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) GROUP BY wp_posts.ID ORDER BY wp_posts.post_date DESC LIMIT 10, 10 [posts] => Array ( [0] => WP_Post Object ( [ID] => 9850 [post_author] => 2 [post_date] => 2015-01-08 16:29:41 [post_date_gmt] => 2015-01-08 15:29:41 [post_content] => [post_title] => Konan (de Fukushima) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => konan-de-fukushima [to_ping] => [pinged] => [post_modified] => 2015-01-08 16:31:30 [post_modified_gmt] => 2015-01-08 15:31:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://www.radioartemobile.it/?post_type=sounds&p=9850 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [1] => WP_Post Object ( [ID] => 9846 [post_author] => 2 [post_date] => 2015-01-08 16:20:53 [post_date_gmt] => 2015-01-08 15:20:53 [post_content] => [post_title] => U chu Jin (les etres en dehors de la Terre) [post_excerpt] => 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http://orangepixel.it/zerynthia/?post_type=sounds&p=2484 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 186 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2516 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Dépaysements è una serie di lavori per strumento solo e per voce e pianoforte dedicati ad incontri tra la musica contemporanea e le tradizioni extra-europee. TT: 69' 42". Dépaysements è un lavoro di sfioramenti, marginalità e sconfinamenti. La traccia em,ozionale che lo attraversa è una permanente condizione di deriva o naufragio di un paesaggio nelll'altro. Si gioca l'inserimento di suggestioni geografiche in un sistema centrifugo dove, scivolando semanticamente, ognuna di questa si sottrae all atrappola della definizione o non definizione di sé. L'"artificio delle temporalità" tra musica colta occidentale e il dato extraeuropeo, con la sua diversa percezione della storia, ispira l'intero ciclo per un convivere di identità stimolate al movimento non solo dalla trama delle storie del passato ma anche e soprattutto da sempre più compromettenti e politiche ipotesi di futuro. Il CD "Dépaysements" si compone di 10 tracce: 1: Maftir (2003) per viola da gamba sola, 6' 46", viola Hille Perl; 2: Mizmor (1999) per pianoforte solo, 4' 48", pianoforte Cristina Barbuti; 3- 6: Le divan oriental-occidental (2002) Quatre chansons pour voix et piano, soprano Linda Campanella, pianoforte Cristina Barbuti 3: Ad'h'â at--tanâ'i (testo di Ibn Zaydun), 7' 14"; 4: Gestern mittags (testo di R. M. Rilke), 4' 59"; 5: Gingo biloba (testo di J. W. Von Goethe), 6'07"; 6: L'âme que l'amour ne connaît (testo di Rûmi), 4' 49"; 7: Dhil (2004) per contrabasso solo, 7' 59", contrabasso Willy Merz; 8: Pardes (2003) per percussione sola, 13' 34", percussioni Thierry Miroglio; 9 Dung (1998) per faagotto solo, 5' 33", fagotto Diego Chenna; 10: Reng (2003) per viola sola, 7' 48", viola Danilo Rossi. [post_title] => Dhil [post_excerpt] => Willy Merz è compositore, direttore d'orchestra e contrabbassista. Diplomatosi in Contrabasso e in Composizione presso il Conservatorio di Torino e in Direzione d'Orchestra presso il Conservatorio di Milano, si è perfezionato all'Accademia Chigiana di Siena con Franco Donatoni, all'IRCAM di Parigi e con Fernand Leitner in Direzione d'Orchestra. Nel 2003 è stato preiato dal "Councours international de Composition" di Friburgo. Sue composizioni sono abitualmente eseguite in importanti Festivals europei e diffuse su France Culture, Suedwest Rundfunk e RAITRE. Nel 2003 la sua opera "Ulysses" è stata eseguita presso il Teatro Colòn di Buenos Aires. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2516 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 219 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2548 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Fa parte del CD "Cécile"; T.T. 60' 18". Copyright: Kaffe Matthews 1999 Edited, mixed and mastered by km at Annette Works, Top floor, 11-29 Fashion Street, London E1 6PX. [post_title] => My love gave me a blue plastic watch (track 12) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2548 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 251 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2580 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Fa parte del CD "Bea"; T.T. 69' 19". Copyright: Kaffe Matthews 1998 Remixed and produced by km at Annette Works, 47 Margetson House, Stamford Hill, London N16 5LE. R.G.: Kaffe Matthews “CD Bea” – archivio SAM n. 123/c 26 tracce, compl. 70’26” Lavoro strutturalmente molto simile al precedente (123.a), forse ancora più “musicale” che “concreto”. Stesso giudizio. [post_title] => The Red Room [part two] (track 25) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2580 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 283 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2612 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Fa parte del CD "dd"; T.T.67' 33". Copyright: Kaffe Matthews 2000. Mixed and edited by km at Annette Works. [post_title] => The last of the violins (track 14) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-last-of-the-violins-track-14 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:17 [post_modified_gmt] => 2014-09-25 10:34:17 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2612 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 315 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2644 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Track 6 del CD "Canoni Pitagorici"; T. T.: 49' 41". A.C.T. played by David Cossin. [post_title] => Canone pitagorico ø5 [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => canone-pitagorico-o5 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:20 [post_modified_gmt] => 2014-09-25 10:34:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2644 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 349 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2676 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 73.a, 190.2 [post_title] => Intervento inabituale [post_excerpt] => Steve Piccolo -Born 1954 New Hampshire USA. School and college in New York (Bard College, New York University). Now lives in Milan, Italy. After studies in New York (Roswell Rudd, Charlie Haden) he began his professional career in the early 1970s playing standup bass in jazz groups. Toward the end of the Seventies he founded, together with John and Evan Lurie, Arto Lindsay and Tony Fier, the group The Lounge Lizards. For five years or so the group performed all over the world, including international festivals and important venues. Their first LP (now CD, Virgin), published in 1981, continues to sell quite a few copies each year. In parallel with his activity as a jazz instrumentalist, Steve worked in the world of pop music, writing songs and lyrics. After having published two LPs under his name (Domestic Exile, Adaptation) in the early eighties (US, France, Italy, still available in Italy from Materiali Sonori) he began working with songwriters and producers on an international level. He began to spend more time in Italy, working with producers like Giancarlo Bigazzi, Caterina Caselli, the La Bionda brothers, Claudio Fabi, Toto Savio. He wrote songs for artists like Raf, I Righiera, Umberto Tozzi, Alberto Fortis and many others. The song “Self Control” written by Bigazzi-Riefoli-Piccolo (1984) with lyrics by Steve sold many millions of copies, reaching number one on charts all over the world. During the second half of the eighties he lived almost exclusively in New York, writing songs and music for theater. His favorite production from the time was “Ambition” by the company “Love Theater” (Peter Halasc, ex Squat Theater, the company with which Steve worked in the early 1980s), seen at the La Mama theater in New York. In the 1990s he moved to Milan and published two CDs with the collaboration of Italian and American musicians: “Hilarity Workshop” (Underground Records, Bologna, 1997) and “Bitter Pill”(Cox 18 Music, Milan, 1999-2000). His songs were included in compilations published by Sony and EMI, and a number of compilations in the United States). Starting in 1995 he returned to frequent live concert activity, playing festivals and theaters in Italy and around Europe with different line-ups, including Italian musicians (jazzmen Giancarlo Locatelli and Filippo Monico), members of new ‘rock’ groups (Massimo Volume, Afterhours, Rosso Maltese) and renowned artists from New York (Elliott Sharp, Zeena Parkins). For the record company Mescal (dist. Polygram) he produced the CD “Da Qui” by the group “Massimo Volume”. Work with the group continued in 2001 with a concert tour in which Steve also performed on voice, bass and rhodes. Since 1999-2000 his research has focused on the major project The Expedition, a narrative-musical work with many different parts, specifically developed for each city or venue in which it is performed, using the sounds of that city. In the early versions there were as many as 12 musicians on stage, theater sets were utilized, but without video images. After the debut at CS Leoncavallo in Milan and the version prepared for the festival Brescia MusicArte (both in 1999), the show was broken down into modules for separate development. Live work continued in duo with Luca Gemma with “The Secret Diaries of Bruce Chatwin”, at the festival Frontiere in Milan in 1999. This show was later seen in festivals in Pisa and Livorno in summer 2000. DJ-composer Gak Sato (from Tokyo) joined the project in 2000, in the show “Songs about Danger”. For the first time video images were introduced in the concerts, by Armin Linke. This piece was presented at the festival Frontiere in Milan in 2000, and developed at CS Cox 18 Milan a few months later. The project then evolved into a new Expedition. The first results were heard in “Getting Ready for the Expedition” in Venice, for the concert series Off Risonanze, and in Catania at Mercati Generali. Two of the pieces developed for this show became part of the CD by Gak Sato, “Tangram”, published in 2001 by Temposphere Records. From 21 March (premiere at Radio Popolare in Milan) to 15 July 2001 the new version “Expedition/Dérive” was performed in museums, cultural centers and festivals (Milan, Sesto San Giovanni, Catania, Mestre, other cities). In summer 2001 the urban sounds archive assembled by Sato and Piccolo began to produce many new compositions. New videos were also added, working in collaboration with the visual artist Luca Pancrazzi. The work was presented in the context of the MilanoFilmFestival at Piccolo Teatro Studio in Milan, 22 Sept 2001, under the title “Effetto cinema: musica alla deriva”. The collaboration with Elliott Sharp has continued for many years now, including a performance at Teatro Fondamenta Nuova in Venice 26 November 2001, in a duo entitled “Songs from the Frozen Zone”. After a positive experience at the Milan Polytechnic in the summer of 2001, in which the students recorded the sounds of the city to construct a performance and an urban sound map, Piccolo-Sato-Gemma with special guest Elliott Sharp did a concert and workshop at the IUAV architecture institute in Venice on 30 November 2001. The concert “Expedition/Dérive” was included in the series “Suoni e Visioni” in Milan, 11 March 2002 at Teatro di Portaromana, in a complete version with set design, special guest Elliott Sharp and new videos by Janene Higgins, Armin Linke-Paola Di Bello and Luca Pancrazzi. Steve performed on guitar, bass and vocals in the tour for the CD Tangram by Gak Sato in 2001-2. Steve Piccolo and Gak Sato also work in the field of “sound art”, creating installations for galleries and museums. They collaborate with visual artists to realize the sound portions of more complex works. In 2002 the song Green City by Steve, arranged by Gak Sato, was published in over 250,000 copies of compilations in the US, England and Italy. Expedition/Dérive was also performed in the Central Station in Milan, 28 May 2002 (see press release in Italian). Steve and Gak prepared a sound installation and concert for the MilanoFilmFestival 2002, recording and processing the sounds of the square in front of the Piccolo Teatro (22 Sept 2002). Steve participated in the project of Auditorium Records and MMT “A Year for Cage”, a one-year series of initiatives on John Cage, with the first concert at Teatro OutOff in Milan 27 Sept 2002, later at Radio Popolare. This project has evolved into the group Full Metal Cage Collective. Steve co-wrote and sang the title track “Spontaneous” for the recent CD by DJ-composer Painé, for Temposphere Records Spring 2003. In May 2003 Spontaneous was in the German Top 30 club charts. Steve collaborates with the radio program Remix on Rai 3, by Istituto Barlumen. With the group DE-ABC (Steve Piccolo, Gak Sato, Luca Pancrazzi), design of an urban installation, seen in the Urban Furnishings Fair of Esterni and the Isola Art Project show, both in Milan (April 2003). Steve and Gak have composed, performed and recorded many soundtracks for films and videos, including recent projects (2003) with Gabriele Di Matteo and a video on the history of the Compasso d’Oro design award for ADI. The latest video sound works have been for Adrian Paci, Ivo Bonacorsi and A Constructed World. Participation in the Isola Art Project, an initiative of a group of artists and critics to save an abandoned factory surrounded by two parks in a cool neighborhood in Milan and make it into a contemporary art center, instead of the shopping center fashion promo speculation planned by the city. Steve and Gak have recorded a one-hour program for WPS1 Art Radio (NY), entitled "Expedition". Steve and Gak are back again on the faculty for 2004-5 (their third year) at Accademia Carrara of Bergamo, teaching a course on "sound design". Steve will also teach the Sound section of the university course on "new techniques of art". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => intervento-inabituale [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:24 [post_modified_gmt] => 2014-09-25 10:34:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2676 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 381 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2709 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => The concept of multiples and doubles (the theme of this CD's) and the re-cycling of the works sometimes from many years ago is a process that began in the early nineties and co-incided with three artist colony sojourns. First at Mac dowell Colony, then at Yaddo Colony and last at the Headlands center. The reflective look over an entire oeuvre became a mechanism that accelerated. At first it consisted of the Cageian gloss of playing entire works with other works, either simoultaneously on top of each other or sequentially in parts or sections. Then with digital network musics and the home computer came the text-radio works, creating new sound designs, playing them with old often ambient analog tape works. Finally the process became quite complex using simulation and photo-real aural sound soundscape in creating sonic atmospheres and doubles of all kinds. This De Chirico-like aping of former material has became quite developed and culminates in the Wave Fugue. [post_title] => Chorale Injured Bird/Multiple [post_excerpt] => Rocco Di Pietro was born in Buffalo, New York in 1949. He studied composition and piano with Hans Hagen and Lukas Foss in Buffalo and at the Berkshire Music Center, Tanglewood. He studied in New York and Darmstadt with Bruno Maderna and was a freelance composer for twenty years before earning degrees from SUNY Buffalo and Vermont College. He became an interdisciplinary adjunct professor teaching in prisons and on many college campuses throughout New York, Ohio, and California. He toured California prisons as artist-in-residence and conducted four years of interviews in Chicago with Pierre Boulez. The resulting book, DIALOGUES WITH BOULEZ, was recently published by Scarecrow Press. He composed Prison Dirges I for the Kronos String Quartet. Di Pietro's music has been performed by many musicians in venues throughout the world. These include: Christiane Edinger, Christobal Halffter, Lukas Foss, Julius Eastman, Bruno Maderna, Frances Marie Uitti, Yvar Mikhasoff, Jan Williams, Anthony Miranda, Gunther Schuller, Dennis Russell Davies, the Buffalo Philharmonic Chamber Orchestra, The Brooklyn Philharmonic, the Bavarian Radio Orchestra, Pro Musica Chamber Orchestra, CETA Orchestra, Ojai Ensemble Sonor, St. Paul Chamber Orchestra, Columbus Wind Orchestra, Earlham String Orchestra, the Avant Collective, and the Madd Lab Orchestra. Venues include: The Kitchen, La Mama, Bang On A Can Festival, in New York, Contemporary Music Society of Seoul, South Korea and American Academy in Rome among others. Recent performances of LOST have been featured at Dartmouth College and Stanford University. Recently, his work has developed on several fronts. Sound text radio works have developed simultaneously with his teaching at Columbus State College of electronic music and other courses in the Humanities. These works have been broadcast on radio stations in Seattle, Chicago, Baltimore, Detroit, New York and in Europe, in Naples, Rome, Vienna, Prague, Budapest etc. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => chorale-injured-birdmultiple [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:27 [post_modified_gmt] => 2014-09-25 10:34:27 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2709 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 414 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 9850 [post_author] => 2 [post_date] => 2015-01-08 16:29:41 [post_date_gmt] => 2015-01-08 15:29:41 [post_content] => [post_title] => Konan (de Fukushima) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => konan-de-fukushima [to_ping] => [pinged] => [post_modified] => 2015-01-08 16:31:30 [post_modified_gmt] => 2015-01-08 15:31:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://www.radioartemobile.it/?post_type=sounds&p=9850 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1233 [max_num_pages] => 124 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 415a392d725085ac59ac7bb9e4ab2dcd [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )