
Archivio Sonoro: SoundArtMuseum
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hamaYôko
Triptyque de l’oeil
CD (E99)
1. Oeil centre
2. Silence
3. Panthère d’Erebos
4. Silence
5. Oeil gauche
6. Oeil droit
Special guests on these recordings:
Kyô Marchetti-Higashi (voice on Oeil centre);
Chico Antonio (voice on Panthère d’Erebo);
Mori Shinge (cello on Oeil gauche)
Mastered by Thomas Poussereau at Altho, Lyon
Entr'acte, 2011
[post_title] => Triptyque de l'oeil
[post_excerpt] => This album, Yôko Higashi’s fifth as hamaYôko, features a triptych of pipe organ improvisations recorded at St Augustin’s Church in Croix Rousse, Lyon, and St Anne’s Church in Cagliari.
Higashi likens these tracks to “an old painting of a foggy landscape”. They are augmented by two silent intermissions and a fourth track, Panthère d’Erebos.
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[post_content] => Kazuyuki Kishino (KK Null) (Japan, 1961), Starquake
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[post_content] => Kazuyuki Kishino (KK Null) (Japan, 1961), Storm of Kronos
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[post_content] => SOUND OBJECT - FAR EAST/AUSTRALIA - /2/
Korean project by: Ito Lim and Young-Ae Yeon
Coordinated by Yujin Lee
Ito Lim, "N.E.W.S" : through geographical features Korea has
tried to capture many stories that we can hear only when we see
each peninsular from its farthest parts. In the hope that the
sounds of regrets and remorses coming from Korea will be conveyed
to each heart in the context of coexistence.
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[post_content] => SOUND OBJECT – FAR EAST/AUSTRALIA – /2/
Korean project by: Ito Lim and Young-Ae Yeon
Coordinated by Yujin Lee
Young-Ae Yeon "Cheongju, now and today"
Cheongju is the city of Jikji and where the first metal type was used in the world. It is a city of cutting-edge transportation having Cheongju Airport and KTX Station. The city has been selected as the city of culture for East Asia.
I was inspired by "Mooshim- chun" stream that flows through the heart of Cheongju city and wanted to express my affection and interest in my work.
I am currently working at Seowon University, the school with 47 years of tradition, as art department faculty. I am both teaching students and engaged in creative activities. I collected sound as if collecting the air of Cheongju city and worked on sound project called " Cheongju, now and today".
"Cheongju, now and today" is the time of meeting in my life in Cheongju where I am living today.
Waking up in the morning... going for a walk in early morning and listening to birds chirpping and the sound of the wind... going to school and talking to students... sometimes going outdoor for MT trip to hear the laughters of youth... stopping by at Ancient Printing Museum... or going to the nearby airport to listen to the sound from the sky... collecting the noises of the cars driving by the tree-lined street and the racing sound of fast running train from the KTX station.
The quiet sound of air just before the train arrives and the wind that blows after the train passes.
And Mushimchun stream.
I am feeling the wind in order to store the air of Mushimchun stream during the early morning walk.
Dawn. The sound of birds chirpping in the midst of clear air of the early dawn as day breaks and the stream water flowing is waking the sun up to rise.
2014.10.5. Writer's Note
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[post_content] => L-R, 2005
[a checkpoint diary)
2 audio channels, english, 25 minutes
Left channel (recorded in Jerusalem): a young israeli tells about his daily routine while serving as an officer in occupied territories.
Right channel (recorded in Bethleem): 2 young palestinian brothers in Bethleem depict their daily life and ID controls routine.
Both interviews were edited in order to create topic or situations correspondences between the contents of both testimonies. The work forces the listener to switch from a channel to another as human brain has difficulty to focus on two language stimuli at the same time. It is meant to be an allegory of the wall between Israel and the occupied territories.
This work has been presented at the group show:
“ID Trouble”
cur. Zoran Eric
Nurture Gallery, New-York City, 2005
In 2013, in Batroun, Lebanon, it's presentation has been censored by the art space where it was supposed to be played.
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[post_content] => BoyGeorgeMichaelJacksonPollock, 2008-2012
This work is part of the dyptic ROBERTBARRYWHITESTRIPES / BOYGEORGEMICHAELJACKSONPOLLOCK
3 versions exist as follows:
------------------
The first version of this work was presented in Melbourne in the group show
"The Invisible Generation"
A Vision Forum project devised by Per Hüttner and Daniele Balit
Margaret Lawrence Gallery
Melbourne, Australia, 2009
it consists on the following written instruction:
Boy George Michael Jackson Pollock
score for turntables, cd players and mixer - do a live sound dripping in a Pollock style using records and cds of the aforementioned musicians
This first version was also presented in the group show
"(In)visible Dialogues"
Cur. Per Hüttner
Konstakademien, Stockholm, 2011
------------------
The second version of this work consisted in an embossed print, black on black, 50 x 65 cm, edition of 3
This second version was presented in the solo show by Samon Takahashi
"Le choix du titre est un faux problème"
CNEAI, Paris, 2011
------------------
The third version of this work is a sound work part of the dyptic ROBERTBARRYWHITESTRIPES / BOYGEORGESMICHAELJACKSONPOLLOCK
Pt.2 - BOYGEORGESMICHAELJACKSONPOLLOCK
Audio stereo, 03' 54"
[fragments of songs from Boy George, Georges Michael and Michael Jackson are "decomposed" in a Jackson Pollock's dripping manner]
This third version was commissioned for the group show
"Soundworks"
ICA, London, 2012
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[post_content] => Sillons Impurs
Samon Takahashi, 2007
Audio work
audio stereo, 9 min 19 sec
(trans: Impure Furrows)
Sound collage of 16 versions of La Marseillaise
Created for the group exhibition
'je m'voyais déjà',
Cur. Pierre Leguillon
Passage de Retz, Paris, 2007
This work has been presented in a mono version at
"Forte Piano : le forme del suono
Cur. Achille Bonito Oliva
Auditorium Parco della Musica, Rome, 2012
---------------------------------
Original sound sources:
- Claude-Joseph Rouget de Lisle, la Marseillaise, chant de guerre de l’armée du Rhin (orchestration H. Berlioz, 1830)
- Claude-Joseph Rouget de Lisle, la Marseillaise, (orchestration F.-J. Gossec)
- Claude-Benigne, Balbastre, Marche des Marseillois/Ca ira
- Robert Schumann, Die beiden Grenadiere op. 49 n° 1
- Piotr Iliytch Tchaïkovski, Ouverture 1812 op. 49
- Claude Debussy, Feux d’artifice, (Préludes pour piano, livre 2)
- Django Reinhardt et Stéphane Grapelli, la Marseillaise
- Karlheinz Stockhausen, Hymnen (Région 1)
- Serge Gainsbourg, Aux armes et caetera
- Rouget de Lisle / Jean-Loup Longnon, la Marseillaise
- Rouget de Lisle / Henri Agnel / Zaïna Mektoub, Al Marseillaise
- Rouget de Lisle / -Jacky Terrasson, la Marseillaise
- Rouget de Lisle / -P.V, la Marseill’house
- Wolfang Amadeus Mozart, Concerto pour piano n° 25 (début du 1er mouvement)
- Albert Ayler, Spirit Rejoice
- Santiago Serra, The first verses of the Marseillaise played uninterruptedly for one hour
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hamaYôko
Triptyque de l’oeil
CD (E99)
1. Oeil centre
2. Silence
3. Panthère d’Erebos
4. Silence
5. Oeil gauche
6. Oeil droit
Special guests on these recordings:
Kyô Marchetti-Higashi (voice on Oeil centre);
Chico Antonio (voice on Panthère d’Erebo);
Mori Shinge (cello on Oeil gauche)
Mastered by Thomas Poussereau at Altho, Lyon
Entr'acte, 2011
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