) as part of the first Liverpool Biennial of Contemporary Art; and Zero (2000, ARE) as part of Video Positive 2000 festival. Liverpool-based Henry Priestman has sold three million albums with his band The Christians. Besides TV, film, games and advertising work he writes with stars like former Spice Girl Mel C and upcoming artists like Marli Buck (whose album is due out on Sony in 2005).Equally at home on the heady waters of the mainstream (The Christians, TV soundtracks, song-writing and producing) as the murky depths of more experimental forms (audio installation"Baby96", "Hope" CD, releases by MoR and The serpents) ultimately henry Priestman is a multi-tasker and proprietor of the Gossamer Dome. 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