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At an early age, he became interested in the worlds of both music and visual art. He developed his primary medium, collage, via pieces which combined found photographs with his own drawings, and prerecorded LPs with loops and live instruments. In the 1990s, Novak performed and exhibited his work throughout the vibrant Madison café art scene. In 2000, Novak moved to Seattle and refined his methods, trading in turntables and vinyl records for a Mini Disc recorder and a laptop, in order to achieve a more in-depth style of production. Novak has released set of 5 limited edition 3-inch CDs “Three Inches for Friends”. In addition, he has produced two film soundtracks, for “Leaning” (which he also produced), and “Neptune” (produced by Brian Murphy). Both movies premiered at the Seattle Lesbian and Gay Film Festival, in 2003 and 2004, respectively. He was recently included on the compilation “People Doing Strange Things With Electricity” curated by Dorkbot-sea and released by Comfort Stand Records, and was Commissioned by the Crispen Spaeth Dance Group to score there full length piece “Fade”. Novak’s work has withstood a series of changes in method while always retaining and refining the strengths of his unique aesthetic, exploring the overlap and intersection between presence and absence, art and design, sound and music. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => miller-garden [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:15 [post_modified_gmt] => 2014-09-25 10:36:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3119 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 828 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 3151 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 184.68 [post_title] => Hope Bridge Crossing [post_excerpt] => Martin Archer was born 1957 in Sheffield, England. Sopranino, alto and baritone saxophones, bass clarinet, bass recorder, violectronics, keyboards, software instruments Since his move in the early 1990s from free jazz saxophonist to studio based electronics composer, Archer has produced a series of highly acclaimed CDs which combine electronics-based structures with written and improvised parts for brass, woodwind, strings and voices. Elements from jazz, free improvisation, contemporary classical music, electronica, and cutting edge rock music are all present within his work. Current live emphasis on solo laptop / woodwind performances, but also live and studio collaborations with all-acoustic improvising sextet ASK, laptop duo Inclusion Principle with Herve Perez, Hornweb with Charlie Collins and Derek Saw, (all represented on Discus) and as part of Gated Community, Mick Beck's 14 piece improv and compositions band. As a performer, Archer seeks to avoid the inert and inexpressive performance style inherent in much live electronic music. Archer acknowledges groups such as Faust, Henry Cow, Soft Machine and Magma as being highly influential in his work alongside Cage, Stockhausen, Feldman, and of course the school of European free improvisation. This combination of sources makes Archer a unique inhabitant of the school of English maverick composers. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hope-bridge-crossing [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:17 [post_modified_gmt] => 2014-09-25 10:36:17 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3151 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 860 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 3183 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. n. Arch. 184.38 [post_title] => Road to Satori [post_excerpt] => Detroit-based audio project Hearing Trumpet (yes, they take their name from the Leonora Carrington book) are enthusiastic Surrealists who produce Surrealist audio works of uncompromising intensity. They also have an excellent radio program called "Misanthropy 961" which is broadcast every Sunday night from midnight to 2am on CJAM 91.5 FM Windsor, Ontario (the show is also available on the WWW via real audio at the same time, check that out at http://www.uwindsor.ca/cjam/live.htm, and it appears monthly on Radio Marabu in Belm, Germany and 13 other European stations, direct your browsers to http://www.mediaDD.de/radiomarabu for more info on that). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => road-to-satori [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:20 [post_modified_gmt] => 2014-09-25 10:36:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3183 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 893 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 3216 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 184.67, 185.45 [post_title] => Nichijo [post_excerpt] => Riou Tomita started to make music in 1994 and released recordings on KK (Belgium) and Silver (Belgium). Tomita lives in Japan, making music with sampler and computers. She is member of SoundChannel (Japanese record label). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => nichijo [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:44 [post_modified_gmt] => 2014-09-25 10:36:44 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3216 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 927 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3248 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 185.21 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Primary Residue [post_excerpt] => Born in 1944. Lives and works in London. William Furlong belongs to the generation of British artists who developed a new concept of sculpture in the 1970's and 80's (Gilbert & George, Bruce McLean, Paul Richards etc.). Furlong's special contribution has been in the area of "Sound" and, with the founding of Audio Arts (together with Michael Archer) in 1973, he began a project of mapping the territory of contemporary art in a series of cassette editions. The Audio Arts project is not only a massive archive of interviews with artists but also contains documents of important exhibitions, symposia and festivals plus many original acustic works by artists. William Furlong is professor at the Wimbelton School of Art in London. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => primary-residue [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:47 [post_modified_gmt] => 2014-09-25 10:36:47 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3248 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 959 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 3280 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 185.41 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Vanilla Trace [post_excerpt] => Vergil Sharkya' studied composition at the University of Music & Performing in Vienna. Since moving to Liverpool in 1996 he has continued to crate performance-compositions, sonic architecture and poetry. Recent works include vanilla Spray, performed on the roof of a 200ft tower; Matrix, an interactive audio-visual performance-installation presented at the Liverpool Biennal for Contemporary Art: and a series of enhanced electronic composition such as Infradead - Uòltraviolent, kkriscape, ImacGING, zen,.sation, etc. Virgil lives in Liverpool with a princess from Brittany and a virtureal zoo of alter ego and split personalities. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => vanilla-trace [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:50 [post_modified_gmt] => 2014-09-25 10:36:50 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3280 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 991 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 3312 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 182.a, 183.28, 184.33 ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_title] => N.U.L.L. [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. Thomas J. Schroffenegger is a composer, musician, designer, commercial artist and teacher. Both previously played in the same punk band ten years ago. Today they work together again especially to create this piece for Trace. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => n-u-l-l [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:52 [post_modified_gmt] => 2014-09-25 10:36:52 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3312 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1024 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 3344 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 158.a.1,2,4,5; 183.59 [post_title] => oil/ starting [post_excerpt] => Scanner - British artist Robin Rimbaud - traverses the experimental terrain between sound, space, image and form, creating absorbing, multi-layered sound pieces that twist technology in unconventional ways . From his early controversial work using found mobile phone conversations, through to his focus on trawling the hidden noise of the modern metropolis as the symbol of the place where hidden meanings and missed contacts emerge, his restless explorations of the experimental terrain have won him international admiration from amongst others, Bjork, Aphex Twin and Stockhausen. Scanner is committed to working with cutting edge practitioners and has collaborated with artists from every imaginable genre: musicians Bryan Ferry and Laurie Anderson, The Royal Ballet and Random Dance companies, composers Michael Nyman and Luc Ferrari, and artists Mike Kelley and Derek Jarman. As well as producing compositions and audio CDs, his diverse body of work includes soundtracks for films, performances, radio, and site-specific intermedia installations. He has performed and created works in many of the world's most prestigious spaces including SFMOMA USA, Hayward Gallery London, Pompidou Centre Paris, Kunsthalle Vienna, Bolshoi Theatre Moscow, Tate Modern London and the Royal Opera House London. Paul Farrington, AKA TONNE This prize-winning visual artist and designer has made visible the work of Scanner, Pole and Spring Heel Jack among others, linking sound with visuals that vary between elegantly simple lines to multiple layers of superimposed imagery. Tonne's interactive sound interfaces allow music to be produced as responses to the movement of graphics, and vice-versa. By manipulating sound utilities, Tonne builds toys, games, interactive environments and soundbanks. Developing and producing controlled systems for sound and image interaction, Tonne has performed live at Sonar (Barcelona 2000), FCMN (Montréal), Expanded Cinema (Milan), Lovebytes (Sheffield), and Steim (Amsterdam). Tonne was awarded Creative Review's Creative Futures Up-And-Coming Graphic Designer of 1999. Recently Tonne has been commissioned by the music label Meta to release recordings of his sound toys. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => oil-starting [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:55 [post_modified_gmt] => 2014-09-25 10:36:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3344 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1056 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 3376 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Baleani [post_excerpt] => Stephen Gard is Australian and born in 1952. He is a freelance-composer and sound artist with a special interest in the potential of the technical breakdown in all sorts of electronic instruments. Gard already as a teenager experimented with tape and sound collages, and today he works with field recordings creating compositions in the genre of musique concrète. Gard has participated in electronic music concerts and festivals throughout Australia and New Zealand. Technical Breakdown is an international sound art exhibition, which took place uin the public space of Cophenagen, denmark in November 2005 - January 2006. The exhibition consists of 5 different listening posts presenting 30 sound works by artists from 10 different countries.The sound art exhibition Technical Breakdown takes as its starting point the chaotic and unpredictable field of communication in which misunderstanding and the unspeakable take on a life of their own. The exhibition encourages "a grant of self conduct" practice, setting loose sounds and feedback from all spheres making it possible for them to diffuse and mingle into the sound-scapes we inhabit.The exhibition consists of 5 different listening posts, eahc presenting its own perpective pn the error. The listening posts introduce the audience to a numebr of unique sound worlds, using the technical breakdown itself as a strategy to give voice and body to that which would not otherwise surfece. Through circuit bending, cut-ups and samples, the sound art reaches into the environment and breaches the continuity of our rational experience of the world. The art works show us unconcious moods and phenomena, and connects circuits not designed to be connected. The surroundings are animated by sound which again enhance our sense of space. The sound works mark the installation sites by interfering and underlining, amplifying or unermining the surroundings. In this way the sites themselves take part in creating cross-references between the many different layers of sound that one is likely to be tuned in on simoultaneously, though at different levels of intensity. The listening post Panic Room turns up the paranoia and surveillance atmosphere in the shopping centre Field's. The intimidating refuge criticises as well as imitates consumer culture buffoon and chaos with sample of sound from media and the collapse of discourses. At The Culture House KIB, The Cones couples the harbour front with the another dimension. The sounds function as a portal linking the site to be underground and the mystical. At The Royal Library The Black Diamond, The Glass breaks the borders between inside and outside - between private and public - with its fragile, crisp sounds and forces itself on the visitor's itnimate sphere. At the cinema and film institute, Cinemateket, Sonographic Stele translates picture itno sound and sound intopicture. One language talks on behalf of the oher an dinitiates acomplicated dialogue on the verge of nonsense. In the web-basedc listening post, City on the Net everything is inter-twined cacophony - no sound is limited to its original context, while virtual cities are recreated as soundscapes. The artists participating in Technical Breakdown all contemplate events and notions that are out of our reach - and out of control. In the exhibition sound layers ranging from the fictive ti the real, from the cognitive to the evocative come together and form a sonic web around us. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => baleani [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:15 [post_modified_gmt] => 2014-09-25 10:37:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3376 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1088 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3617 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => selected by the artist for the live broadcasting of RAM at Utopia Station, 50° Biennale di Venezia [post_title] => Untitled song 20-52 [post_excerpt] => sound project [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => untitled-song-20-52 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:38:13 [post_modified_gmt] => 2014-09-25 10:38:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3617 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1322 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 3119 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => miller garden [post_excerpt] => Yann Novak was born in Madison, WI in 1979. At an early age, he became interested in the worlds of both music and visual art. He developed his primary medium, collage, via pieces which combined found photographs with his own drawings, and prerecorded LPs with loops and live instruments. In the 1990s, Novak performed and exhibited his work throughout the vibrant Madison café art scene. In 2000, Novak moved to Seattle and refined his methods, trading in turntables and vinyl records for a Mini Disc recorder and a laptop, in order to achieve a more in-depth style of production. Novak has released set of 5 limited edition 3-inch CDs “Three Inches for Friends”. In addition, he has produced two film soundtracks, for “Leaning” (which he also produced), and “Neptune” (produced by Brian Murphy). Both movies premiered at the Seattle Lesbian and Gay Film Festival, in 2003 and 2004, respectively. He was recently included on the compilation “People Doing Strange Things With Electricity” curated by Dorkbot-sea and released by Comfort Stand Records, and was Commissioned by the Crispen Spaeth Dance Group to score there full length piece “Fade”. Novak’s work has withstood a series of changes in method while always retaining and refining the strengths of his unique aesthetic, exploring the overlap and intersection between presence and absence, art and design, sound and music. 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