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[post_title] => I fuochi dell'arte e le sue reliquie - I fuochi e il restauro [post_excerpt] => Convegno a cura di Achille Bonito Oliva [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => i-fuochi-dellarte-e-le-sue-reliquie-i-fuochi-e-il-restauro [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:21 [post_modified_gmt] => 2014-09-25 10:39:21 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3856 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1577 [post_it] => 7 ) [1] => WP_Post Object ( [ID] => 3889 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => L’ADACH Platform a Venezia vuole porsi come articolato punto d'incontro per la produzione artistica, con una rassegna di arti visive e di cultura contemporanee dal punto di vista di Abu Dhabi/EAU e non solo. La maggior parte dei contenuti dell’evento deriverà da progetti sviluppati nell’ambito dell’ADACH Platformfor the Visual Arts. L’evento è a cura di Catherine David. 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Born in 1982 in Dubai she will be one of the artists selected to participate to the first UAE Pavilion at the Venice Biennale. [post_title] => Sounds Like Sharjah Biennial [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-like-sharjah-biennial [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:30 [post_modified_gmt] => 2014-09-25 10:39:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3956 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1709 [post_it] => 7 ) [4] => WP_Post Object ( [ID] => 3993 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => SO.UND.ING [post_excerpt] => The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in co-production with RAM LIVE and co-curated by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => so-und-ing-3 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:52 [post_modified_gmt] => 2014-09-25 10:39:52 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3993 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1863 [post_it] => 7 ) [5] => WP_Post Object ( [ID] => 4107 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => A conversation between Lorenzo benedetti, Rossella Biscotti, Mark Manders and Olaf Nicolai. The Third Tiger Searching for a definition of what exhibitive space is, one could say that it is a place in which a translation occurs, a confine in which the visitor may pass from one dimension to another, a line which separates reality from a limitless number of other worlds, or other perspectives of the world. This is a definition that a place like Camere can highlight through the simple and precious typology of its rooms. With their frescoes and decorated flooring, the views of a nineteenth-century Roman Villa, the exhibitions in this place are testimony to a perspective of that special equilibrium found within art.  The works of art and the location make it possible to create a direct dialogue between the visitor and the artist. In the first room there is a figure lying in a chair with the semblance of a freshly sculpted clay model, a work by Mark Manders entitled "Clay Figure with Iron Chair". The newspapers in the window accentuate the impression of being inside a phase of the creation of the sculpture. But appearances can be deceiving; in the work of the Dutch artist there is an evasion from any temporal dimension that could connote a historical reference to the piece. The sculpture hides its identity within a physicality that does not wish to show signs of time. Its existence is found in the mythology of an intimate, personal history that the artist attempts to bestow upon the piece. Olaf Nicolai uses a conceptual exercise in transforming elements of the everyday and of our present and past culture into an aesthetic and artistic idiom that allows permanent new ways of experiencing reality. In the works exhibited at the show one finds oneself facing an estrangement of the material. At first sight in fact one would seem to be looking at watercolours that the artist has painted with his very breath, yet they are photographic reproductions of these instead. A relationship with the original comes from the fact that in this case we find ourselves in front of an alteration of reality, taking the same image into two different formats. A projection shows different types of yellow while the audio track plays the recordings of a series of therapeutic sessions on the effects of Pentothal carried out in the Netherlands towards the end of the of the eighties. Rossella Biscotti recovers these experiments in order to be able to retrace the missing trails of memory linked to historical and social situations. In "Yellow Film" Biscotti retraces the relationship between collective memory and personal unconsciousness. Lorenzo Benedetti Novembre 2011 Roma [post_title] => La Terza Tigre [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => la-terza-tigre-4 [to_ping] => [pinged] => [post_modified] => 2021-03-03 13:01:57 [post_modified_gmt] => 2021-03-03 12:01:57 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4107 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1981 [post_it] => 7 ) [6] => WP_Post Object ( [ID] => 4140 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Crossing Bodies – Immaginari postcoloniali è un progetto espositivo che si situa tra gli immaginari prodotti dalle e sulle migrazioni contemporanee in un’ottica postcoloniale. Il progetto è uno dei vincitori del bando Idee Migranti, promosso nell’ambito della mostra [S]oggetti migranti: dietro le cose le persone, ospitata al Museo Nazionale Preistorico Etnografico “Luigi Pigorini” di Roma. Talk con l’artista e antropologa Fiamma Montezemolo, gli studiosi Iain Chambers e Lidia Curti, in cui verrà presentato in anteprima nazionale il video Traces di Fiamma Montezemolo; Mostra fotografica di Mauricio Lupini dal titolo Observing Ethnography; Opera relazionale dell’artista curatore Massimiliano Di Franca che coinvolge l'artista Jimmie Durham, la ricercatrice Susanne Franco e l'antropologo Tarek Elhaik. 1 dicembre 2012 a cura di Routes Agency, Cura of Contemporary Arts dal 1 al 15 dicembre 2012 Museo Nazionale Preistorico // Etnografico “Luigi Pigorini” // Piazza Guglielmo Marconi, n°14 Roma [post_title] => CROSSING BODIES [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => crossing-bodies [to_ping] => [pinged] => [post_modified] => 2015-01-08 15:17:42 [post_modified_gmt] => 2015-01-08 14:17:42 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4140 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 2014 [post_it] => 7 ) [7] => WP_Post Object ( [ID] => 3428 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => [post_excerpt] => conducted by Nicola Setari [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 3428 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:21 [post_modified_gmt] => 2014-09-25 10:37:21 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3428 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1128 [post_it] => 7 ) [8] => WP_Post Object ( [ID] => 3461 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => interview [post_excerpt] => interviewed by Nicola Setari [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => interview-62 [to_ping] => [pinged] => [post_modified] => 2015-01-09 18:18:30 [post_modified_gmt] => 2015-01-09 17:18:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3461 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1165 [post_it] => 7 ) [9] => WP_Post Object ( [ID] => 3494 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => interventions by Achille Bonito Oliva, Michelangelo Pistoletto, Asia Mandic from Sarajevo by phone, Teresa Macrì, Filippo Fabbrica from Tunis by phone, Alfredo Pirri, Sara Risky from Cairo by phone, Paolo Naldini, Idit Porat from Tel Aviv by phone, Paolo Falcone from Palermo by phone [post_title] => [post_excerpt] => conducted by Cecilia Casorati [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 3494 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:28 [post_modified_gmt] => 2014-09-25 10:37:28 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3494 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1198 [post_it] => 7 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 3856 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Giornata internazionale di studi L’intento dell’artista nella conservazione dell’opera contemporanea in occasione della chiusura della mostra I fuochi dell’arte e le sue reliquie, con opere della collezione Jacorossi, presso gli spazi dell’Auditorium di Roma. 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SO.UND.ING

Borut Savski, Milan Kristl

SO.UND.ING

(so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format

2009

La Terza Tigre

Lorenzo Benedetti, Rossella Biscotti, Mark Manders, Olaf Nicolai

La Terza Tigre

Camere 16 // A coversation between

2011

CROSSING BODIES

Fiamma Montezemolo, Lidia Curti, Iain Chambers

CROSSING BODIES

Immaginari postcoloniali

2012

Giulia Pezzoli, Marina Saviano Giusto

Talkshow

2003

Teresa Macrì, Michelangelo Pistoletto, Alfredo Pirri, …

Love Difference Live

2005