WP_Query Object ( [query] => Array ( [post_type] => sounds [settori] => sound-art-museum [paged] => 3 [posts_per_page] => 10 ) [query_vars] => Array ( [post_type] => sounds [settori] => sound-art-museum [paged] => 3 [posts_per_page] => 10 [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [static] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [monthnum] => 0 [year] => 0 [w] => 0 [category_name] => [tag] => [cat] => [tag_id] => [author] => [author_name] => [feed] => [tb] => [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [taxonomy] => settori [term] => sound-art-museum [order] => DESC ) [tax_query] => WP_Tax_Query Object ( [queries] => Array ( [0] => Array ( [taxonomy] => settori [terms] => Array ( [0] => sound-art-museum ) [field] => slug [operator] => IN [include_children] => 1 ) ) [relation] => AND [table_aliases:protected] => Array ( [0] => wp_term_relationships ) [queried_terms] => Array ( [settori] => Array ( [terms] => Array ( [0] => sound-art-museum ) [field] => slug ) ) [primary_table] => wp_posts [primary_id_column] => ID ) [meta_query] => WP_Meta_Query Object ( [queries] => Array ( ) [relation] => [meta_table] => [meta_id_column] => [primary_table] => [primary_id_column] => [table_aliases:protected] => Array ( ) [clauses:protected] => Array ( ) [has_or_relation:protected] => ) [date_query] => [queried_object] => WP_Term Object ( [term_id] => 562 [name] => SoundArtMuseum [slug] => sound-art-museum [term_group] => 0 [term_taxonomy_id] => 582 [taxonomy] => settori [description] => [parent] => 10 [count] => 1233 [filter] => raw ) [queried_object_id] => 562 [request] => SELECT SQL_CALC_FOUND_ROWS wp_posts.ID FROM wp_posts LEFT JOIN wp_term_relationships ON (wp_posts.ID = wp_term_relationships.object_id) JOIN wp_icl_translations t ON wp_posts.ID = t.element_id AND t.element_type = CONCAT('post_', wp_posts.post_type) WHERE 1=1 AND ( wp_term_relationships.term_taxonomy_id IN (582) ) AND wp_posts.post_type = 'sounds' AND (wp_posts.post_status = 'publish') AND ( ( t.language_code = 'it' AND wp_posts.post_type IN ('post','page','projects','events','sounds' ) ) OR wp_posts.post_type NOT IN ('post','page','projects','events','sounds' ) ) GROUP BY wp_posts.ID ORDER BY wp_posts.post_date DESC LIMIT 20, 10 [posts] => Array ( [0] => WP_Post Object ( [ID] => 2570 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Fa parte del CD "Bea"; T.T. 69' 19". Copyright: Kaffe Matthews 1998 Remixed and produced by km at Annette Works, 47 Margetson House, Stamford Hill, London N16 5LE. R.G.: Kaffe Matthews “CD Bea” – archivio SAM n. 123/c 26 tracce, compl. 70’26” Lavoro strutturalmente molto simile al precedente (123.a), forse ancora più “musicale” che “concreto”. Stesso giudizio. [post_title] => The red Room [part one] (track 15) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2570 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 273 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2602 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Fa parte del CD "dd"; T.T.67' 33". Copyright: Kaffe Matthews 2000. Mixed and edited by km at Annette Works. [post_title] => In search of a bun (track 4) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2602 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 305 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2634 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => A Birdsong Sampler (track 5) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-birdsong-sampler-track-5 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:19 [post_modified_gmt] => 2014-09-25 10:34:19 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2634 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 339 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2666 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Il brano è il track 12 di un Cd (T. T. 50' 10") dove sono raccolti alcuni lavori dell'artista. 1. un testo che illustra le occasioni e i modi di realizzazione dei brani che compongono il CD; 2. Materiale illustrativo + dvd (FC3) relativi al lavoro Lignes d'air (Orléans, 2004); 3. C.v.; 4. Materiale illustrativo del lavoro "Swell" (5/11/2004); 5.Brochure dell'istallazione"Station 3". [post_title] => Où sont les élans? [post_excerpt] => Dominique Leroy Né en 1970 aux Sables d’Olonne / Born in 1970 in Sables d’Olonne (F). Études et formation / Education: -2003-2004/ HISK (Hoger Institut voor Schone Kunsten), Antwerpen -1991-1996/ École Régionale des Beaux-Arts de Tours et de Nantes Bourses et résidences / Grants: -2003-2004/ Programme MAP, Pépinières européennes pour jeunes artistes, Mons -2002/ Résidence à Saint-Setiers, Association « Appelboom » -1999/ Aide à l’installation d’atelier, DRAC Pays de la Loire Expositions individuelles / Solo exhibitions: -2003/ Idem+Arts, Maubeuge -2002/ La Pommerie, Saint-Setiers Idem+Arts, Maubeuge Expositions de groupe et performances / Collective exhibitions and performances -2003/ W139, Amsterdam « ’été + », Mons Musée des Beaux-Arts de Mons « Station 2 », galerie 7m3, médiathèque de Mons -2002/ « Sous le soleil », Saint-Herblain Théâtre de l’Agora, Ivry -2001/ « Station1 », Journées du patrimoine, Nantes « Champ de traces et ligne de loup », galerie du Haïdouc, Bourges « Aller-retour », Nantes et Bordeaux « SBAM+ », Centre commercial Beaulieu, Nantes -2000/ « Festival des labos », musique et cinéma expérimental, Grenoble « Actif-Réactif », Le Lieu Unique, Nantes Galerie pédagogique, Collège Victor Segalen, Châteaugiron Ancienne gare SNCF, Oudon -1999/ « Un samedi soir en mouvement », Oudon Ancienne gare SNCF, Oudon [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ou-sont-les-elans [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:23 [post_modified_gmt] => 2014-09-25 10:34:23 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2666 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 371 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2699 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Love Song [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => love-song [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:26 [post_modified_gmt] => 2014-09-25 10:34:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2699 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 404 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2731 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Original music by Mino Freda; produced by Freda editing, sound engineer, mastering and mixed: Mino Freda. Interventi solistici: trombone: Sergio Battista, violino: Monica Castorina, percussioni: Francesco Mendolia. Auto produzione a tiratura limitata: es. ristampa seconda serie in vendita con il catalogo della mostra da Silenzio-Distribuzione (www.silenzio-distribuzione.it) [post_title] => Caosmo [post_excerpt] => Mino Freda (Roma 1963), compositore,percussionista, ha svolto studi di composizione e direzione di coro presso il Conservatorio S. Cecilia di Roma. Dal 1986 al 1996 è impeganto come percussionista in complessi sinfonici e lirici, compiendo tournées in Italia e all'estero. Da qualche anno è interessato alla musica elettronica e al trattamento digitale delle fonti sonore. Nel dic.'99 ha realizzato musiche per il programma radiofonico "L'occhio magico" (Radio Rai3) dedicato a Anselm Kiefer.Ha pubblicato musiche pianistiche per la ed. musicali Domani Musica e scritto per la rivista di musica contemporanea Konsequenz aderendo a un'iniziativa promossa da Giuseppe Chiari. Ha collaborato alla realizzazione di installazioni sonore con alcuni dei più autorevoli istituti italiani di ricerca di musica elettronica come l'Istituto Gramma de L'Aquila e il CRM di Roma. Dopo gli studi in lettere, in qualità di storico dell'arte contemporanea, si è spesso interesato allo studio dei fenomeni musicali nell'ambito dell'arte contemporanea. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => caosmo [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:29 [post_modified_gmt] => 2014-09-25 10:34:29 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2731 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 436 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2763 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Ascoltami (track 6) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ascoltami-track-6 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:55 [post_modified_gmt] => 2014-09-25 10:34:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2763 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 468 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2795 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 190.21 Due cd-rom fuori catalogo degli stessi artisti: FC.5: Geluidskunst wich took polace through the internet, and was presented at HK Watertoren from nov. 16, 2003 until jan. 18, 2004. FC.6: CU 29CONTAINS VIDEO'S OF THE EXHIBITION THAT WE PRESENTED AT hk Watertoren, Vlissingen, fromnov. 16, 2003 until jan. 18, 2004. [post_title] => Flexitar [post_excerpt] => From 1994 we are working together as an artistic duo. The starting point for our artistic work is the notion, that movement and sound are identical; without movement (vibration) nothing can be heard. This idea is worked out by us in every thinkable form: installations, works in progress on location, performances, concerts, etc. Because of the temporary character of the media sound and movement, our works, up to now, have always been presented during a limited period of time. So there are no objects for sale. Besides using the media movement, sound and image, we also have an interest in using new media and technology, that are often realized especially for our projects. Selection of presentations: 2003: Organisation of a tour of 8 soundartists to Belgrade. Concert at April Meeting Festival, SKC, Belgrade. Concert at Ringring-festival, REX, Belgrade. Concert at Interzone 2003 festival, Novi Sad. Groupexhibition "Corporate Identity", NBKS, Breda. Installation "Geluidskunst", Synagogue at Palmovka, Prague. Concert, Synagogue at Palmovka, Prague. Concert, Festival Sound-Movement-Image, House of Art, Opava, Czech Rep. Concert, Sklenena Louka, Brno. Lecture at FAVU, University of Brno. Project "Cu 29", Watertoren HK, Vlissingen. Project consisting of a work in progress, 3 soundinstallations, and 3 performances. 2002: Concert, LOGOS Foundation, Ghent. Concert, Exposition of New Music, Brno, Czech Republic. Installation "Medeklinkers", de Witte Dame, Eindhoven Website "The Anonomous Serenade", Project 4x4x4, MAD Foundation, Eindhoven. (www.4x4x4.dse.nl). 2001: Installation "Interference", 2 concerts, IM Festival, Minebuilding, Waterschei,Belgium. Performance "Jestem ruchem", Fest. Castle of Imagination, BWA, Zielona Gora, Poland. Performance, i.c.w. Jirzi Kurovka, Sylvette Babin, Oskar Dawicki, Fumiko Takahashi; Castle of Imagination, BWA, Zielona Gora, Poland. Performance "Jestem ruchem", first version, gallery BWA, Ustka, Poland. Performance, "I am movement", performance festival, Piotrkow Trybunalski, Poland. Installation and concert, SKC, Belgrade. Installation and performance, REX, Belgrade. 2000: Installation, 'Hladilnica", Pekarna, Maribor, Slovenia. Installation "Shadow Play", 1may-festival, 2B, Eindhoven. CD "The Adventures of Toon Scales", Bake Records, Staalplaat, Amsterdam. Installation Ínterference', at the complex of NRE Powercompany, Eindhoven. Installation, concert, and presentation at Gallery 'de Overslag', Eindhoven. 1999: Participation in "Conjunction", CD/Internet-project, Triple-X-festival, Amsterdam. Performance "The Boxing-ring", performance-festival, Cuba Cultur, Muenster, Germany. Installation "The Gathering", Musikfestspiele Sanssouci, Potsdam, Germany. Participation on a performance of Jens Brand, Galery de Overslag, Eindhoven. 1998: "Global Mix", live-radiomix through Internet from the Goethe Institute, Krakow, Poland. Installation "Shadow Play", and concert; Bunkier Sztuki, Krakow, Poland Installation "DioN.Y.sus'Scales", and concert; Audio Art Festival, Ujazdowski Castle, Warsaw. Installation "The Gathering", festival Baitz mit Klang, Baitz, Germany. Concert, Kunstfabrik, Darmstadt, Germany. Performance "The Boxing-ring", Performance Art Festival, Cleveland,OH,USA. Performance and installation ÏnSight", Spritzenhaus, Hamburg, Germany. 1997: Installation "DioN.Y.sus'Scales", HK Watertoren, Vlissingen. Concert, Kulturzentrum BOA, Lucerne, Switzerland. Project 'Het Vogelbekkenstuk", with Moniek Darge, Logos Fnd. Ghent, Belgium. Concert, Kuenstlerhaus, Dortmund, Germany. Project "Het Vogelbekkenstuk", with Jim Dvorak, Vrijhof Theatre, University of Enschede. Project "Het Vogelbekkenstuk", with Cor Gout and Wilbert de Joode, Effenaar, Eindhoven. 1996: Installation Oorsmeer, de Singel, Antwerp, Belgium. Installation Oorsmeer, Center for the Arts "Vooruit", Ghent, Belgium. Concert, Untitled Festival, Willem II, Den Bosch. Installation Oorsmeer, Theater a/d Parade, Den Bosch. Installation "DioN.Y.sus'Scales", Triple X-festival, Westergasfabriek, Amsterdam. Installation "The LocoMotives", Central Railway Station, Eindhoven. "First Night Installation", with Dan Senn and David Means, 1048 Broadway, Tacoma,WA,USA 1995: Concert, Festival Experimental Music, Polytechnic University, Munich. Installation "The State of things", +concert, het Stroomhuis, Neerijnen, NL. Concert, "Belgie", Hasselt, Belgium. Groupexhibition "Rotterdam/Vladivostok, Railwaystation Schiedam and Gallery Artetage, Vladivostok. Installation and performance "Shadows", Islip Art Museum, Islip, NY, USA. Installation "FBI", de Unie, Rotterdam. 1994: The boxing-ring and concert, Experimental Intermedia, New York, NY, USA. Artist-in-residency, Harvestworks, New York,NY,USA. Installation "DioN.Y.sus'Scales", Gallery Art in General, New York,NY,USA. Installation "Pegasus", Museum School of Fine Arts, Boston,MA,USA. Installation "Donar's Chariot"and concert; Islip Art Museum, Islip, NY, USA. Installation "Donar's Chariot"and concert; Vooruit, Gent. 1993: Concert, Videcultura, Haarlem. Installation and concert; Hermit Festival, Plasy, Czech Republic. Installation "Donar's Chariot"and concert, het Apollohuis, Eindhoven. Concert, de Melkweg, Amsterdam. Concert, Stedelijk Museum, Amsterdam/ VPRO-radio. Performance "Black Box", Effenaar, Eindhoven. Performance+concert; Center for New Dance Development, Arnhem. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => flexitar-2 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:58 [post_modified_gmt] => 2014-09-25 10:34:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2795 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 500 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2827 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Untitled [post_excerpt] => TEODORO ANZELOTTI is one of the protagonists of contemporary accordion music who decisively promoted the development of his instrument with a will to experiment and an artistic vision. Many composers discovered just through his work the specific expressio n possibilities of the accordion. A busy international concert activity at many New Music festivals and over 100 world premieres document this. This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => untitled-19 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:01 [post_modified_gmt] => 2014-09-25 10:35:01 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2827 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 533 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2859 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Concert in O.G.I. - track 6 [post_excerpt] => ALEXEI BORISOV: 1960 - born in Moscow 1983 - graduated from Moscow State University (History) 1980-1981 - guitarist of the first Russian new wave band "The Centre" 1981-1984 - vocalist/guitarist of mod band "Prospect" 1985 - organized (with Ivan Sokolovsky) the first Russian techno-industrial band “Notchnoi Prospect”, which is active until now Since 1989 - works periodically as a DJ, first primarily on different radio stations, after mid-90’s mostly in clubs Since 1992 - member of F.R.U.I.T.S. duo (with Pavel Jagun) Since 1994 - collaborates with Finnish experimental musician Anton Nikkila Since 1995 - music for the performances of Moscow art group “Sever” Since 1997 - collaborates with sax improviser Serguei Letov (as New Russian Alternative, Gosplan trio, playing live soundtracks to classic 1920's movies etc.) Since 1997 - producer of ethno-experimental project “Volga” 1998-2000 - one of the organizers of “Electric Future” (festival of electronic music in Moscow) Since 1999 - collaborates with Moscow multimedia artist A. Chernishov and V. Efimov. 1999-2000 - performances of the live soundtrack for FW Murnau’s “Faust” (1926) (with Serguei Letov, Richardas Norvila, Oleg Lipatov) 2000 - organised with Anton Nikkila the experimental label “N&B Research Digest” (www.nbresearchdigest.com) 2000-2003 – active touring in various lineups (solo, with Anton Nikkila, F.R.U.I.T.S., Notchnoi Prospekt, Sergui Letov and Volga) in Finland (Avanto Helsinki Media Art Festival and other events), Austria (Phonotaktik festival, Prototype festival, [d]vision festival, 4020.mehr als musik festival), Germany (Burg Herzberg Open Air 2000), France (Batofar), Belgium (Nova Cinema), Ukraine (Kiev Media Art Festival 2001), Spain (Sonar 2003 in Barcelona) etc. 2003 - Participation at “Finnexport 2003” tour in Russia (feat. Pan sonic, Pink Twins, Anton Nikkila) HUH Festival 2003 (Tallinn, Estonia) 2005 - Alexei Borisov - live in Chicago (2005), live at Le Placard headphone festival (MUTEK, Montreal 2005) F.R.U.I.T.S. - live at "Details of Sound" festival (Kiev, Ukrain 2005), "RADIUS" festival (Vienna, Austria 2005), "Noise and Fury" festival at DOM (Moscow 2005), "Garage" festival (Stralsund, Germany 2005) Alexei Borisov and Adam Ebringer (Australia) live at SKIF 9 (St. Petersburg 2005) SERGEY LETOV: Sergey Letov was born in Semipalatinsk, Eastern Kazakhstan, in 1956 and then lived in Omsk, Siberia, where still lives now his brother Egor Letov. Sergey Letov resides in Moscow since 1975. First public performance as a soloist with Percussion Ensemble of Mark Pekarsky took place in The Central House of Artist in 1982 in Moscow . 1983-1993 - collaboration with Sergey Kuryokhin (duo, combo and big band POP MECHANICS). Concerts with POP-MECHANICS and Sergey Kuryokhin - all over Soviet Union, Finland, Italy, France, Denmark. Since 1986 - collaboration with the Gypsy singer Valentina Ponomareva. Duo Ponomareva-Letov performed in USSR, Switzerland. In 1985 Sergey Letov has founded winds ensemble TRI-O (Arcady Shilkloper - French horn, Arcady Kiritchenko - tuba, euphonium, vocal, later - Alexander Alexandrov - bassoon, Youri Parfenov - trumpet). TRI-O performed at almost every jazz festival in USSR, since 1988 TRI-O played in Poland, Bulgaria, Switzerland, Lithuania (Vilnius Jazz Festival), Germany, Austria, Italy, Finland, Norway, the Netherlands, USA, including such clubs as Knitting Factory, Anyway (New York), Bimhuis (Amsterdam), Moods (Zurich), Sud des Alpes (Geneva), Blue Tomato (Vienna). Sergey Letov is interested in various projects, contacts, new partnerships. Among them - German World music band EMBRYO, Danish band NEW JUNGLE ORCHESTRA (concerts in Denmark, Germany and Russia), Italian composer and bass player Enrico Fazio (concert-performance in Noci Jazz Festival, 2 CDs), singer Sainkho Namchylak, American viola and violin player LaDonna Smith (concerts in USA and Russia), American guitar player and singer Misha Feigin, Lithuanian trombonist Vitautas Pilibavicius, German trombonist and dijeridoo player Heinz-Erich Goedecke. Sergey Letov participated in happenings and performances of Moscow conceptualists - Collective Actions, later with Andrei Monastyrsky, and TOTART since 1984, with Rea Nikonova since 1995, played at many art exhibitions in the galleries in Moscow, Bremen, Berlin, Smolensk. Sergey Letov performed also with modern poets and writers: Nina Iskrenko, Dmitry Alexandrovich Prigov, Lev Rubinstein, Gennady Katsov, Nina Sadur, Andrei Bitov, Vyacheslav Kupriyanov, Sergey Birjukow, Anna Alchuk, Vladimir Druk, Tatiana Scherbina, Nikolay Baitov and Svetlana Litvak, Yulia Skorodumova, Konstantin Kedrov, Elena Katsiuba, Liudmila Hodynskaia, Erkki Lappalainen (Finland -Sweden), Marina Kniazeva, Lesya Tyshkovska. In a duo with Alexander Alexandrov he participated in the international festival MILANOPOESIA-91 (Italy). Since 2002 Sergey Letov plays in Saxophone Quartet (or sometimes trio) Russian Sax Mafia. Since 1984 Sergey Letov plays with rock and alternative bands, such as Aquarium, Centre, DK, Alissa, DDT, Vesyolye Kartinki, Doctor, Nochnoi Prospect, Atonal Syndrom, Soft Animals and Ivan Sokolovsky,Grazhdanskaya Oborona. Since 1986 Sergey Letov collaborates with actress Nika Kossenkova. In the 1988-1989 he worked in Theatre of Improvisation in Moscow, in 1990-1991 in Moscow Creative Workshops (Mikhail Mokeev), in 1989-1992 and then since 1996 in the School of Dramatic Art of Anatoly Vassiliev, in 1991-1992 in Centro Sperimentale di Teatro a Roma (Sharoo and Reza Kheradmand), in 1991-1992 with clown company "Licedei-4" in France, Taganka Theatre since 1996 - "Moscow- Petushki" and "Marat/Sade", Kinetic Theatre of Sasha Pepelaev since 1997, Saumarkt Theater in Feldkirch, Austria in 1998, Moscow Art Academic Theatre (MKhAT by A.P.Chekhov) - 1999-2000, Theatre "Chelovek" in Moscow - since 2001 - "Entre Nous". Another form of Sergey Letov' activities is composing and playing music for cinema (Aleinikov brothers, Savva Kulish, Tatiana Chivikova, Yury Zmorovich a. o.), video, Radio and TV (more than 10 movies). Since 1996 Sergey Letov and Alexei Borisov play background music for the live performances of the German movie by Friedrich Wielhelm Murnau "Faust. Eine Folksage". Sergey Letov plays soprano, tenor, baritone saxophones, bass clarinet, flute, piccolo and alto flute, kuray. DIMITRII ALEKSANDROVICH PRIGOV: Dmitry Prigov (1940, Moscow, Russia) – poet, essay writer, artist, performer. Started his creative literary and artistic activities in the late 1950s. He is the author of numerous publications in magazines, literary miscellanies, catalogues and anthologies of contemporary poetry, as well as poetry books, essays and prose, issued by Russian and foreign publishing houses, including such as: Text Publishers, New Literary Review (Moscow), Limbach Publishing House (St.Petersburg), Michigan University Press (Chicago), Indiana University Press (Bloomington), Penguin (London), Iron Press (Culler Coats), Reclam Verlag, Oberbaum Verlag, Literarische Colloquium (Berlin), Space Umano (Milan), Triptyque Poesie, LRS-AMGA (Paris) and others. Among the recent poetry books are the following ones: 50 Drops of Blood (Moscow: Argo-Risk, 1994), Emergence of verse after its death (Moscow: Text, 1995), Militiaman and Others (Moscow: Obscuri Viri, 1996), Der Milizionär und die Anderen (Leipzig: Reclam Verlag, 1992), Les flauves de la vie (Paris: Triptyque, LRS-AMGA, 1994), Soviet texts – 1979-84 (St.Petersburg: Limbach Publishing House, 1997), Written since 1990 till 1994 (Moscow: NLO, 1998). He conducted a number of solo exhibitions at the Struve Gallery (Chicago), Contemporary Art Center (Saint Louis, 1989), Krings-Ernst Gallerie (Cologne, 1991), DAAD Gallery (Berlin, 1991), Guelman Gallery (Moscow, 1994), Russian Museum (St.Petersburg, 1994), Luedwig Museum (Budapest, 1995), Krings-Ernst Gallerie (Cologne, 1995), Muelcheim Museum (Muelcheim-on-Ruhr, 1995) and others, he also conducted a number of poetry readings and lectures on contemporary Russian art and literature at Harvard, Stanford, Columbia Universities, also at Berkeley, Los Angeles, and Ohio University College and so on (USA), London and Cambridge University colleges (Great Britain), as well as at the Universities of Munich, Frankfurt, Bochum, Bremen, Heidelberg (Germany) and others. Since the midst 1980s Prigov has participated in various festivals of contemporary poetry both in Russia and abroad, including such as: Novostroyka Avant-garde Festival (London, 1988), Festival of Avant-garde Classical Music (Moscow, 1990), Milanopoesia (Milan, 1991), Brighton Art Festival (Bridgetown, 1992), Rotterdam Poetry Festival (Rotterdam, 1993) and so on. In 1984-87 he performed as a vocalist and saxophone player with the group “Middle Russian Hills,” recorded several musical albums and solo poetry readings (MC, CD-format). Since 1989 till 1993 he hosted a program on the radio “Deutsche Welle.” In 1989 a documentary film was made about the poet’s creative activities, it was called “Dmitry Prigov: Poet and Rebel” (Moscow). He acted in the feature films “Taxi Blues”(1990), “Khrustalyov, Get into the Car!”(1995). Prigov participated in more than a hundred group exhibitions both in Russia and abroad. He is a laureate of various prizes, rewards and awards, including the Pushkin Prize for literature (Topfer-Foundation and Russian PEN Club, 1994), German Academy of Art Award (1991), also First Prize winner at the Paper Biennial (Duren, 1994). Dmitry Prigov lives and works in Moscow (Russia) and Cologne (Germany). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => concert-in-o-g-i-track-6 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:04 [post_modified_gmt] => 2014-09-25 10:35:04 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2859 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 565 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 2570 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Fa parte del CD "Bea"; T.T. 69' 19". Copyright: Kaffe Matthews 1998 Remixed and produced by km at Annette Works, 47 Margetson House, Stamford Hill, London N16 5LE. R.G.: Kaffe Matthews “CD Bea” – archivio SAM n. 123/c 26 tracce, compl. 70’26” Lavoro strutturalmente molto simile al precedente (123.a), forse ancora più “musicale” che “concreto”. Stesso giudizio. [post_title] => The red Room [part one] (track 15) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. 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Flexitar

Petra Dubach, Mario van Horrik

Flexitar

2003