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She received a Master of Fine Arts in Time Arts from the School of the Art Institute of Chicago and is currently an Associate Professor of Film and Media at Hunter College. Polli's work addresses issues related to science and technology in contemporary society. Her projects often bring together artists and scientists from various disciplines. She has exhibited, performed, and lectured nationally and internationally. She is currently working in collaboration with meteorological scientists to develop systems for understanding storms and climate through sound. For this work, she has been recognized by the UNESCO Digital Arts Award 2003 and has presented work in the 2004 Ogaki Biennale in Gifu, Japan and at the World Summit on the Information Society in Geneva, Switzerland. Her work in this area has also been presented at Cybersonica at the ICA in London and awarded funding from the New York City Department of Cultural Affairs and the Greenwall Foundation. As a member of the steering committee for New York 2050, a wide-reaching project envisioning the future of the New York City region, she is currently working with city planners, environmental scientists, historians and other experts to look at the impact of climate on the future of human life both locally and globally. She has recently presented the installation and digital print project The Fly's Eye, (2002) which creates a live movement and light analysis and deconstruction of the video image, at Le Centre de production DAÏMÕN in Quebec, the Politecnico di Milano University in Milan, Italy, at The Kunstgewerbe Museum in Berlin, Germany, at The Aronoff Center in Cincinnati, OH, at Apex Gallery in New York City, at the V Salón y Coloquio Internacional de Arte Digital in Havana, Cuba, and at SIGGRAPH '03 in San Diego among other venues. Polli's longest running performance project, Intuitive Ocusonics, a system for performing sound using eye movements, began in 1996 and has been shown at V2 in Rotterdam, Holland; at the N-Space Art Gallery of SIGGRAPH '01 in Los Angeles, CA; at the Subtle Technologies Conference at the University of Toronto, Canada; and at Immedia, at the University of Michigan. Other performances and presentations include: The Monaco Danses Dances Forum, Monaco; ISEA, International Symposium on Electronic Art, Paris France; Invencao, Sao Paolo; and Imagina 98, Monaco. To support this work and the production of an Audio CD, Active Vision, she was awarded a 1999 artist's residency at The iEAR Institute at Rensellaer Polytechnic, a Harvestworks Recording Production Grant in New York, an Artist's Residency at The Center for Research in the Computing Arts at The University of California at San Diego, and a residency at Franklin Furnace in New York as part of The Future of the Present. She has also shown this work in venues throughout New York City, Chicago and the Midwest; in San Francisco, and in Finland, Iceland, Germany, Sweden, Greece, and the Phillipines. Her performance work and research is documented in the article Active Vision in the October 1999 issue of The Leonardo Journal. A retrospective article about her work from 1991-1998, Virtual Space and the Construction of Memory, is published in the Spring 98 issue of The Leonardo Journal. (11) Hunter College,Film+Media 695 Park Avenue NY, NY 10021 [post_title] => Retina Burn [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => retina-burn [to_ping] => [pinged] => [post_modified] => 2017-03-07 13:46:26 [post_modified_gmt] => 2017-03-07 12:46:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2324 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 23 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2357 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Radio Trip [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => radio-trip [to_ping] => [pinged] => [post_modified] => 2014-09-11 18:39:59 [post_modified_gmt] => 2014-09-11 16:39:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2357 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 57 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2389 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Ti amo [post_excerpt] => supporto di fruizione CD e MC durata performance variabile [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ti-amo [to_ping] => [pinged] => [post_modified] => 2014-09-11 18:48:06 [post_modified_gmt] => 2014-09-11 16:48:06 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2389 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 89 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2422 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Dirty Dad [post_excerpt] => Steve Piccolo -Born 1954 New Hampshire USA. School and college in New York (Bard College, New York University). Now lives in Milan, Italy. After studies in New York (Roswell Rudd, Charlie Haden) he began his professional career in the early 1970s playing standup bass in jazz groups. Toward the end of the Seventies he founded, together with John and Evan Lurie, Arto Lindsay and Tony Fier, the group The Lounge Lizards. For five years or so the group performed all over the world, including international festivals and important venues. Their first LP (now CD, Virgin), published in 1981, continues to sell quite a few copies each year. In parallel with his activity as a jazz instrumentalist, Steve worked in the world of pop music, writing songs and lyrics. After having published two LPs under his name (Domestic Exile, Adaptation) in the early eighties (US, France, Italy, still available in Italy from Materiali Sonori) he began working with songwriters and producers on an international level. He began to spend more time in Italy, working with producers like Giancarlo Bigazzi, Caterina Caselli, the La Bionda brothers, Claudio Fabi, Toto Savio. He wrote songs for artists like Raf, I Righiera, Umberto Tozzi, Alberto Fortis and many others. The song “Self Control” written by Bigazzi-Riefoli-Piccolo (1984) with lyrics by Steve sold many millions of copies, reaching number one on charts all over the world. During the second half of the eighties he lived almost exclusively in New York, writing songs and music for theater. His favorite production from the time was “Ambition” by the company “Love Theater” (Peter Halasc, ex Squat Theater, the company with which Steve worked in the early 1980s), seen at the La Mama theater in New York. In the 1990s he moved to Milan and published two CDs with the collaboration of Italian and American musicians: “Hilarity Workshop” (Underground Records, Bologna, 1997) and “Bitter Pill”(Cox 18 Music, Milan, 1999-2000). His songs were included in compilations published by Sony and EMI, and a number of compilations in the United States). Starting in 1995 he returned to frequent live concert activity, playing festivals and theaters in Italy and around Europe with different line-ups, including Italian musicians (jazzmen Giancarlo Locatelli and Filippo Monico), members of new ‘rock’ groups (Massimo Volume, Afterhours, Rosso Maltese) and renowned artists from New York (Elliott Sharp, Zeena Parkins). For the record company Mescal (dist. Polygram) he produced the CD “Da Qui” by the group “Massimo Volume”. Work with the group continued in 2001 with a concert tour in which Steve also performed on voice, bass and rhodes. Since 1999-2000 his research has focused on the major project The Expedition, a narrative-musical work with many different parts, specifically developed for each city or venue in which it is performed, using the sounds of that city. In the early versions there were as many as 12 musicians on stage, theater sets were utilized, but without video images. After the debut at CS Leoncavallo in Milan and the version prepared for the festival Brescia MusicArte (both in 1999), the show was broken down into modules for separate development. Live work continued in duo with Luca Gemma with “The Secret Diaries of Bruce Chatwin”, at the festival Frontiere in Milan in 1999. This show was later seen in festivals in Pisa and Livorno in summer 2000. DJ-composer Gak Sato (from Tokyo) joined the project in 2000, in the show “Songs about Danger”. For the first time video images were introduced in the concerts, by Armin Linke. This piece was presented at the festival Frontiere in Milan in 2000, and developed at CS Cox 18 Milan a few months later. The project then evolved into a new Expedition. The first results were heard in “Getting Ready for the Expedition” in Venice, for the concert series Off Risonanze, and in Catania at Mercati Generali. Two of the pieces developed for this show became part of the CD by Gak Sato, “Tangram”, published in 2001 by Temposphere Records. From 21 March (premiere at Radio Popolare in Milan) to 15 July 2001 the new version “Expedition/Dérive” was performed in museums, cultural centers and festivals (Milan, Sesto San Giovanni, Catania, Mestre, other cities). In summer 2001 the urban sounds archive assembled by Sato and Piccolo began to produce many new compositions. New videos were also added, working in collaboration with the visual artist Luca Pancrazzi. The work was presented in the context of the MilanoFilmFestival at Piccolo Teatro Studio in Milan, 22 Sept 2001, under the title “Effetto cinema: musica alla deriva”. The collaboration with Elliott Sharp has continued for many years now, including a performance at Teatro Fondamenta Nuova in Venice 26 November 2001, in a duo entitled “Songs from the Frozen Zone”. After a positive experience at the Milan Polytechnic in the summer of 2001, in which the students recorded the sounds of the city to construct a performance and an urban sound map, Piccolo-Sato-Gemma with special guest Elliott Sharp did a concert and workshop at the IUAV architecture institute in Venice on 30 November 2001. The concert “Expedition/Dérive” was included in the series “Suoni e Visioni” in Milan, 11 March 2002 at Teatro di Portaromana, in a complete version with set design, special guest Elliott Sharp and new videos by Janene Higgins, Armin Linke-Paola Di Bello and Luca Pancrazzi. Steve performed on guitar, bass and vocals in the tour for the CD Tangram by Gak Sato in 2001-2. Steve Piccolo and Gak Sato also work in the field of “sound art”, creating installations for galleries and museums. They collaborate with visual artists to realize the sound portions of more complex works. In 2002 the song Green City by Steve, arranged by Gak Sato, was published in over 250,000 copies of compilations in the US, England and Italy. Expedition/Dérive was also performed in the Central Station in Milan, 28 May 2002 (see press release in Italian). Steve and Gak prepared a sound installation and concert for the MilanoFilmFestival 2002, recording and processing the sounds of the square in front of the Piccolo Teatro (22 Sept 2002). Steve participated in the project of Auditorium Records and MMT “A Year for Cage”, a one-year series of initiatives on John Cage, with the first concert at Teatro OutOff in Milan 27 Sept 2002, later at Radio Popolare. This project has evolved into the group Full Metal Cage Collective. Steve co-wrote and sang the title track “Spontaneous” for the recent CD by DJ-composer Painé, for Temposphere Records Spring 2003. In May 2003 Spontaneous was in the German Top 30 club charts. Steve collaborates with the radio program Remix on Rai 3, by Istituto Barlumen. With the group DE-ABC (Steve Piccolo, Gak Sato, Luca Pancrazzi), design of an urban installation, seen in the Urban Furnishings Fair of Esterni and the Isola Art Project show, both in Milan (April 2003). Steve and Gak have composed, performed and recorded many soundtracks for films and videos, including recent projects (2003) with Gabriele Di Matteo and a video on the history of the Compasso d’Oro design award for ADI. The latest video sound works have been for Adrian Paci, Ivo Bonacorsi and A Constructed World. Participation in the Isola Art Project, an initiative of a group of artists and critics to save an abandoned factory surrounded by two parks in a cool neighborhood in Milan and make it into a contemporary art center, instead of the shopping center fashion promo speculation planned by the city. Steve and Gak have recorded a one-hour program for WPS1 Art Radio (NY), entitled "Expedition". Steve and Gak are back again on the faculty for 2004-5 (their third year) at Accademia Carrara of Bergamo, teaching a course on "sound design". Steve will also teach the Sound section of the university course on "new techniques of art". GAK SATO was born in Tokyo in 1969. In 1994 he created the band Diet Music in Tokyo. In 1999 he became Artistic Director of TEMPOSPHERE, the contemporary music label of Right Tempo Records in Milan. His debut album POST-ECHO (Temposphere, 1999) immediately led to contacts with other producers such as Amon Tobin, Kid Loco and United Future Organization for artistic collaborations. Gak has participated on various remix projects (Easy Tempo Experience) with the Easy Tempo label (which reissues and remixes Italian soundtracks of the 60s and 70s). Successes include remixes of compositions by some of the greatest Italian masters of film music such as Piero Umiliani, Armando Trovajoli, Piero Piccioni and Lesiman (Motore a Ioni, Mah Nà Mah Nà, Lady Magnolia, all composed by Umiliani, Masquerade by Trovajoli). In these projects he has worked alongside the likes of Rainer Truby, Kid Loco, DJ Vadim, Cinematic Orchestra, Raphael Sebbag (UFO), Beanfield and Galliano (Underhead). In 1999 Gak Sato released a new single featuring Hip Wagging-Foot Shuffling remixed by Amin Tobin (Ninja Tune) along with a version of the great Metti una sera a cena by Ennio Morricone performed together with Alessandro Alessandroni on vocals. In 2001 Gak released his second album TANGRAM (Temposphere). On this record he makes less use of samples, getting some of the best Italian jazz musicians involved in compositions that blend the techniques of contemporary production with the talent of great improvisers. The title track Tangram has been issued in a remix by the producer Yukihiro Fukutomi and features the trumpet artistry of Nargo (from Tokyo Ska Paradise Orchestra). The track Green City is Gak’s version of a song by Lounge Lizards co-founder Steve Piccolo, with guest vocals by Piccolo himself. This track has been featured on many compilations in the US and Europe. Gak Sato’s live performances include the Tangram Tour with Steve Piccolo and Pepe Ragonese joining him in a live trio with video (2002 in Portugal, London, Monte Carlo, Italy) and evenings together with turntable masters like Gilles Peterson, Rainer Trüby, Pizzicato Five, Kid Loco and many others. He also performs in Steve Piccolo’s Expedition concerts on programming, keyboards, theremin and percussion, and is co-producer of the new Expedition CD. He has worked with Steve Piccolo on sound art installations in collaboration with leading visual artists and photographers. Since 2002 he is professor of Techniques of Sound in Art at the Accademia Carrara fine arts academy of Bergamo. He is participating in the John Cage tribute “A Year from Cage”, a one-year series of events and performances organized by MMT and Auditorium. Recent collaborations include projects in New York and France, gallery performances, radio shows. per steve piccolo vedi anche il n. arch. 133 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2422 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 123 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2454 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CD Heckle [post_title] => Senza titolo [post_excerpt] => Matteo Pittoni is Italian and born in 1976. He has a background in rock music but has worked his way through many different musical genres. At present he is especially concerned with ethnic music, and he produces sound for the theater. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2454 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 155 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2486 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Lab (track 2) [post_excerpt] => C.P.: ZATAN VUKOSALIEVIC n. arch. 103 traccia 2 – rumori di acqua elaborati elettronicamente, scanditi ciclicamente da ritorni di percussioni. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2486 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 188 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2518 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Dépaysements è una serie di lavori per strumento solo e per voce e pianoforte dedicati ad incontri tra la musica contemporanea e le tradizioni extra-europee. TT: 69' 42". Dépaysements è un lavoro di sfioramenti, marginalità e sconfinamenti. La traccia em,ozionale che lo attraversa è una permanente condizione di deriva o naufragio di un paesaggio nelll'altro. Si gioca l'inserimento di suggestioni geografiche in un sistema centrifugo dove, scivolando semanticamente, ognuna di questa si sottrae all atrappola della definizione o non definizione di sé. L'"artificio delle temporalità" tra musica colta occidentale e il dato extraeuropeo, con la sua diversa percezione della storia, ispira l'intero ciclo per un convivere di identità stimolate al movimento non solo dalla trama delle storie del passato ma anche e soprattutto da sempre più compromettenti e politiche ipotesi di futuro. Il CD "Dépaysements" si compone di 10 tracce: 1: Maftir (2003) per viola da gamba sola, 6' 46", viola Hille Perl; 2: Mizmor (1999) per pianoforte solo, 4' 48", pianoforte Cristina Barbuti; 3- 6: Le divan oriental-occidental (2002) Quatre chansons pour voix et piano, soprano Linda Campanella, pianoforte Cristina Barbuti 3: Ad'h'â at--tanâ'i (testo di Ibn Zaydun), 7' 14"; 4: Gestern mittags (testo di R. M. Rilke), 4' 59"; 5: Gingo biloba (testo di J. W. Von Goethe), 6'07"; 6: L'âme que l'amour ne connaît (testo di Rûmi), 4' 49"; 7: Dhil (2004) per contrabasso solo, 7' 59", contrabasso Willy Merz; 8: Pardes (2003) per percussione sola, 13' 34", percussioni Thierry Miroglio; 9 Dung (1998) per faagotto solo, 5' 33", fagotto Diego Chenna; 10: Reng (2003) per viola sola, 7' 48", viola Danilo Rossi. [post_title] => Dung [post_excerpt] => Willy Merz è compositore, direttore d'orchestra e contrabbassista. Diplomatosi in Contrabasso e in Composizione presso il Conservatorio di Torino e in Direzione d'Orchestra presso il Conservatorio di Milano, si è perfezionato all'Accademia Chigiana di Siena con Franco Donatoni, all'IRCAM di Parigi e con Fernand Leitner in Direzione d'Orchestra. Nel 2003 è stato preiato dal "Councours international de Composition" di Friburgo. Sue composizioni sono abitualmente eseguite in importanti Festivals europei e diffuse su France Culture, Suedwest Rundfunk e RAITRE. Nel 2003 la sua opera "Ulysses" è stata eseguita presso il Teatro Colòn di Buenos Aires. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2518 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 221 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2550 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => The air underneath [post_excerpt] => Fa parte del CD "Cécile"; T.T. 60' 18". Copyright: Kaffe Matthews 1999 Edited, mixed and mastered by km at Annette Works, Top floor, 11-29 Fashion Street, London E1 6PX. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2550 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 253 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 9850 [post_author] => 2 [post_date] => 2015-01-08 16:29:41 [post_date_gmt] => 2015-01-08 15:29:41 [post_content] => [post_title] => Konan (de Fukushima) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => konan-de-fukushima [to_ping] => [pinged] => [post_modified] => 2015-01-08 16:31:30 [post_modified_gmt] => 2015-01-08 15:31:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://www.radioartemobile.it/?post_type=sounds&p=9850 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1233 [max_num_pages] => 124 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 415a392d725085ac59ac7bb9e4ab2dcd [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )
Lab (track 2)

Zlatan Vukosavljevic, Andris Vilcans, Daniel Petronijevic

Lab (track 2)

2004