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Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => allo-specchio [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:07 [post_modified_gmt] => 2014-09-25 10:35:07 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2885 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 592 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2917 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => "Dark by 6" features five recordings of installations built in Melbourne, Australia by Ernie Althoff from 2000-2003. All tracks are digital on-site recordings and, combined with the booklet notes and images, attempt to give a representation of the works in an out-of-gallery timeframe. Most of the works feature Althoff's favourite stripped-down 16 rpm turntables, along with a couple of oscillating electric fans and some converted cassette players, as the motive forces for the chance-based percussion compositions that perform themslves in the spaces. The final track uses an untrained, unforewarned audience to sound the devices following simple instructions on cards collected on entry to the space. Each track is at least 12-14 minutes duration for excellent opportunities to evaluate the textures, frequency bands, individual sound events and engaging rhythms that constitute these compositions. These five installations all dealt with the integration of acoustic, kinetically produced sounds into visually treated spaces. A low-budget ethic prevailed, and the motive forces came from readily recognised devices, albeit their new sonic roles. The music was 99% percussive, texure based, aleatoric and location dependent. The documentations presented here should not be seen as replacements for the realtime auditory experience. [post_title] => The Emergence of Mammals [post_excerpt] => ERNIE ALTHOFF Ernie Althoff is a composer/performer/instrument builder/artist who has worked in Melbourne, Australia since the mid-1970s, when he bought his first vari-speed cassette recorder. During his years as one of the stalwarts of the Clifton Hill Community Music Centre (see NMA website below), he pioneered an array of techniques for this device in the field of low-budget live electro-acoustic performance (see NMA website). His interests in chance-based compositional procedures were also kindled at this time, and when he built his first 'music machine' in 1980, many doors opened for him. Combining these machines with his collection of found objects, toys and home-built instruments, he performed many concerts over the following years titled either "Ernie builds a machine" or "Machines and me", depending on their format. In 1986, the machines finally appeared alone as real sound installations. Since then, their design and construction, as well as their compositional strategies, have become more and more sophisticated. However, their aims of recognising the relevance of site specificity and utilising a (probably now) political use of the recycled, home-built or reappropriated as a low-budget ethic remain constant. As well as this, he is still an avid performer (either solo or in ensembles of two or more) with the likes of Robbie Avenaim and Eamon Sprod (Tarab), and has also lectured, held workshops and written extensively on the subject. He has shown works in several major Australian cities and has sent work overseas to galleries, festivals and radio networks. "Dark by 6" is his third solo CD, following years of cassette releases. Several compilation CDs, both Australian and U.S., include his work. He has received commissions for compositions and installations, held artist-in-residence positions, participated in many festivals and conferences with both his installations and performances and has had several projects funded by the Australia Council. "Our culture, until relatively recently, has forgotten how to explore other musical landscapes. In Althoff's case, his machines are like surveying instruments which aid him in mapping out a section of this little-known land for himself. His wanderings are part of our own attempts to find a more resonant cultural centre through our art..." Larry Wendt, San Jose. 1994 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-emergence-of-mammals [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:36 [post_modified_gmt] => 2014-09-25 10:35:36 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2917 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 624 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2949 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => The Messenger [post_excerpt] => "Thank for flying american" is a richly diverse anthology of audio art compositions by media, performance and visual artist, write audio composer, producer, and internationally broadcast radio art innovator Jaci Apple. Travelling a thematic path, this 17 cut compilation, selected from six of her major performance, installation, video and radio works from 1980-1991, is a journey accross the American landscape spanning three decades. Filled with a pervasive sense of loss, this series of aural snapshots gazes bacward into the past from different vantage points as it speeds forward into a precarious and sometimes ominous future. 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And previous pieces: Little Music .. - 1999, Little Litany - 2002, Little Chronicles - 2005. [post_title] => The guile of the Prince [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-guile-of-the-prince [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:48 [post_modified_gmt] => 2014-09-25 10:35:48 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3046 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 754 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 3078 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Broken memory [post_excerpt] => Andres Aguirre Salazar Date and place of Birth: January 7, 1977. Bogota’ Colombia. Live and work in Venice, Italy STUDIES 1996-2001 Degree in architecture Piloto de Colombia University Bogota - Colombia 2001-2002 Photography Colombo-French Alleance Institute Bogota – Colombia Art History Art Gallery Athena Bogota - Colombia 2002-2005 Specialization Degree on Visual Arts,Art and Design Faculty, IUAV University, Venice – Italy EXHIBITIONS 2005. 89th Collective Exhibition for Joung Artists, Gallery Bevilaqua La Masa, Piazza San Marco. Venice, Italy.Curated by Angela Vettese. (Price winner). 2005. TRANSMISSION. Plaza Market, Venice, Italy. Curated by progettozeropiu’. 2004. 88th Collective Exhibition for Joung Artists, Gallery Bevilaqua La Masa, Piazza San Marco. Venice, Italy. Curated by Angela Vettese. 2004. Sound Art Museum, Roma, Italy. Curated by Nomads and Residents and RAM (Radio Arte Mobile). 2004. Cartografia resistente (Resistent Cartography), ELETTRO+. Florence, Italy. Curated by ogi:noknauss. 2004. EUROPAN, Architetture e Strategie di Trasformazione Urbana (Architecture and Strategies of Urban Transformation). Venice, Italy. 2004. TRANSMISSION : RADIO COOPERATIVA – FM 92,7. Friuli, Italy. Curated by progettozeropiu’. 2004. T.V. street “qualsiasi (tv)”, BASE Gallery / Progetti per l’arte. Florence, Italy. Curated by Rirkrit Tiravanija. 2003. talk show-dialoghi in mostra, VIAFARINI Gallery, Milano, Italy. Curated by Hans Ulrich Obrist. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => broken-memory [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:12 [post_modified_gmt] => 2014-09-25 10:36:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3078 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 787 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 3111 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => 3M-HI - The Music for Tape [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 3m-hi-the-music-for-tape [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:14 [post_modified_gmt] => 2014-09-25 10:36:14 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3111 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 820 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3143 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 183.28, 184.33, 185.23 [post_title] => Mouche [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. 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