Archivio Sonoro: SoundArtMuseum

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Racine, 1998, Éditions de l'Hexagone CD completo (62'44''), 15 tracce 1 - De la lettre A  - 13'59'' 2 - De la lettre B  - 07'08'' 3 - De la lettre C  - 15'02'' 4 - De la lettre E  - 10'04'' 5 - De la lettre J  - 01'11'' 6 - De la lettre K  - 00'50'' 7 - De la lettre N  - 02'40'' 8 - De la lettre O  - 03'37'' 9 - De la lettre Q  - 00'39'' 10 - De la lettre U  - 01'47'' 11 - De la lettre V  - 03'31'' 12 - De la lettre W  - 00'18'' 13 - De la lettre X  - 00'07'' 14 - De la lettre Y  - 00'07'' 15 - De la lettre Z  - 00'29'' [post_title] => Le Dictionnaire [post_excerpt] => Born in Montreal in 1956, Rober Racine studied literature at College Sainte-Thérèse and pursued studies in art history at Université de Montréal. By the late 1970s, he emerged as one of the most important multidisciplinary artists of his generation in Canada. A musician, writer, visual artist and performer, he developed an approach rooted in the incessant search for liberating modes of creation and expression. In 1979, the Musée d’art contemporain de Montréal presented his installation and performance entitled “Décomprendre le sourire d’une perle.” Since the late 1970s, the artist has shown his work in Canada, the United States, Europe, Japan and Australia in some of the most important events of the contemporary scene, including the Venice Biennale (1990) and Documenta, in Kassel (1992). A major retrospective of his work was organized by the National Gallery of Canada in 2001. In 1999, he won the Prix Ozias-Leduc and the Prix Louis-Comtois. He also received the prestigious Prix Paul-Émile Borduas in 2007. 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In seguito il progetto ha ampliato il suo raggio d'azione con pittura, fotografia, collage, campionamenti audio e progetti editoriali. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => into-my-eyes [to_ping] => [pinged] => [post_modified] => 2019-08-12 15:23:24 [post_modified_gmt] => 2019-08-12 13:23:24 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=14512 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [5] => WP_Post Object ( [ID] => 14508 [post_author] => 1 [post_date] => 2019-08-09 12:40:42 [post_date_gmt] => 2019-08-09 10:40:42 [post_content] =>

1 - Kleines Präludium C-Dur, BWV 939 2 - Inventio 1, BWV 772 3 - Sinfonia 1, BWV 787 4 - Kleines Präludium d-moll, BWV 926 5 - Inventio 4, BWV 775 6 - Sinfonia 4, BWV 990 7 - Kleines Präludium e-moll, BWV 938 8 - Inventio 7, BWV 778 9 - Sinfonia 7, BWV 793 10 - Kleines Präludium F-Dur, BWV 928 11 - Inventio 8, BWV 779 12 - Sinfonia 8, BWV 794 13 - Präludium und Fugtet G-Dur, BWV 902 14 - Inventio 10, BWV 781 15 - Sinfonia 10, BWV 796 16 - Präludium une Fuge a-moll, BWV 895 17 - Inventio 13, BWV 784 18 - Sinfonia 13, BWV 799 19 - Präludium h-moll, BWV 923 20 - Inventio 15, BWV 786 21 - Sinfonia 15, BWV 801 22 - Kleines Präludium C-Dur, BWV 924

 

Farbfelder: Johann Pumhösl Tontecnik, Schnitt: Hermann Platzer, qufgenommen in Mai 2004 in Wien Cembalo: Kopie nach Christian Zell 1728, erbau von Bruce Kennedy Layout: Florian Pumhösl Copyright: Susanne Pumhösl

 

[post_title] => Inventionen Bach/Newton [post_excerpt] => Susanne Pumhösl started her career as a soloist after winning the international Johann Heinrich Schmelzer competition for Baroque music at Melk Monastery. Since then she has appeared at many early music festivals throughout Europe and the United States, as well as in Taiwan. Ms. Pumhösl is the continuo player for the Ensemble Capella Leopoldina, Private Musicke, and the Capella Nova Graz. Particularly interested in the Viennese Baroque harpsichord literature, Ms. Pumhösl teaches early music at the private university Konservatorium Wien. She has performed live on radio, and has also made numerous recordings. Her most recent CD features previously unpublished works by the imperialcourt composer Johann Joseph Fux. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => inventionen-bach-newton [to_ping] => [pinged] => [post_modified] => 2019-08-09 12:46:14 [post_modified_gmt] => 2019-08-09 10:46:14 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/suoni/inventionen-bach-newton/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [6] => WP_Post Object ( [ID] => 14504 [post_author] => 1 [post_date] => 2019-08-07 13:03:51 [post_date_gmt] => 2019-08-07 11:03:51 [post_content] => Introductions spoken by Cathy Milliken with 4 transformers. Sound development and programming of the transformers: Dirk Witschke. Track 2 performed by the pupils of Goethe-Gymnasium, Neu-Isenburg 1986, mastered and restored 1998. Track 4 installed at Gallery Werth, Frankfurt/M 1988, Kunstverein München, 1988, Experiences Festival, Paris 1997, recorded and mixed to stereo at FTF Studio, Frankfurt/M, 1997. Track 6 performed Frankfurt, recorded at Hochschule für Musik und Darstellende Kunst, during Preisträgerkonzert 1997. Track 8 recorded at Beyond Baroque, Beyond Music Festival, Los Angeles, 1998. Track 10 excerpt from rehearsal at the Red-Light Cafe, Atlanta, 1998. Tracklist :

1 - Introduction (0:27) 2 - Ulysses (excerpt) (2:39) 3 - Introduction (1:35) 4 - 4x2 (17:50) 5 - Introduction (1:30) 6 - Careful Inquiry (5:27) 7 - Introduction (1:09) 8 - Eye-Witness (8:21) 9 - Introduction (0:52) 10 - And Piano (2:00)

[post_title] => Acts [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => acts [to_ping] => [pinged] => [post_modified] => 2019-08-07 13:07:36 [post_modified_gmt] => 2019-08-07 11:07:36 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/suoni/acts/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [7] => WP_Post Object ( [ID] => 14501 [post_author] => 1 [post_date] => 2019-08-07 12:53:32 [post_date_gmt] => 2019-08-07 10:53:32 [post_content] => Once I had the idea to play a house. This happened when the city of Frankfurt, in charge of an investment company and intending to raise the acceptance of a deserted industrial complex, planned to perform a vernissage in this place. Therefore they needed an artist and an artwork. When I was asked, I thought that it would be apt to the situation to leave the huge space empty of artworks and instead attach a computer-generated clapper to each of the 1400 windows to transform the space into a poly-rhythm box. I liked the plan, but the investors didn't. Nevertheless I pursued the idea to activate the resonance frequencies of given objects in a space in order to arrive at site- and space-specific compositions which would change with every place and given situation.

Tracklist :

1 - Cups 1 (4:21) 2 - Chair 2 (6:50) 3 - Flatware 4 (3:02) 4 - Chair 3 (0:29) 5 - Bucket 3 (0:21) 6 - Pot-Top 3 (1:30) 7 - Flatware 1 (3:54) 8 - Pot-Top 4 (1:58) 9 - Cups 2 (8:36) 10 - Bucket 1 (4:13) 11 - Cups 3 (0:32) 12 - Chair 4 (2:07) [post_title] => Moves [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => moves [to_ping] => [pinged] => [post_modified] => 2019-08-07 12:54:15 [post_modified_gmt] => 2019-08-07 10:54:15 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/suoni/moves/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [8] => WP_Post Object ( [ID] => 14499 [post_author] => 1 [post_date] => 2019-08-07 12:09:34 [post_date_gmt] => 2019-08-07 10:09:34 [post_content] =>

To broadcast CD's Radio X in Frankfurt uses Denon DN C680. The players (3 of them in total) can be operated at the same time and are equipped with scan/search data-wheels that allows one to start or stop a CD at any given point. Moved while playing a CD the wheels send the disc into a locked groove, which can be shifted by constantly turning the wheel (about 60 shifts will scan one second of playing time). For the March edition of monthly Selektion broadcast Wollscheid scanned and shifted sections of 'A Young Person's Guide to Phill Niblock' (Blast First), 'Construction' by John Hudak from 'The Site of Sound' (errant bodies), 'Kern' by Frank Bretschneider from 'Clicks & Cuts' (Mille Plateaux), 'This Piano Thing', by Gordon Monahan (Swerve Edition) , 'Pure Gaze' by Olivia Block (Sedimental) and 'White Winged Moth/Ribbon Arcade' by Dean Roberts (Formacentric). The impetus behind this work is to discover and use the broadcast medium as an 'instrument' - instrument not in the sense of a 'tool' (although this side always plays a role), but rather as a set of transformative possibilities, which can help to re-read the information available.

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