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) OR wp_posts.post_type NOT IN ('post','page','attachment','projects','events','sounds' ) ) GROUP BY wp_posts.ID ORDER BY wp_posts.post_date DESC LIMIT 40, 10 [posts] => Array ( [0] => WP_Post Object ( [ID] => 2995 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => and piano [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => and-piano [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:43 [post_modified_gmt] => 2014-09-25 10:35:43 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2995 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 702 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 3027 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => bald monk acid [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => bald-monk-acid [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:46 [post_modified_gmt] => 2014-09-25 10:35:46 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3027 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 734 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 3060 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Farbfelder: Johann Pumhösl Tontecnik, Schnitt: Hermann Platzer, qufgenommen in Mai 2004 in Wien Cembalo: Kopie nach Christian Zell 1728, erbau von Bruce Kennedy Layout: Florian Pumhösl Copyright: Susanne Pumhösl [post_title] => Inventio 7, BWV 778 [post_excerpt] => Susanne Pumhösl Started her career as a soloist after winning the international Johann Heinrich Schmelzer competition for Baroque music at Melk Monastery. Since then she has appeared at many early music festivals throughout Europe and the United States, as well as in Taiwan. Ms. Pumhösl is the continuo player for the Ensemble Capella Leopoldina, Private Musicke, and the Capella Nova Graz. Particularly interested in the Viennese Baroque harpsichord literature, Ms. Pumhösl teaches early music at the private university Konservatorium Wien. She has performed live on radio, and has also made numerous recordings. Her most recent CD features previously unpublished works by the imperialcourt composer Johann Joseph Fux. Recitals (Selection) Kunsthalle Wien, project space; inventions / colorfields according to Isaac Newton - music by J. S. Bach, 2005 Austrian Cultural Forum New York, harpsichord music by J.J. Fux, J.M. Hauer and J. Haydn, 2005 Innsbrucker Festwochen für Alte Musik, harpsichord music by Gottlieb Muffat and Johann Joseph Fux, 2004 Wiener Musikverein, baroque opera „la Pastorelle“ von G. Ph. Telemann, oratories „Israel in Ägypten“ und „Jephta“, cappella leopoldina, 2003 und 2004 La Jolla, San Diego Harpsichord Society, Viennese harpsichord music by A. Poglietti, J. J. Froberger a.o., 2003 Café Prückel Wien, cabaret Karl Ferdinand Kratzl about christmas…, harpsichord music by J. M. Hauer, J. S. Bach a.o., 2003 Arkadelphia, Henderson State University; Viennese Harpsichord Festival, music by J. Haydn and J. J. Fux, 2003 Jeunesse, Festival „Colorscape“; masterly music of the 17th century, Daniel Sepec, baroque violin, Susanne Pumhösl, harpsichord, 2002 discography Inventionen Bach/Newton, kleine Präludien, Inventionen und Sinfonien von Johann Sebastian Bach und das Modell einer analytischen Farbe-Ton-Beziehung von Isaac Newton, LC 9288 Klangrede DVD 1, 2004 Vedo il ciel, Händel Arias & Overtures, capella leopldina, LC 107 Universal Music Austria CD 476 300 0, 2004 Inventionen, J.S. Bach: kleine Präludien, 2- und 3-stimmige Inventionen, LC 9288 Klangrede, CD 2 2003/04 Johann Joseph Fux, Musik für Cembalo, LC 9288 Klangrede CD 1, 2002 Vertrieb: Preiser Records Music of films by Ashot Shiroian: - „Once upon a time in Pannonia“, 2003, „Painting Stockholm“ 2001, music by J. S. Bach and J. J. Fux ORF, Edition Alte Musik, "Internationale Barocktage Stift Melk" 97/98; 2 CD Live Mitschnitte, Werke von Antoine Forqueray; LC 5130 ORF CD 213, 1999 ORF, "Les Plaisirs Mélancholiques", Private Musicke - Pierre Pitzl, Marcy Jean Bölli - Viola da Gamba, Susanne Pumhösl - Cembalo, Luciano Contini- Arciliuto. Werke von Marin Marais, Arcangelo Corelli und Antoine Forqueray, LC 5130 CD 237, 1999 rewiews It´s no wonder J. S. Bach so admired Fux. .....This was sensational playing. With brilliance and zest, Pumhösl brought out Fux´s magisterial command of a keyboard style that is at once French (in its elegantly embellished dance movements) and Italian (in its learned contrapuntal structures). Even on a first hearing, the Ciaccona immediately proclaimed itself one of the great examples of this much-favored Baroque form, an impression that repeated auditions of the recording confirmed. The Partie is worthy of the finest of Baroque composers of French keyboard suites. The CD adds some remarkable fugues, and a G Minor Capriccio with much of the concinnity and imagination of a Couperin. It´s no wonder J.S. Bach so admired Fux....... Jonathan Saville, San Diego Reader ....Das liegt vor allem an dem silbrigen, stets entrückt und verklärt wirkenden Klang des Cembalos, aber auch an dem Programm, das die Wiener Cembalistin Susanne Pumhösl aus dem umfangreichen Werk von Johann Joseph Fux zusammenstellte: 27 Courantes, Sarabanden, Menuette und Fugen, die den einstigen Organisten der Wiener Schottenkirche und späteren Kapellmeister von Karl VI. zwar auch als Meister der Virtuosität zeigen, der aber an die Stelle der schillernden französischen Oberflächenpolitur stets die gute, deutsche Ernsthaftigkeit rückte..eine wundervoll entrückte und verklärte CD..(a wonderfully radiant and entrancing CD) Carsten Fastner, Falter [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => inventio-7-bwv-778 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:49 [post_modified_gmt] => 2014-09-25 10:35:49 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3060 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 769 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 3093 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => gocce n.10 [post_excerpt] => Studia chitarra brasiliana e chitarra flamenco. Dopo il diploma al liceo classico studia architetura alla Sapienza e pianoforte classico con il maestro Emilio Rabaglino. Quindi frequenta la scuola popolare di musica di testaccio (composizione e pianoforte jazz), e partecipa ai seminari estivi della Berklee ad Umbria Jazz e a quelli di Siena Jazz. Suona a Jeddah (Arabia Saudita) per uno scambio culturale, sia come solista che come accompagnatore. Compone una sonorizzazione per una performance teatrale di Filippo Garrone. Suona con la Moinor Funk Orchestra diretta da Angelo Schiavi. Nel 1998 si trasferisce a New York dove studia alla Mannes Jazz School of Music ed all'Istitute of Audio Research diplomandosi in ingegneria del suono. In questo periodo suona in diversi locali di NY e NJ. Compone la colonna sonora per il cortometraggio "taken..." di Bartek Rainski (vincitore al RIFF come miglior corto straniero), scrive e co-produce con lo stesso Rainski il cortometraggio "CONFINI". Nel 2002 lavora a Ouagadougou in Burkina Faso per l'avviamento di uno studio di registrazione (basato sul sistema digitale Soundscape), insegnando ad uno stagista Burkinabé le tecniche di regisrtazione e post produzione, e registrando diversi gruppi locali (verranno prodotti due dischi). Tornato in Italia, finisce insieme a Bartek Rainski la post-produzione del cortometraggio "Confini", e ne compone la colonna sonora. Composizione/sonorizzazzione per la performance video/teatrale "Narciso violento" e "Evian" di Caroline Freddi. Compone musiche per pubblicità, cartoni animati e programmi tv. In questo periodo lavora anche ad una raccolta di brani di carattere minimalista per pianoforte solo intitolata 'gocce', registrata poi nel Giugno 2005 e pubblicata in Ottobre. Insegna pianoforte moderno alla scuola "Officine Musicali". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => gocce-n-10 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:13 [post_modified_gmt] => 2014-09-25 10:36:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3093 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 802 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3125 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Maverick [post_excerpt] => Kamran Sadeghi (Son of Rose) is a Multi instrumentalist musician, composer, and audio engineer based in Seattle Washington. Since 2000 he has been actively exploring the use of electronics and recording techniques in contemporary music, with an emphasis on computer synthesis as a live instrument. This approach gives the movements in Sadeghi's compositions a powerful, emotional, and graceful quality with a patient and gradual pacing. Over the past two years Sadeghi has performed his work at dozens of events including the Decibel Festival(Seattle) and Staalplaat Records (Berlin), and released three albums as Son of Rose including his self titled debut in 2005 and "Top Flight"(2006) on Dragon's Eye Recordings, both receiving critical acclaim. Sadeghi has been reviewed by The Wire, E/I Magazine, The Stranger, and Igloo Magazine. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => maverick [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:15 [post_modified_gmt] => 2014-09-25 10:36:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3125 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 834 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 3157 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. nn. Arch. 184.8, 185.6 [post_title] => Hope of the insects with dryer and chinese cooks [post_excerpt] => Steve Bradley's art practice involves sound performance, time-based media and material culture. He explores the boundaries of urban and suburban culture by collecting debris, sound and images from the consumed and littered landscape. In June 2001, he was awarded a rivercommission at Hull Time Based Arts, Hull, England where he will be an artist-in-residence for two months in spring 2002. His project, Reading the River, will focus on the environmental aspects of the River Hull Corridor. Since 1998 he has curated art@radio, a net.radio broadcast of sound art and experimental music. In June 2001, he spent two weeks participating in an artist residency, Communication Front in Plovdiv, Bulgaria, where he explored the city with a digital camera documenting street and material culture. Summer 2000, Bradley directed and organized Polar Circuit III, a 6-week international media arts residency for over 50 artists located at the University of Lapland, Rovanimei, Finland. Bradley has performed live at Transmission 003.3 sound art festival in Chicago, Sonic Circuits VII, International Festival Electronic Music and Art in St. Paul, Minnesota, and the Red Room, Baltimore, Maryland. Bradley received his B.F.A. from the University of South Florida in drawing and painting and a Masters of Fine Arts from Florida State University in painting and electronic media. He is an Associate Professor, Visual Arts at the University of Maryland Baltimore County. He teaches courses in foundations, digital cinema, video art and sound. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hope-of-the-insects-with-dryer-and-chinese-cooks [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:18 [post_modified_gmt] => 2014-09-25 10:36:18 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3157 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 867 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 3189 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. n. Arch. 184.43 [post_title] => Somniferous Extract [post_excerpt] => Rob Kennedy is audio/video artist, living in Glasgow. He was born in London and studied Fine Arts at the Brighton Polytechnic. He spent one year on an exchange program at the School of Art in Chicago. His works, including experimental soundtracks, audio installations, short films and CDs in collaboration with various artist, were shown at festivals and exhibitions in Glasgow, London, Dundee, amongst others. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => somniferous-extract [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:20 [post_modified_gmt] => 2014-09-25 10:36:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3189 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 899 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 3221 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 183.3, 185.3 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Brittle Creek Stalker Track [post_excerpt] => Steven Ball, a Master's degree graduate of the University of Michigan School of Music, holds the unique distinction of being the first organist in modern academic history to have proven his abilities as a performer on both the classical and theater organ. Mr. Ball has concertized and lectured around the world including solo performances and silent film presentations in the Netherlands, Germany, Belgium, France, Portugal, Ireland, England and Switzerland. He was also the recipient of a Fulbright Scholarship to the Netherlands in 2001 for his work in the world of Campanology and Carillon Performance. His unique perspective, energy, improvisatory abilities and performance style have kept audiences in theatres on the edge of their seats and have generated a new and unexpected excitement about the future of this instrument in America and elsewhere. Mr. Ball is currently Staff Organist at the Michigan Theater in Ann Arbor, MI and organist at Plymouth Congregational Church in Lansing, MI where he can be heard on a regular basis. He also plays the carillons at the University of Michigan. A specialist in the rare and almost vanished art of live silent film accompaniment, Mr. Ball has participated in numerous festivals over years. Working with original instruments, materials and music he has either composed, arranged, re-created, performed and/or improvised scores for countless films both in solo performance and with orchestra. These have ranged from the familiar to the obscure. Just to name a few from recent seasons: -The Phantom of the Opera -Metropolis -The Hunchback of Notre Dame -Judith of Bethelia -Sunrise -One Week -The Shiek -Steamboat Bill Jr. -Nosferatu -He Who Gets Slapped -Amarilly of Clothes-line Alley -Faust (The Damnation of) -Cops -Steamboat Bill Jr. -His Marriage Vow -Bring Up Baby -IT -The Lamb -Our Hospitality -Habeas Corpus Mr. Ball will be appearing in various theater sponsored film events throughout the 2005-2006 season at the Michigan Theater and was also recently featured on National Public Radio's nationally syndicated program Pipedreams (program # 0447 11/22/2004). You can listen to this show on their online audio archives for free by going to www.pipedreams.publicradio.org [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => brittle-creek-stalker-track [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:45 [post_modified_gmt] => 2014-09-25 10:36:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3221 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 932 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 3253 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. nn. Arch. 183.31, 185.25 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Untraced [post_excerpt] => The Groceries is the instrumental alter ego of Alan Holmes, member of freeform pop outfit Ectogram and Anglo-Welsh "supergroup" The Serpents. He has been described in the Independents as "Godfather of the Welsh underground". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => untraced [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:47 [post_modified_gmt] => 2014-09-25 10:36:47 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3253 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 964 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3285 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 183.66, 185.45 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => My trace [post_excerpt] => Riou Tomita started to make music in 1994 and released recordings on KK (Belgium) and Silver (Belgium). Tomita lives in Japan, making music with sampler and computers. She is member of SoundChannel (Japanese record label). 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