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10:38:39 [post_content] => [post_title] => Metal Strings (with Mark from Rothko) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => metal-strings-with-mark-from-rothko [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:26 [post_modified_gmt] => 2014-09-25 10:34:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2701 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 406 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2733 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => "Corredi" (track 3) [post_excerpt] => intervista in cui diverse persone raccontano aneddoti che riguardano i propri vestiti….Raccontano in dialetto [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => 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[comment_count] => 0 [filter] => raw [old_id] => 470 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2797 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 190.21 Due cd-rom fuori catalogo degli stessi artisti: FC.5: Geluidskunst wich took polace through the internet, and was presented at HK Watertoren from nov. 16, 2003 until jan. 18, 2004. FC.6: CU 29CONTAINS VIDEO'S OF THE EXHIBITION THAT WE PRESENTED AT hk Watertoren, Vlissingen, fromnov. 16, 2003 until jan. 18, 2004. [post_title] => Preparov + installation "Geluidskunst" [post_excerpt] => From 1994 we are working together as an artistic duo. The starting point for our artistic work is the notion, that movement and sound are identical; without movement (vibration) nothing can be heard. This idea is worked out by us in every thinkable form: installations, works in progress on location, performances, concerts, etc. Because of the temporary character of the media sound and movement, our works, up to now, have always been presented during a limited period of time. So there are no objects for sale. Besides using the media movement, sound and image, we also have an interest in using new media and technology, that are often realized especially for our projects. Selection of presentations: 2003: Organisation of a tour of 8 soundartists to Belgrade. Concert at April Meeting Festival, SKC, Belgrade. Concert at Ringring-festival, REX, Belgrade. Concert at Interzone 2003 festival, Novi Sad. Groupexhibition "Corporate Identity", NBKS, Breda. Installation "Geluidskunst", Synagogue at Palmovka, Prague. Concert, Synagogue at Palmovka, Prague. Concert, Festival Sound-Movement-Image, House of Art, Opava, Czech Rep. Concert, Sklenena Louka, Brno. Lecture at FAVU, University of Brno. Project "Cu 29", Watertoren HK, Vlissingen. Project consisting of a work in progress, 3 soundinstallations, and 3 performances. 2002: Concert, LOGOS Foundation, Ghent. Concert, Exposition of New Music, Brno, Czech Republic. Installation "Medeklinkers", de Witte Dame, Eindhoven Website "The Anonomous Serenade", Project 4x4x4, MAD Foundation, Eindhoven. (www.4x4x4.dse.nl). 2001: Installation "Interference", 2 concerts, IM Festival, Minebuilding, Waterschei,Belgium. Performance "Jestem ruchem", Fest. Castle of Imagination, BWA, Zielona Gora, Poland. Performance, i.c.w. Jirzi Kurovka, Sylvette Babin, Oskar Dawicki, Fumiko Takahashi; Castle of Imagination, BWA, Zielona Gora, Poland. Performance "Jestem ruchem", first version, gallery BWA, Ustka, Poland. Performance, "I am movement", performance festival, Piotrkow Trybunalski, Poland. Installation and concert, SKC, Belgrade. Installation and performance, REX, Belgrade. 2000: Installation, 'Hladilnica", Pekarna, Maribor, Slovenia. Installation "Shadow Play", 1may-festival, 2B, Eindhoven. CD "The Adventures of Toon Scales", Bake Records, Staalplaat, Amsterdam. Installation Ínterference', at the complex of NRE Powercompany, Eindhoven. Installation, concert, and presentation at Gallery 'de Overslag', Eindhoven. 1999: Participation in "Conjunction", CD/Internet-project, Triple-X-festival, Amsterdam. Performance "The Boxing-ring", performance-festival, Cuba Cultur, Muenster, Germany. Installation "The Gathering", Musikfestspiele Sanssouci, Potsdam, Germany. Participation on a performance of Jens Brand, Galery de Overslag, Eindhoven. 1998: "Global Mix", live-radiomix through Internet from the Goethe Institute, Krakow, Poland. Installation "Shadow Play", and concert; Bunkier Sztuki, Krakow, Poland Installation "DioN.Y.sus'Scales", and concert; Audio Art Festival, Ujazdowski Castle, Warsaw. Installation "The Gathering", festival Baitz mit Klang, Baitz, Germany. Concert, Kunstfabrik, Darmstadt, Germany. Performance "The Boxing-ring", Performance Art Festival, Cleveland,OH,USA. Performance and installation ÏnSight", Spritzenhaus, Hamburg, Germany. 1997: Installation "DioN.Y.sus'Scales", HK Watertoren, Vlissingen. Concert, Kulturzentrum BOA, Lucerne, Switzerland. Project 'Het Vogelbekkenstuk", with Moniek Darge, Logos Fnd. Ghent, Belgium. Concert, Kuenstlerhaus, Dortmund, Germany. Project "Het Vogelbekkenstuk", with Jim Dvorak, Vrijhof Theatre, University of Enschede. Project "Het Vogelbekkenstuk", with Cor Gout and Wilbert de Joode, Effenaar, Eindhoven. 1996: Installation Oorsmeer, de Singel, Antwerp, Belgium. Installation Oorsmeer, Center for the Arts "Vooruit", Ghent, Belgium. Concert, Untitled Festival, Willem II, Den Bosch. Installation Oorsmeer, Theater a/d Parade, Den Bosch. Installation "DioN.Y.sus'Scales", Triple X-festival, Westergasfabriek, Amsterdam. Installation "The LocoMotives", Central Railway Station, Eindhoven. "First Night Installation", with Dan Senn and David Means, 1048 Broadway, Tacoma,WA,USA 1995: Concert, Festival Experimental Music, Polytechnic University, Munich. Installation "The State of things", +concert, het Stroomhuis, Neerijnen, NL. Concert, "Belgie", Hasselt, Belgium. Groupexhibition "Rotterdam/Vladivostok, Railwaystation Schiedam and Gallery Artetage, Vladivostok. Installation and performance "Shadows", Islip Art Museum, Islip, NY, USA. Installation "FBI", de Unie, Rotterdam. 1994: The boxing-ring and concert, Experimental Intermedia, New York, NY, USA. Artist-in-residency, Harvestworks, New York,NY,USA. Installation "DioN.Y.sus'Scales", Gallery Art in General, New York,NY,USA. Installation "Pegasus", Museum School of Fine Arts, Boston,MA,USA. Installation "Donar's Chariot"and concert; Islip Art Museum, Islip, NY, USA. Installation "Donar's Chariot"and concert; Vooruit, Gent. 1993: Concert, Videcultura, Haarlem. Installation and concert; Hermit Festival, Plasy, Czech Republic. Installation "Donar's Chariot"and concert, het Apollohuis, Eindhoven. Concert, de Melkweg, Amsterdam. Concert, Stedelijk Museum, Amsterdam/ VPRO-radio. Performance "Black Box", Effenaar, Eindhoven. Performance+concert; Center for New Dance Development, Arnhem. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => preparov-installation-geluidskunst [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:58 [post_modified_gmt] => 2014-09-25 10:34:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2797 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 502 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2829 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. n. Arch. 184.11, 185.8 This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_title] => A Post-Modern Object-Oriented Chaotic Cellular Microtonal Teledildonic Virtual Simulcra! (Buzzwords [post_excerpt] => Warren Burt attended the State University of New York, Albany (BA, 1971) and the University of California, San Diego (MA, 1975) before moving to Australia in 1975. In Australia he has worked in academia (La Trobe University, NSW Conservatorium, Victorian College of the Arts, Australian National University, Victoria University of Technology), education, and radio (freelance and commissioned productions for ABC and PBAA), and as a composer, film maker, video artist, and community arts organiser. His works have been performed and shown in the USA, Australia, Europe and Japan and he has received grants from the Australia Council, the Victorian Ministry for the Arts and the McKnight Foundation (USA). Warren Burt has also been artist-in-residence with a number of organisations, such as the Australian Commonwealth Scientific Industrial Research Organisation, the Los Angeles based art-science think-tank International Synergy, the Broadcast Music Department of ABC Radio, the Monash University Music Department, the RMIT Department of Fine Arts, the American Composers Forum, Art-Science Laboratory, Santa Fe, and the Djerassi Artists Program. Since the 1970s, Burt has toured and performed his electronic and computer music internationally, and has been especially active in the fields of interactive technology (especially with dancers and actors) and microtonality. Two books are currently available: Writings from a Scarlet Aardvark: 15 Articles on Music and Art, 1981-93 (Frog Peak Music, 1993) and Critical Vices: The Myths of Post-Modern Theory (in collaboration with Nicholas Zurbrugg) (Gordon and Breach, 1999). Recent CDs include A Book of Symmetries on “Zygotones: Loretta Goldberg” ( Centaur, USA, 2000), Five Tango Permutations on “Homo Sonorus - International Anthology of Sound Poetry” (NCCA, Russia, 2001), and Ethnic Static and Chinese Whispers on Stilling Time (Move, Melbourne, 2003). From 1992 until 2003, he was involved with Al Wunder’s ‘Theatre of the Ordinary’ in Melbourne, working improvisationally with dancers, actors and musicians. From 1998-2000, Burt held an Australia Council Composers’ Fellowship. In 2001 & 2002, he was Visiting Professor of Composition at the University of Illinois, Urbana-Champaign, USA. In 2003 he was involved in the reconstruction of Percy Grainger’s 1961 Electric Eye Tone Tool, the first light-controlled synthesizer. Currently, he is a research fellow at the University of Wollongong, writing a book on Microtonality for the Beginner. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-post-modern-object-oriented-chaotic-cellular-microtonal-teledildonic-virtual-simulcra-buzzwords [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:01 [post_modified_gmt] => 2014-09-25 10:35:01 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2829 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 535 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2863 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Kantatos, performance [post_excerpt] => Dmitri Prigov (1940-2007, Moscow, Russia) – poet, essay writer, artist, performer. Started his creative literary and artistic activities in the late 1950s. He is the author of numerous publications in magazines, literary miscellanies, catalogues and anthologies of contemporary poetry, as well as poetry books, essays and prose, issued by Russian and foreign publishing houses, including such as: Text Publishers, New Literary Review (Moscow), Limbach Publishing House (St.Petersburg), Michigan University Press (Chicago), Indiana University Press (Bloomington), Penguin (London), Iron Press (Culler Coats), Reclam Verlag, Oberbaum Verlag, Literarische Colloquium (Berlin), Space Umano (Milan), Triptyque Poesie, LRS-AMGA (Paris) and others. Among the recent poetry books are the following ones: 50 Drops of Blood (Moscow: Argo-Risk, 1994), Emergence of verse after its death (Moscow: Text, 1995), Militiaman and Others (Moscow: Obscuri Viri, 1996), Der Milizionär und die Anderen (Leipzig: Reclam Verlag, 1992), Les flauves de la vie (Paris: Triptyque, LRS-AMGA, 1994), Soviet texts – 1979-84 (St.Petersburg: Limbach Publishing House, 1997), Written since 1990 till 1994 (Moscow: NLO, 1998). He conducted a number of solo exhibitions at the Struve Gallery (Chicago), Contemporary Art Center (Saint Louis, 1989), Krings-Ernst Gallerie (Cologne, 1991), DAAD Gallery (Berlin, 1991), Guelman Gallery (Moscow, 1994), Russian Museum (St.Petersburg, 1994), Luedwig Museum (Budapest, 1995), Krings-Ernst Gallerie (Cologne, 1995), Muelcheim Museum (Muelcheim-on-Ruhr, 1995) and others, he also conducted a number of poetry readings and lectures on contemporary Russian art and literature at Harvard, Stanford, Columbia Universities, also at Berkeley, Los Angeles, and Ohio University College and so on (USA), London and Cambridge University colleges (Great Britain), as well as at the Universities of Munich, Frankfurt, Bochum, Bremen, Heidelberg (Germany) and others. Since the midst 1980s Prigov has participated in various festivals of contemporary poetry both in Russia and abroad, including such as: Novostroyka Avant-garde Festival (London, 1988), Festival of Avant-garde Classical Music (Moscow, 1990), Milanopoesia (Milan, 1991), Brighton Art Festival (Bridgetown, 1992), Rotterdam Poetry Festival (Rotterdam, 1993) and so on. In 1984-87 he performed as a vocalist and saxophone player with the group “Middle Russian Hills,” recorded several musical albums and solo poetry readings (MC, CD-format). Since 1989 till 1993 he hosted a program on the radio “Deutsche Welle.” In 1989 a documentary film was made about the poet’s creative activities, it was called “Dmitri Prigov: Poet and Rebel” (Moscow). He acted in the feature films “Taxi Blues”(1990), “Khrustalyov, Get into the Car!”(1995). Prigov participated in more than a hundred group exhibitions both in Russia and abroad. He was a laureate of various prizes, rewards and awards, including the Pushkin Prize for literature (Topfer-Foundation and Russian PEN Club, 1994), German Academy of Art Award (1991), also First Prize winner at the Paper Biennial (Duren, 1994) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => kantatos-performance [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:04 [post_modified_gmt] => 2014-09-25 10:35:04 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2863 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 569 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2895 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => ma che bello [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ma-che-bello [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:08 [post_modified_gmt] => 2014-09-25 10:35:08 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2895 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 602 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2927 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Purple Spandex Pants [post_excerpt] => Chris Bors was born in Ithaca, New York in 1971. He lives and works in Harlem in New York City. He received his BA from University at Albany in 1993 and his MFA from School of Visual Arts in 1998. He also studied at Rhode Island School of Design in 1995. His solo exhibitions in New York include Quest for Herb at Here Art and Beat Down at PS 122 Galley. His art has also been shown at PS1 MoMA, White Columns, and Ten in One Gallery in New York, and in Berlin, Cyprus, the Netherlands, and Zurich. His work has been reviewed in The New York Times, Time Out New York, Newsday and PAJ, A Journal of Performance and Art, as well as being featured in Razor and zingmagazine. He has curated exhibitions at Here Art in New York and Vox Populi in Philadelphia and written criticism for artnet.com. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => purple-spandex-pants [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:37 [post_modified_gmt] => 2014-09-25 10:35:37 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2927 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 634 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2959 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => The Shape of Things to Come (1-7) [post_excerpt] => "ghost.dances/ on the event horizon": following up her retrospective anthology "Thank You For Flying American", visual, performance, and media artist, and audio-composer/producer Jacki Apple's second CD release is a sonic evocation of the clash between nature and culture in the modern world. It contains works from six major pieces that explore environmental issues - The Amazon (from "The Amazon, The Mekong, The Missouri and The Nile"), an excerpt from "Aviary of the Lost" plus "Flame to Moth & Fish Gotta Swim" and "Ghost Dancers for Birdland" from "The Culture of Disappearance", the full-length "One World at a Time" set in outer space, inner space, and cyber sapce, and "Fluctuations of the Fields" based on the writings of physicist avid Bohm. It includes music from Bruce Fowler, Ruben Garcia, and Kira Vollman & Joseph Berardi, as well as Apple's sound compositions and vocals. 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