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He is known for his solo constructions in real-time synthesis as well as his ground-breaking work in computer network bands. Bischoff's music is built from intrinsic features of the electronic medium: high definition noise components, tonal edges, imperfections, transitions, digital shading, and non-linear motion. Through empirical play and investigation he builds pieces that can be described as sonic sculptures, shaped in real-time and present for the duration of a performance. Recently, he has fashioned pieces that combine electronically-triggered bells with synthetic computer sounds. In such works bells are distributed around the performance space in a pattern distinct from the speaker locations. His idea is to disperse the sense of source in electronic music to release the music from being trapped in the speaker enclosure while highlighting the beauty of speaker-transmitted sound at the same time. Bischoff studied composition with Robert Moran,  James Tenney, and Robert Ashley. He has been  active in the experimental music scene in the San  Francisco Bay Area for over 25 year as a composer, performer, teacher, and grassroots activist. His performances around the US include NEW MUSIC AMERICA festivals in 1981 (SF) and 1989 (NYC), Experimental Intermedia (NYC), Roulette Intermedium (NYC), and the Beyond Music Festival (LA). He has performed in Europe at the Festival d'Automne in Paris, Akademie der Kunst in Berlin, Fylkingen in Stockholm, and TUBE in Munich. He  was a founding member of the League of Automatic  Music Composers (1978), considered to be the world's first Computer Network Band, and he co-authored an article on the League's music that appears in Foundations of Computer Music; (MIT Press 1985). He was also a founding member of the network band The Hub with whom he performed and recorded from 1985 to 1996. In 1999 he received a $25,000 award from the Foundation for  Contemporary Performance Arts (NYC) in recognition of his music. Recordings of his work are available on Lovely Music, Frog Peak, and Artifact Recordings. A solo album, APERTURE, is newly released on 23FIVE INC. He is a Lecturer in Computer Music and on staff as Studios Coordinator at the Center for Contemporary Music, Mills College, in Oakland, California. 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Consegue la Maturità Artistica nel 1996 presso il Liceo Artistico A.Modigliani di Padova. Consegue nel 2003 col massimo dei voti la Laurea in Dams presso la Facolta di Lettere e Filosofia di Bologna con una tesi sull’Arte Cinetica del Gruppo N (monografia su Alberto Biasi). Consegue nel 2004 il diploma professionale di videoediting su sistemi AVID sotto la guida di Paolo Vanghetti presso l’Accademia Nazionale Arti Cinematografiche di Bologna (CINE STUDIO). Ha collaborato come redattore per le rubriche Exibart e Random Net Art. Dal 2003 e membro del collettivo IXEM (Italian eXperimental Electronic Music). Dal 1996 è impegnato sul fronte dell’arte contemporanea realizzando eventi e opere basate sulla commistione di elementi visivi (pitture, sculture, installazioni, video) e sonori (musica elettronica sperimentale). Interessato all’esplorazione estetica intorno alle molteplici sfacettature dei fenomeni fisici della realtà e della tecnologia, la sua poetica è caratterizzata da una costante tensione di ricerca verso nuove dimensioni espressive e comunicative [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => celle-elettrolitiche [to_ping] => [pinged] => [post_modified] => 2014-09-11 18:48:08 [post_modified_gmt] => 2014-09-11 16:48:08 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2410 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 110 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2442 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Resonating Mary [post_excerpt] => cd name: Alcune Composizioni by e.g.o 2001-2004 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2442 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 143 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2474 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Loving hands [post_excerpt] => Artist statement:Flávia's current work deal with setting up a relationship with the viewer by involving the viewer with something of her, and with how her intervention as a person can produce an effect in the world. Born in Brazil, Flávia completed her Associate Research Fine Art program at Goldsmiths College in 2004, where she also graduated the year previously with an MA in Fine. Between 1999 and 2002 Flávia lived in America where she received major art commissions to produce and present her artwork. Based in London since 2002, Flávia has participated in group exhibitions at Jeffrey Charles Gallery, Arch Gallery, Nth Art, and fa Projects Gallery. As part of her work, she has curated Examining My Own Practice, a group exhibition that included collaborations with Emma Kay, Jemima Stheli and four other artists concerned with performativity. Flávia also utilizes video to make her work, her project Failed, Emerging and Young is an ongoing compilation of interviews with established and emerging curators/artist-curators including Lisa Le Feuvre, Gavin Wade and Nicolas Bourriaud. The work is a subtle re-appropriation of the didactic language and the languages of documentary and interview, to subvert the art world language and the ideas of the market and art. 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Copyright: Kaffe Matthews 1999 Edited, mixed and mastered by km at Annette Works, Top floor, 11-29 Fashion Street, London E1 6PX. [post_title] => Contact C (track 2) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. 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