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Arch. 182.a, 183.28, 184.33 ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_title] => N.U.L.L. [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. Thomas J. Schroffenegger is a composer, musician, designer, commercial artist and teacher. Both previously played in the same punk band ten years ago. Today they work together again especially to create this piece for Trace. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => n-u-l-l [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:52 [post_modified_gmt] => 2014-09-25 10:36:52 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3312 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1024 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 3344 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 158.a.1,2,4,5; 183.59 [post_title] => oil/ starting [post_excerpt] => Scanner - British artist Robin Rimbaud - traverses the experimental terrain between sound, space, image and form, creating absorbing, multi-layered sound pieces that twist technology in unconventional ways . From his early controversial work using found mobile phone conversations, through to his focus on trawling the hidden noise of the modern metropolis as the symbol of the place where hidden meanings and missed contacts emerge, his restless explorations of the experimental terrain have won him international admiration from amongst others, Bjork, Aphex Twin and Stockhausen. Scanner is committed to working with cutting edge practitioners and has collaborated with artists from every imaginable genre: musicians Bryan Ferry and Laurie Anderson, The Royal Ballet and Random Dance companies, composers Michael Nyman and Luc Ferrari, and artists Mike Kelley and Derek Jarman. As well as producing compositions and audio CDs, his diverse body of work includes soundtracks for films, performances, radio, and site-specific intermedia installations. He has performed and created works in many of the world's most prestigious spaces including SFMOMA USA, Hayward Gallery London, Pompidou Centre Paris, Kunsthalle Vienna, Bolshoi Theatre Moscow, Tate Modern London and the Royal Opera House London. Paul Farrington, AKA TONNE This prize-winning visual artist and designer has made visible the work of Scanner, Pole and Spring Heel Jack among others, linking sound with visuals that vary between elegantly simple lines to multiple layers of superimposed imagery. Tonne's interactive sound interfaces allow music to be produced as responses to the movement of graphics, and vice-versa. By manipulating sound utilities, Tonne builds toys, games, interactive environments and soundbanks. Developing and producing controlled systems for sound and image interaction, Tonne has performed live at Sonar (Barcelona 2000), FCMN (Montréal), Expanded Cinema (Milan), Lovebytes (Sheffield), and Steim (Amsterdam). Tonne was awarded Creative Review's Creative Futures Up-And-Coming Graphic Designer of 1999. Recently Tonne has been commissioned by the music label Meta to release recordings of his sound toys. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => oil-starting [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:55 [post_modified_gmt] => 2014-09-25 10:36:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3344 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1056 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 3376 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Baleani [post_excerpt] => Stephen Gard is Australian and born in 1952. He is a freelance-composer and sound artist with a special interest in the potential of the technical breakdown in all sorts of electronic instruments. Gard already as a teenager experimented with tape and sound collages, and today he works with field recordings creating compositions in the genre of musique concrète. Gard has participated in electronic music concerts and festivals throughout Australia and New Zealand. Technical Breakdown is an international sound art exhibition, which took place uin the public space of Cophenagen, denmark in November 2005 - January 2006. The exhibition consists of 5 different listening posts presenting 30 sound works by artists from 10 different countries.The sound art exhibition Technical Breakdown takes as its starting point the chaotic and unpredictable field of communication in which misunderstanding and the unspeakable take on a life of their own. The exhibition encourages "a grant of self conduct" practice, setting loose sounds and feedback from all spheres making it possible for them to diffuse and mingle into the sound-scapes we inhabit.The exhibition consists of 5 different listening posts, eahc presenting its own perpective pn the error. The listening posts introduce the audience to a numebr of unique sound worlds, using the technical breakdown itself as a strategy to give voice and body to that which would not otherwise surfece. Through circuit bending, cut-ups and samples, the sound art reaches into the environment and breaches the continuity of our rational experience of the world. The art works show us unconcious moods and phenomena, and connects circuits not designed to be connected. The surroundings are animated by sound which again enhance our sense of space. The sound works mark the installation sites by interfering and underlining, amplifying or unermining the surroundings. In this way the sites themselves take part in creating cross-references between the many different layers of sound that one is likely to be tuned in on simoultaneously, though at different levels of intensity. The listening post Panic Room turns up the paranoia and surveillance atmosphere in the shopping centre Field's. The intimidating refuge criticises as well as imitates consumer culture buffoon and chaos with sample of sound from media and the collapse of discourses. At The Culture House KIB, The Cones couples the harbour front with the another dimension. The sounds function as a portal linking the site to be underground and the mystical. At The Royal Library The Black Diamond, The Glass breaks the borders between inside and outside - between private and public - with its fragile, crisp sounds and forces itself on the visitor's itnimate sphere. At the cinema and film institute, Cinemateket, Sonographic Stele translates picture itno sound and sound intopicture. One language talks on behalf of the oher an dinitiates acomplicated dialogue on the verge of nonsense. In the web-basedc listening post, City on the Net everything is inter-twined cacophony - no sound is limited to its original context, while virtual cities are recreated as soundscapes. The artists participating in Technical Breakdown all contemplate events and notions that are out of our reach - and out of control. In the exhibition sound layers ranging from the fictive ti the real, from the cognitive to the evocative come together and form a sonic web around us. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => baleani [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:15 [post_modified_gmt] => 2014-09-25 10:37:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3376 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1088 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3617 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => selected by the artist for the live broadcasting of RAM at Utopia Station, 50° Biennale di Venezia [post_title] => Untitled song 20-52 [post_excerpt] => sound project [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => untitled-song-20-52 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:38:13 [post_modified_gmt] => 2014-09-25 10:38:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3617 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1322 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 4002 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Raphael Lyon is American and was born in 1975. He graduated from Brown University and makes experimental music and performance art under his alias Mudboy. He is also the man behind the record company FreeMatterfortheBlind.
Raphael Lyon is a multidisciplinary artist and activist who has been living, working and performing in Providence since his graduation from Brown. His latest works, including his sixth film, Eye of the Storm, have appeared in a variety of showcases in and beyond Rhode Island. [post_title] => Psicklops [post_excerpt] => City on the Net
The listening posts of Technical Breakdown install sound art in the city, and mix it with everyday soundscapes. In the listening post City on the Net, the exhibition moves on to other cultures, other cities and countries. The cities are brought into private homes. The most comprehensive studies and far-reaching sound art projects are presented in City on the Net. All of them with long playing times and all of them exploring the social as a main theme. The unwanted, accidental, intrusive and violent sounds – the noises of the densely populated city became an art object in itself as early as 1913, with Luigi Russolo’s futuristic manifest L’arte dei Rumori (The Art of Noise). Since then, the effort to integrate real life sounds into sound art has developed in many different directions. The common denominator for this listening post is the collage form, the zapping and the cacophonic.

Psicklops should be heard in the dark. The work is an acoustic counterpart to the Dark Cinema of film, where themes from the shady sides of our culture, violence, perversions and life in the underworld make up the content. Through being anarchistic, fluttering and hard to navigate in, the work demands that the listeners let themselves be engulfed and hypnotised. The title is pronounced ‘cyclops’ and refers to the myth of the brutal, cannibalistic, one-eyed giants from the mythological underworld. The work is a collage of sound material, not from a concrete city space, but consisting of samplings of conversations and sounds from previously produced sound works, music and media clips. The conversations circle around themes like interrogation and surveillance. Lyon himself draws parallels to Franz Kafka’s The Process. The work is the first part of a series of sound theatre works. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => psicklops [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:53 [post_modified_gmt] => 2014-09-25 10:39:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4002 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1873 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 4036 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Bios-sfere [post_excerpt] => Nato a Napoli, Italia (1961). Vive e lavora a Roma.

Musicista, compositore, performer, sound artist, produttore. Lavora essenzialmente su sensazioni ritmiche, dinamiche, temporali, tattili e cinetiche, utilizzando indifferentemente sia il canale sonoro che quello visivo. Inizia la sua attività professionale trasferendosi a Roma negli anni ‘90, e fonda gruppi di musica d'avanguardia e di sperimentazione.
Nel 1995 fonda i gruppi di lavoro e di ricerca sperimentale Martusciello, Ossatura, Metaxu, Zelle e Dogon: gruppi italiani che da subito si impongono sulla scena sperimentale internazionale. Con questi gruppi, collabora con artisti come: Michiko Hirayama, M.E.V. (Musica Elettronica Viva), Dagmar Krause, Tim Hodgkinson. Nel 2000 l'etichetta discografica francese Metamkine, nella collezione Cinema pour l'oreille pubblica CD Unsettled Line, una composizione di musica concreta che è stata oggetto di numerose segnalazioni internazionali ed è stata premiata al Concorso Internazionale di Musica Elettronica di S. Paulo in Brasile nel 2001. Nel 2001 è invitato in Francia per un Composer in Residence presso il Centro di Ricerca di Albi (GMEA, Groupe de Musique Electroacoustique d'Albi). Negli studi francesi del GMEA compone “Dissectio” un'opera di musica concreta. Partecipa ai maggiori festival in tutto il mondo. Nel 2003, presenta nel festival RomaEuropa2003 presso l'Auditorium Parco della Musica di Roma, nella sala Santa Cecilia, il progetto sperimentale MOV1. Il lavoro prende spunto dalla seconda Sinfonia di Mahler. MOV1 nasce in collaborazione con il pianista Danilo Rea. Progetta anche le due installazioni audiovisive: “Exceptio” commissionata dal Comune di Roma, nel suggestivo luogo delle Terme di Diocleziano, e "Fronte D'onda" . Nel 2004, sempre in Roma per la Fondazione Armellini.  Numerose le collaborazioni con gruppi di arte audiovisiva, fra queste con il gruppo di cinema sperimentale Cane capovolto e Atelier MTK (Marsiglia) e Metamkine e Skoltz_Kolgen. Compone lavori per la Radio Nazionale Italiana RAI Radio Tre e per Journees Electro-Radio Days Canadese e per la televisione suonando nella trasmissione Mediamente. A Parigi, alla Villette Numérique presenta il progetto elettronico “Rumors of war” un lavoro di denuncia contro ogni tipo di guerra. E’ invitato alla Biennale Musica di Venezia presentando il progetto X-Scape. Con il compositore di musica contemporanea Giorgio Battistelli nasce il lavoro “Experimentum Mundi Remix”, che viene presentato in prima mondiale all'Auditorium Parco della Musica di Roma nella serata elettronica del Festival RomaEuropa 2004.
Nel 2005 riceve un nuovo invito dal Ministero della Cultura Francese per una composizione sul tema della "Resistenza", eseguita in novembre nella Cinémathèque de Toulouse. Lo stesso anno compone ed esegue presso l'Auditorium Parco della Musica di Roma Sala Santa Cecilia il progetto “Saunscape”, con la partecipazione di Markus Stockhausen alla tromba, Tara Bouman al clarinetto basso e Mark Nauseef alle percussioni. Un anno dopo dalla collaborazione con Enrico Ghezzi nasce un progetto performativo audio-visivo dal titolo “Fuorioraria: D(r)rive Out Of Time”, una performance realizzata in un classico "Blob Style". Nel 2007 crea il progetto Gazelab, una produzione Auditorium Parco della Musica, un progetto live in omaggio alla prestigiosa etichetta tedesca ECM. Gazelab è creato in due parti, “Works e Sguardi”, ed è una reinterpretazione, in forma  elettronica audio-visiva, delle due collane antologiche Works e :rarum della ECM. A completare il progetto live, alcuni tra i migliori musicisti di area ECM: Jon Hassell, Terje Rypdal, Jon Balke, Anja Lechner, Miki N'Doye e dell’elettronica di “M2” martux  & mass. Pubblica anche per l’etichetta discografica Auditorium Parco della Musica il CD “Reminiscence” con il pianista Danilo Rea. Nel 2008 gli viene commissionata un installazione dall’Auditorium Parco della Musica, nella rassegna Artist’s Corner dal titolo X-Scape 07.
E' stato curatore della programmazione di Sensoralia, rassegna di arte elettronica audiovisiva, presso il teatro Palladium di Roma dal 2003 al 2005.

[post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => bios-sfere [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:56 [post_modified_gmt] => 2014-09-25 10:39:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4036 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1907 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 4082 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Words 5 [post_excerpt] => 9 cd da ascoltare contemporaneamente [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => words-5 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:40:00 [post_modified_gmt] => 2014-09-25 10:40:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4082 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1956 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2322 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => WILLIAM ENGELEN, (1964, Weert, the Netherlands) lives and works in Rotterdam and Berlin. From 1989-1991 he studied at the Jan van Eyck Academy in Maastricht. Recently he participated in the exhibition Made in Berlin at the Artforum 2004 in Berlin. In 2003 he had a solo exhibition in the Neuer Aachener Kunstverein: Partitur. Music and visual art are interwoven in the work of William Engelen. For instance the artist writes scores for musical performances, which at the same time serve as drawings. His work Plu (2004) which can be seen in Projektraum Kastalia, was conceived as a choreography. It suggests dance, movement and sound in a silent, architectural sculpture. (9) possono essere presentato anche pezzi del lavoro… William Engelen, geb. 1964 in Weert/Holland, lebt in Berlin. Ausstellungen u. a. 1993 MUKHA Antwerpen 1997 Witte des With, Rotterdam 2002 Württembergischer Kunstverein Stuttgart 2003 Neuer Aachener Kunstverein. William Engelen, Partitur, herausgegeben vom NAK Neuer Aachener Kunstverein, erschienen im Revolver Archiv für aktuelle Kunst, Frankfurt/M., 2003, ist in der Galerie für EURO 25 erhältlich. Der Katalog enthält hervorragende Textbeiträge von Susanne Titz, Michael Glasmeier und Joachim Krausse sowie eine CD mit musikalischen Kompositionen Engelens. 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